- Year Published: 1920
- Language: English
- Country of Origin: United States of America
- Source: Fitzgerald, S. (1920). Flappers and Philosophers. New York, NY: Doubleday, Page & Company.
- Flesch–Kincaid Level: 6.8
- Word Count: 9,658
Fitzgerald, F. (1920). The Ice Palace. Flappers and Philosophers (Lit2Go Edition). Retrieved January 28, 2015, from
Fitzgerald, F. Scott. "The Ice Palace." Flappers and Philosophers. Lit2Go Edition. 1920. Web. <>. January 28, 2015.
F. Scott Fitzgerald, "The Ice Palace," Flappers and Philosophers, Lit2Go Edition, (1920), accessed January 28, 2015,.
The sunlight dripped over the house like golden paint over an art jar, and the freckling shadows here and there only intensified the rigor of the bath of light. The Butterworth and Larkin houses flanking were entrenched behind great stodgy trees; only the Happer house took the full sun, and all day long faced the dusty road–street with a tolerant kindly patience. This was the city of Tarleton in southernmost Georgia, September afternoon.
Up in her bedroom window Sally Carrol Happer rested her nineteen–year–old chin on a fifty–two–year–old sill and watched Clark Darrow's ancient Ford turn the corner. The car was hot—being partly metallic it retained all the heat it absorbed or evolved—and Clark Darrow sitting bolt upright at the wheel wore a pained, strained expression as though he considered himself a spare part, and rather likely to break. He laboriously crossed two dust ruts, the wheels squeaking indignantly at the encounter, and then with a terrifying expression he gave the steering–gear a final wrench and deposited self and car approximately in front of the Happer steps. There was a heaving sound, a death–rattle, followed by a short silence; and then the air was rent by a startling whistle.
Sally Carrol gazed down sleepily. She started to yawn, but finding this quite impossible unless she raised her chin from the window–sill, changed her mind and continued silently to regard the car, whose owner sat brilliantly if perfunctorily at attention as he waited for art answer to his signal. After a moment the whistle once more split the dusty air.
With difficulty Clark twisted his tall body round and bent a distorted glance on the window.
"Tain't mawnin', Sally Carrol."
"Isn't it, sure enough?"
"What you doin'?"
"Eatin' 'n apple."
"Come on go swimmin'—want to?"
"How 'bout hurryin' up?"
Sally Carrol sighed voluminously and raised herself with profound inertia from the floor where she had been occupied in alternately destroyed parts of a green apple and painting paper dolls for her younger sister. She approached a mirror, regarded her expression with a pleased and pleasant languor, dabbed two spots of rouge on her lips and a grain of powder on her nose, and covered her bobbed corn–colored hair with a rose–littered sunbonnet. Then she kicked over the painting water, said, "Oh, damn!"—but let it lay—and left the room.
"How you, Clark?" she inquired a minute later as she slipped nimbly over the side of the car.
"Mighty fine, Sally Carrol."
"Where we go swimmin'?"
"Out to Walley's Pool. Told Marylyn we'd call by an' get her an' Joe Ewing."
Clark was dark and lean, and when on foot was rather inclined to stoop. His eyes were ominous and his expression somewhat petulant except when startlingly illuminated by one of his frequent smiles. Clark had "a income"—just enough to keep himself in ease and his car in gasolene—and he had spent the two years since he graduated from Georgia Tech in dozing round the lazy streets of his home town, discussing how he could best invest his capital for an immediate fortune.
Hanging round he found not at all difficult; a crowd of little girls had grown up beautifully, the amazing Sally Carrol foremost among them; and they enjoyed being swum with and danced with and made love to in the flower–filled summery evenings—and they all liked Clark immensely. When feminine company palled there were half a dozen other youths who were always just about to do something, and meanwhile were quite willing to join him in a few holes of golf, or a game of billiards, or the consumption of a quart of "hard yella licker." Every once in a while one of these contemporaries made a farewell round of calls before going up to New York or Philadelphia or Pittsburgh to go into business, but mostly they just stayed round in this languid paradise of dreamy skies and firefly evenings and noisy nigger street fairs—and especially of gracious, soft–voiced girls, who were brought up on memories instead of money.
