ClipArt ETC
"The Doric Order is, in architecture, the second of the five orders, being that between the Tuscan and Ionic."—(Charles Leonard-Stuart, 1911)

Grecian Doric Capital

"The Doric Order is, in architecture, the second of the five orders, being that between the Tuscan and…

"The Doric Order is, in architecture, the second of the five orders, being that between the Tuscan and Ionic."—(Charles Leonard-Stuart, 1911)

Grecian Doric Capital

"The Doric Order is, in architecture, the second of the five orders, being that between the Tuscan and…

"The Doric Order is, in architecture, the second of the five orders, being that between the Tuscan and Ionic."—(Charles Leonard-Stuart, 1911)

Grecian Doric Capital

"The Doric Order is, in architecture, the second of the five orders, being that between the Tuscan and…

Grecian Doric Order.

Doric Order

Grecian Doric Order.

"A Frieze, in architecture, is that portion of the entablature which is between the architrave and the cornice. It was generally adorned with triglyphs in the Doric order. The term frieze was also applied to a broad band of sculpture, in low relief, that was frequently placed round the cella of a Grecian temple, immediately under the ceiling of the portico, and completely surrounding the exterior."—(Charles Leonard-Stuart, 1911)

Drontheim Frieze

"A Frieze, in architecture, is that portion of the entablature which is between the architrave and the…

"A Frieze, in architecture, is that portion of the entablature which is between the architrave and the cornice. It was generally adorned with triglyphs in the Doric order. The term frieze was also applied to a broad band of sculpture, in low relief, that was frequently placed round the cella of a Grecian temple, immediately under the ceiling of the portico, and completely surrounding the exterior."—(Charles Leonard-Stuart, 1911)

Roman-Doric Frieze

"A Frieze, in architecture, is that portion of the entablature which is between the architrave and the…

"A Frieze, in architecture, is that portion of the entablature which is between the architrave and the cornice. It was generally adorned with triglyphs in the Doric order. The term frieze was also applied to a broad band of sculpture, in low relief, that was frequently placed round the cella of a Grecian temple, immediately under the ceiling of the portico, and completely surrounding the exterior."—(Charles Leonard-Stuart, 1911)

Roman-Doric Frieze

"A Frieze, in architecture, is that portion of the entablature which is between the architrave and the…

This jug and goblet are designed in a Grecian shaped ruby glass. They are cut in sunken diamond shapes.

Jug and Goblet

This jug and goblet are designed in a Grecian shaped ruby glass. They are cut in sunken diamond shapes.

"Greek architecture is distinguished for nothing more than for the grace and beauty of its mouldings; and it may be remarked of them generally that they are eccentric, and not regular curves." — Encyclopedia Britanica, 1893

Grecian Banner

"Greek architecture is distinguished for nothing more than for the grace and beauty of its mouldings;…

In heraldry, the griffin is a fabulous animal, with the head and forefeet of an eagle, and the body, hind legs, and tail of a lion. The head is represented with pricked ears, symbolical of its vigilance. In mythology, the griffin was a creature similar in form to the griffin of heraldry, which was supposed to find its especial function in watching over hidden treasure, especially in Scythia. It was dedicated to the sun-god Apollo, whose chariot appears in early art as drawn by griffins. It was a favorite ornamental 'theme' in ancient Babylonian and Persian art, and is also found in a similar way on art objects of the Phoenicians, the Mycenæan civilization, and the ancient Greeks. The Romans and art-workers of the renaissance used it as a purely decorative device.

Griffin

In heraldry, the griffin is a fabulous animal, with the head and forefeet of an eagle, and the body,…

Grecian Ionic Order.

Ionic Order

Grecian Ionic Order.

"The temple of Diana was the chief glory of the city. The style was Grecian. The length of the ground-plan was four-hundred and twenty-five feet and the breadth two-hundred and twenty feet. The structure was thus four times as large as the Pantheon at Athens. The statue of the goddess was one of the finest works of art ever produced. It was wrought of ivory and gold, and was a marvel of costliness and beauty. The temple was decorated with sculptures by Praxiteles and one of the masterpieces of Apelles. A representation of the temple was stamped on the coins and medals of the city."—Ridpath, 1885

Temple of Diana at Ephesus

"The temple of Diana was the chief glory of the city. The style was Grecian. The length of the ground-plan…

"A Vase is a vessel of various forms and materials, applied to the purposes of domestic life, sacrificial uses, etc. They were often used merely for ornament, or were at least primarily ornamental in character and design. The antique vases found in great numbers in ancient tombs and catacombs in Etruria, Southern Italy, Greece, Sicily, etc., and used to contain the ashes of the dead, were for the most part made of baked clay, painted and glazed. Rare Chinese and Japanese vases are highly prized, and $20,000 has been paid for one vase at auction in New York."—(Charles Leonard-Stuart, 1911)

Grecian Vases

"A Vase is a vessel of various forms and materials, applied to the purposes of domestic life, sacrificial…