- Year Published: 1844
- Language: English
- Country of Origin: United States of America
- Source: Dumas, A. (1844). The Count of Monte Cristo. London: Chapman and Hall.
- Flesch–Kincaid Level: 6.1
- Word Count: 3,212
Dumas, A. (1844). Chapter 62: Ghosts. The Count of Monte Cristo (Lit2Go Edition). Retrieved August 24, 2016, from
Dumas, Alexandre. "Chapter 62: Ghosts." The Count of Monte Cristo. Lit2Go Edition. 1844. Web. <>. August 24, 2016.
Alexandre Dumas, "Chapter 62: Ghosts," The Count of Monte Cristo, Lit2Go Edition, (1844), accessed August 24, 2016,.
At first sight the exterior of the house at Auteuil gave no indications of splendor, nothing one would expect from the destined residence of the magnificent Count of Monte Cristo; but this simplicity was according to the will of its master, who positively ordered nothing to be altered outside. The splendor was within. Indeed, almost before the door opened, the scene changed. M. Bertuccio had outdone himself in the taste displayed in furnishing, and in the rapidity with which it was executed. It is told that the Duc d’Antin removed in a single night a whole avenue of trees that annoyed Louis XIV.; in three days M. Bertuccio planted an entirely bare court with poplars, large spreading sycamores to shade the different parts of the house, and in the foreground, instead of the usual paving–stones, half hidden by the grass, there extended a lawn but that morning laid down, and upon which the water was yet glistening. For the rest, the orders had been issued by the count; he himself had given a plan to Bertuccio, marking the spot where each tree was to be planted, and the shape and extent of the lawn which was to take the place of the paving–stones. Thus the house had become unrecognizable, and Bertuccio himself declared that he scarcely knew it, encircled as it was by a framework of trees. The overseer would not have objected, while he was about it, to have made some improvements in the garden, but the count had positively forbidden it to be touched. Bertuccio made amends, however, by loading the ante–chambers, staircases, and mantle–pieces with flowers.
What, above all, manifested the shrewdness of the steward, and the profound science of the master, the one in carrying out the ideas of the other, was that this house which appeared only the night before so sad and gloomy, impregnated with that sickly smell one can almost fancy to be the smell of time, had in a single day acquired the aspect of life, was scented with its master’s favorite perfumes, and had the very light regulated according to his wish. When the count arrived, he had under his touch his books and arms, his eyes rested upon his favorite pictures; his dogs, whose caresses he loved, welcomed him in the ante–chamber; the birds, whose songs delighted him, cheered him with their music; and the house, awakened from its long sleep, like the sleeping beauty in the wood, lived, sang, and bloomed like the houses we have long cherished, and in which, when we are forced to leave them, we leave a part of our souls. The servants passed gayly along the fine court–yard; some, belonging to the kitchens, gliding down the stairs, restored but the previous day, as if they had always inhabited the house; others filling the coach–houses, where the equipages, encased and numbered, appeared to have been installed for the last fifty years; and in the stables the horses replied with neighs to the grooms, who spoke to them with much more respect than many servants pay their masters.
The library was divided into two parts on either side of the wall, and contained upwards of two thousand volumes; one division was entirely devoted to novels, and even the volume which had been published but the day before was to be seen in its place in all the dignity of its red and gold binding. On the other side of the house, to match with the library, was the conservatory, ornamented with rare flowers, that bloomed in china jars; and in the midst of the greenhouse, marvellous alike to sight and smell, was a billiard–table which looked as if it had been abandoned during the past hour by players who had left the balls on the cloth. One chamber alone had been respected by the magnificent Bertuccio. Before this room, to which you could ascend by the grand, and go out by the back staircase, the servants passed with curiosity, and Bertuccio with terror. At five o’clock precisely, the count arrived before the house at Auteuil, followed by Ali. Bertuccio was awaiting this arrival with impatience, mingled with uneasiness; he hoped for some compliments, while, at the same time, he feared to have frowns. Monte Cristo descended into the courtyard, walked all over the house, without giving any sign of approbation or pleasure, until he entered his bedroom, situated on the opposite side to the closed room; then he approached a little piece of furniture, made of rosewood, which he had noticed at a previous visit. “That can only be to hold gloves,” he said.
“Will your excellency deign to open it?” said the delighted Bertuccio, “and you will find gloves in it.” Elsewhere the count found everything he required—smelling–bottles, cigars, knick–knacks.
“Good,” he said; and M. Bertuccio left enraptured, so great, so powerful, and real was the influence exercised by this man over all who surrounded him. At precisely six o’clock the clatter of horses’ hoofs was heard at the entrance door; it was our captain of Spahis, who had arrived on Medeah. “I am sure I am the first,” cried Morrel; “I did it on purpose to have you a minute to myself, before every one came. Julie and Emmanuel have a thousand things to tell you. Ah, really this is magnificent! But tell me, count, will your people take care of my horse?”
“Do not alarm yourself, my dear Maximilian—they understand.”
“I mean, because he wants petting. If you had seen at what a pace he came—like the wind!”