The Ford having been excited into a sort of restless resentful life Clark and Sally Carrol rolled and rattled down Valley Avenue into Jefferson Street, where the dust road became a pavement; along opiate Millicent Place, where there were half a dozen prosperous, substantial mansions; and on into the down–town section. Driving was perilous here, for it was shopping time; the population idled casually across the streets and a drove of low–moaning oxen were being urged along in front of a placid street–car; even the shops seemed only yawning their doors and blinking their windows in the sunshine before retiring into a state of utter and finite coma.
"Sally Carrol," said Clark suddenly, "it a fact that you're engaged?"
She looked at him quickly.
"Where'd you hear that?"
"Sure enough, you engaged?"
"'At's a nice question!"
"Girl told me you were engaged to a Yankee you met up in Asheville last summer."
Sally Carrol sighed.
"Never saw such an old town for rumors."
"Don't marry a Yankee, Sally Carrol. We need you round here."
Sally Carrol was silent a moment.
"Clark," she demanded suddenly, "who on earth shall I marry?"
"I offer my services."
"Honey, you couldn't support a wife," she answered cheerfully. "Anyway, I know you too well to fall in love with you."
"'At doesn't mean you ought to marry a Yankee," he persisted.
"S'pose I love him?"
He shook his head.
"You couldn't. He'd be a lot different from us, every way."
He broke off as he halted the car in front of a rambling, dilapidated house. Marylyn Wade and Joe Ewing appeared in the doorway.
"'Lo Sally Carrol."
"Sally Carrol," demanded Marylyn as they started of again, "you engaged?"
"Lawdy, where'd all this start? Can't I look at a man 'thout everybody in town engagin' me to him?"
Clark stared straight in front of him at a bolt on the clattering wind–shield.
"Sally Carrol," he said with a curious intensity, "don't you 'like us?"
"Us down here?"
"Why, Clark, you know I do. I adore all you boys."
"Then why you gettin' engaged to a Yankee?."
"Clark, I don't know. I'm not sure what I'll do, but—well, I want to go places and see people. I want my mind to grow. I want to live where things happen on a big scale."
"What you mean?"
"Oh, Clark, I love you, and I love Joe here and Ben Arrot, and you–all, but you'll—you'll—"
"We'll all be failures?"
"Yes. I don't mean only money failures, but just sort of—of ineffectual and sad, and—oh, how can I tell you?"
"You mean because we stay here in Tarleton?"
"Yes, Clark; and because you like it and never want to change things or think or go ahead."
He nodded and she reached over and pressed his hand.
"Clark," she said softly, "I wouldn't change you for the world. You're sweet the way you are. The things that'll make you fail I'll love always—the living in the past, the lazy days and nights you have, and all your carelessness and generosity."
"But you're goin' away?"
"Yes—because I couldn't ever marry you. You've a place in my heart no one else ever could have, but tied down here I'd get restless. I'd feel I was—wastin' myself. There's two sides to me, you see. There's the sleepy old side you love an' there's a sort of energy—the feeling that makes me do wild things. That's the part of me that may be useful somewhere, that'll last when I'm not beautiful any more."
She broke of with characteristic suddenness and sighed, "Oh, sweet cooky!" as her mood changed.
Half closing her eyes and tipping back her head till it rested on the seat–back she let the savory breeze fan her eyes and ripple the fluffy curls of her bobbed hair. They were in the country now, hurrying between tangled growths of bright–green coppice and grass and tall trees that sent sprays of foliage to hang a cool welcome over the road. Here and there they passed a battered negro cabin, its oldest white–haired inhabitant smoking a corncob pipe beside the door, and half a dozen scantily clothed pickaninnies parading tattered dolls on the wild–grown grass in front. Farther out were lazy cotton–fields where even the workers seemed intangible shadows lent by the sun to the earth, not for toil, but to while away some age–old tradition in the golden September fields. And round the drowsy picturesqueness, over the trees and shacks and muddy rivers, flowed the heat, never hostile, only comforting, like a great warm nourishing bosom for the Infant earth.
"Sally Carrol, we're here!"
"Poor chile's soun' asleep."
"Honey, you dead at last outa sheer laziness?"
"Water, Sally Carrol! Cool water waitin' for you!"
Her eyes opened sleepily.
"Hi!" she murmured, smiling.
In November Harry Bellamy, tall, broad, and brisk, came down from his Northern city to spend four days. His intention was to settle a matter that had been hanging fire since he and Sally Carrol had met in Asheville, North Carolina, in midsummer. The settlement took only a quiet afternoon and an evening in front of a glowing open fire, for Harry Bellamy had everything she wanted; and, beside, she loved him—loved him with that side of her she kept especially for loving. Sally Carrol had several rather clearly defined sides.
On his last afternoon they walked, and she found their steps tending half–unconsciously toward one of her favorite haunts, the cemetery. When it came in sight, gray–white and golden–green under the cheerful late sun, she paused, irresolute, by the iron gate.
"Are you mournful by nature, Harry?" she asked with a faint smile.
"Mournful?" Not I."
"Then let's go in here. It depresses some folks, but I like it."
They passed through the gateway and followed a path that led through a wavy valley of graves—dusty–gray and mouldy for the fifties; quaintly carved with flowers and jars for the seventies; ornate and hideous for the nineties, with fat marble cherubs lying in sodden sleep on stone pillows, and great impossible growths of nameless granite flowers.
Occasionally they saw a kneeling figure with tributary flowers, but over most of the graves lay silence and withered leaves with only the fragrance that their own shadowy memories could waken in living minds.
They reached the top of a hill where they were fronted by a tall, round head–stone, freckled with dark spots of damp and half grown over with vines.
"Margery Lee," she read; "1844–1873. Wasn't she nice? She died when she was twenty–nine. Dear Margery Lee," she added softly. "Can't you see her, Harry?"
"Yes, Sally Carrol."
He felt a little hand insert itself into his.
"She was dark, I think; and she always wore her hair with a ribbon in it, and gorgeous hoop–skirts of alice blue and old rose."
"Oh, she was sweet, Harry! And she was the sort of girl born to stand on a wide, pillared porch and welcome folks in. I think perhaps a lot of men went away to war meanin' to come back to her; but maybe none of 'em ever did."
He stooped down close to the stone, hunting for any record of marriage.
"There's nothing here to show."
"Of course not. How could there be anything there better than just 'Margery Lee,' and that eloquent date?"
She drew close to him and an unexpected lump came into his throat as her yellow hair brushed his cheek.
"You see how she was, don't you Harry?"
"I see," he agreed gently. "I see through your precious eyes. You're beautiful now, so I know she must have been."
Silent and close they stood, and he could feel her shoulders trembling a little. An ambling breeze swept up the hill and stirred the brim of her floppidy hat.
"Let's go down there!"
She was pointing to a flat stretch on the other side of the hill where along the green turf were a thousand grayish–white crosses stretching in endless, ordered rows like the stacked arms of a battalion.
"Those are the Confederate dead," said Sally Carrol simply.
They walked along and read the inscriptions, always only a name and a date, sometimes quite indecipherable.
"The last row is the saddest—see, 'way over there. Every cross has just a date on it and the word 'Unknown.'"
She looked at him and her eyes brimmed with tears.
"I can't tell you how real it is to me, darling—if you don't know."
"How you feel about it is beautiful to me."
"No, no, it's not me, it's them—that old time that I've tried to have live in me. These were just men, unimportant evidently or they wouldn't have been 'unknown'; but they died for the most beautiful thing in the world—the dead South. You see," she continued, her voice still husky, her eyes glistening with tears, "people have these dreams they fasten onto things, and I've always grown up with that dream. It was so easy because it was all dead and there weren't an disillusions comin' to me. I've tried in a way to live up to those past standards of noblesse oblige—there's just the last remnants of it, you know, like the roses of an old garden dying all round us—streaks of strange courtliness and chivalry in some of these boys an' stories I used to hear from a Confederate soldier who lived next door, and a few old darkies. Oh, Harry, there was something, there was something! I couldn't ever make you understand but it was there."