“I should think so,—a horse that cost 5,000 francs!” said Monte Cristo, in the tone which a father would use towards a son.
“Do you regret them?” asked Morrel, with his open laugh.
“I? Certainly not,” replied the count. “No; I should only regret if the horse had not proved good.”
“It is so good, that I have distanced M. de Chateau–Renaud, one of the best riders in France, and M. Debray, who both mount the minister’s Arabians; and close on their heels are the horses of Madame Danglars, who always go at six leagues an hour.”
“Then they follow you?” asked Monte Cristo.
“See, they are here.” And at the same minute a carriage with smoking horses, accompanied by two mounted gentlemen, arrived at the gate, which opened before them. The carriage drove round, and stopped at the steps, followed by the horsemen. The instant Debray had touched the ground, he was at the carriage–door. He offered his hand to the baroness, who, descending, took it with a peculiarity of manner imperceptible to every one but Monte Cristo. But nothing escaped the count’s notice, and he observed a little note, passed with the facility that indicates frequent practice, from the hand of Madame Danglars to that of the minister’s secretary. After his wife the banker descended, as pale as though he had issued from his tomb instead of his carriage. Madame Danglars threw a rapid and inquiring glance which could only be interpreted by Monte Cristo, around the court–yard, over the peristyle, and across the front of the house, then, repressing a slight emotion, which must have been seen on her countenance if she had not kept her color, she ascended the steps, saying to Morrel, “Sir, if you were a friend of mine, I should ask you if you would sell your horse.”
Morrel smiled with an expression very like a grimace, and then turned round to Monte Cristo, as if to ask him to extricate him from his embarrassment. The count understood him. “Ah, madame,” he said, “why did you not make that request of me?”
“With you, sir,” replied the baroness, “one can wish for nothing, one is so sure to obtain it. If it were so with M. Morrel”—
“Unfortunately,” replied the count, “I am witness that M. Morrel cannot give up his horse, his honor being engaged in keeping it.”
“He laid a wager he would tame Medeah in the space of six months. You understand now that if he were to get rid of the animal before the time named, he would not only lose his bet, but people would say he was afraid; and a brave captain of Spahis cannot risk this, even to gratify a pretty woman, which is, in my opinion, one of the most sacred obligations in the world.”
“You see my position, madame,” said Morrel, bestowing a grateful smile on Monte Cristo.
“It seems to me,” said Danglars, in his coarse tone, ill–concealed by a forced smile, “that you have already got horses enough.” Madame Danglars seldom allowed remarks of this kind to pass unnoticed, but, to the surprise of the young people, she pretended not to hear it, and said nothing. Monte Cristo smiled at her unusual humility, and showed her two immense porcelain jars, over which wound marine plants, of a size and delicacy that nature alone could produce. The baroness was astonished. “Why,” said she, “you could plant one of the chestnut–trees in the Tuileries inside! How can such enormous jars have been manufactured?”
“Ah, madame,” replied Monte Cristo, “you must not ask of us, the manufacturers of fine porcelain, such a question. It is the work of another age, constructed by the genii of earth and water.”
“How so?—at what period can that have been?”
“I do not know; I have only heard that an emperor of China had an oven built expressly, and that in this oven twelve jars like this were successively baked. Two broke, from the heat of the fire; the other ten were sunk three hundred fathoms deep into the sea. The sea, knowing what was required of her, threw over them her weeds, encircled them with coral, and encrusted them with shells; the whole was cemented by two hundred years beneath these almost impervious depths, for a revolution carried away the emperor who wished to make the trial, and only left the documents proving the manufacture of the jars and their descent into the sea. At the end of two hundred years the documents were found, and they thought of bringing up the jars. Divers descended in machines, made expressly on the discovery, into the bay where they were thrown; but of ten three only remained, the rest having been broken by the waves. I am fond of these jars, upon which, perhaps, misshapen, frightful monsters have fixed their cold, dull eyes, and in which myriads of small fish have slept, seeking a refuge from the pursuit of their enemies.” Meanwhile, Danglars, who had cared little for curiosities, was mechanically tearing off the blossoms of a splendid orange–tree, one after another. When he had finished with the orange–tree, he began at the cactus; but this, not being so easily plucked as the orange–tree, pricked him dreadfully. He shuddered, and rubbed his eyes as though awaking from a dream.
“Sir,” said Monte Cristo to him, “I do not recommend my pictures to you, who possess such splendid paintings; but, nevertheless, here are two by Hobbema, a Paul Potter, a Mieris, two by Gerard Douw, a Raphael, a Vandyke, a Zurbaran, and two or three by Murillo, worth looking at.”
“Stay,” said Debray; “I recognize this Hobbema.”
“Yes; it was proposed for the Museum.”
“Which, I believe, does not contain one?” said Monte Cristo.
“No; and yet they refused to buy it.”
“Why?” said Chateau–Renaud.
“You pretend not to know,—because government was not rich enough.”
“Ah, pardon me,” said Chateau–Renaud; “I have heard of these things every day during the last eight years, and I cannot understand them yet.”
“You will, by and by,” said Debray.
“I think not,” replied Chateau–Renaud.
“Major Bartolomeo Cavalcanti and Count Andrea Cavalcanti,” announced Baptistin. A black satin stock, fresh from the maker’s hands, gray moustaches, a bold eye, a major’s uniform, ornamented with three medals and five crosses—in fact, the thorough bearing of an old soldier—such was the appearance of Major Bartolomeo Cavalcanti, that tender father with whom we are already acquainted. Close to him, dressed in entirely new clothes, advanced smilingly Count Andrea Cavalcanti, the dutiful son, whom we also know. The three young people were talking together. On the entrance of the new–comers, their eyes glanced from father to son, and then, naturally enough, rested on the latter, whom they began criticising. “Cavalcanti!” said Debray. “A fine name,” said Morrel.
“Yes,” said Chateau–Renaud, “these Italians are well named and badly dressed.”
“You are fastidious, Chateau–Renaud,” replied Debray; “those clothes are well cut and quite new.”
“That is just what I find fault with. That gentleman appears to be well dressed for the first time in his life.”
“Who are those gentlemen?” asked Danglars of Monte Cristo.
“That tells me their name, and nothing else.”
“Ah, true. You do not know the Italian nobility; the Cavalcanti are all descended from princes.”
“Have they any fortune?”
“An enormous one.”
“What do they do?”
“Try to spend it all. They have some business with you, I think, from what they told me the day before yesterday. I, indeed, invited them here to–day on your account. I will introduce you to them.”
“But they appear to speak French with a very pure accent,” said Danglars.
“The son has been educated in a college in the south; I believe near Marseilles. You will find him quite enthusiastic.”
“Upon what subject?” asked Madame Danglars.
“The French ladies, madame. He has made up his mind to take a wife from Paris.”
“A fine idea that of his,” said Danglars, shrugging his shoulders. Madame Danglars looked at her husband with an expression which, at any other time, would have indicated a storm, but for the second time she controlled herself. “The baron appears thoughtful to–day,” said Monte Cristo to her; “are they going to put him in the ministry?”
“Not yet, I think. More likely he has been speculating on the Bourse, and has lost money.”
“M. and Madame de Villefort,” cried Baptistin. They entered. M. de Villefort, notwithstanding his self–control, was visibly affected, and when Monte Cristo touched his hand, he felt it tremble. “Certainly, women alone know how to dissimulate,” said Monte Cristo to himself, glancing at Madame Danglars, who was smiling on the procureur, and embracing his wife. After a short time, the count saw Bertuccio, who, until then, had been occupied on the other side of the house, glide into an adjoining room. He went to him. “What do you want, M. Bertuccio?” said he.
“Your excellency has not stated the number of guests.”
“How many covers?”
“Count for yourself.”
“Is every one here, your excellency?”
Bertuccio glanced through the door, which was ajar. The count watched him. “Good heavens!” he exclaimed.
“What is the matter?” said the count.
“That woman—that woman!”
“The one with a white dress and so many diamonds—the fair one.”
“I do not know her name; but it is she, sir, it is she!”
“Whom do you mean?”
“The woman of the garden!—she that was enciente—she who was walking while she waited for”—Bertuccio stood at the open door, with his eyes starting and his hair on end.
“Waiting for whom?” Bertuccio, without answering, pointed to Villefort with something of the gesture Macbeth uses to point out Banquo. “Oh, oh,” he at length muttered, “do you see?”
“Him!—M. de Villefort, the king’s attorney? Certainly I see him.”
“Then I did not kill him?”
“Really, I think you are going mad, good Bertuccio,” said the count.
“Then he is not dead?”
“No; you see plainly he is not dead. Instead of striking between the sixth and seventh left ribs, as your countrymen do, you must have struck higher or lower, and life is very tenacious in these lawyers, or rather there is no truth in anything you have told me—it was a fright of the imagination, a dream of your fancy. You went to sleep full of thoughts of vengeance; they weighed heavily upon your stomach; you had the nightmare—that’s all. Come, calm yourself, and reckon them up—M. and Madame de Villefort, two; M. and Madame Danglars, four; M. de Chateau–Renaud, M. Debray, M. Morrel, seven; Major Bartolomeo Cavalcanti, eight.”
“Eight!” repeated Bertuccio.
“Stop! You are in a shocking hurry to be off—you forget one of my guests. Lean a little to the left. Stay! look at M. Andrea Cavalcanti, the young man in a black coat, looking at Murillo’s Madonna; now he is turning.” This time Bertuccio would have uttered an exclamation, had not a look from Monte Cristo silenced him. “Benedetto?” he muttered; “fatality!”
“Half–past six o’clock has just struck, M. Bertuccio,” said the count severely; “I ordered dinner at that hour, and I do not like to wait;” and he returned to his guests, while Bertuccio, leaning against the wall, succeeded in reaching the dining–room. Five minutes afterwards the doors of the drawing–room were thrown open, and Bertuccio appearing said, with a violent effort, “The dinner waits.”
The Count of Monte Cristo offered his arm to Madame de Villefort. “M. de Villefort,” he said, “will you conduct the Baroness Danglars?”
Villefort complied, and they passed on to the dining–room.