"I understand," he assured her again quietly.
Sally Carol smiled and dried her eyes on the tip of a handkerchief protruding from his breast pocket.
"You don't feel depressed, do you, lover? Even when I cry I'm happy here, and I get a sort of strength from it."
Hand in hand they turned and walked slowly away. Finding soft grass she drew him down to a seat beside her with their backs against the remnants of a low broken wall.
"Wish those three old women would clear out," he complained. "I want to kiss you, Sally Carrol."
They waited impatiently for the three bent figures to move off, and then she kissed him until the sky seemed to fade out and all her smiles and tears to vanish in an ecstasy of eternal seconds.
Afterward they walked slowly back together, while on the corners twilight played at somnolent black–and–white checkers with the end of day.
"You'll be up about mid–January," he said, "and you've got to stay a month at least. It'll be slick. There's a winter carnival on, and if you've never really seen snow it'll be like fairy–land to you. There'll be skating and skiing and tobogganing and sleigh–riding, and all sorts of torchlight parades on snow–shoes. They haven't had one for years, so they're gong to make it a knock–out."
"Will I be cold, Harry?" she asked suddenly.
"You certainly won't. You may freeze your nose, but you won't be shivery cold. It's hard and dry, you know."
"I guess I'm a summer child. I don't like any cold I've ever seen."
She broke off and they were both silent for a minute.
"Sally Carol," he said very slowly, "what do you say to—March?"
"I say I love you."
All night in the Pullman it was very cold. She rang for the porter to ask for another blanket, and when he couldn't give her one she tried vainly, by squeezing down into the bottom of her berth and doubling back the bedclothes, to snatch a few hours' sleep. She wanted to look her best in the morning.
She rose at six and sliding uncomfortably into her clothes stumbled up to the diner for a cup of coffee. The snow had filtered into the vestibules and covered the door with a slippery coating. It was intriguing this cold, it crept in everywhere. Her breath was quite visible and she blew into the air with a na�ve enjoyment. Seated in the diner she stared out the window at white hills and valleys and scattered pines whose every branch was a green platter for a cold feast of snow. Sometimes a solitary farmhouse would fly by, ugly and bleak and lone on the white waste; and with each one she had an instant of chill compassion for the souls shut in there waiting for spring.
As she left the diner and swayed back into the Pullman she experienced a surging rush of energy and wondered if she was feeling the bracing air of which Harry had spoken. This was the North, the North—her land now!
"Then blow, ye winds, heighho!
A–roving I will go,"
she chanted exultantly to herself.
"What's 'at?" inquired the porter politely.
"I said: 'Brush me off.'"
The long wires of the telegraph poles doubled, two tracks ran up beside the train—three—four; came a succession of white–roofed houses, a glimpse of a trolley–car with frosted windows, streets— more streets—the city.
She stood for a dazed moment in the frosty station before she saw three fur–bundled figures descending upon her.
"There she is!"
"Oh, Sally Carrol!"
Sally Carrol dropped her bag.
A faintly familiar icy–cold face kissed her, and then she was in a group of faces all apparently emitting great clouds of heavy smoke; she was shaking hands. There were Gordon, a short, eager man of thirty who looked like an amateur knocked–about model for Harry, and his wife, Myra, a listless lady with flaxen hair under a fur automobile cap. Almost immediately Sally Carrol thought of her as vaguely Scandinavian. A cheerful chauffeur adopted her bag, and amid ricochets of half–phrases, exclamations and perfunctory listless "my dears" from Myra, they swept each other from the station.
Then they were in a sedan bound through a crooked succession of snowy streets where dozens of little boys were hitching sleds behind grocery wagons and automobiles.
"Oh," cried Sally Carrol, "I want to do that! Can we Harry?"
"That's for kids. But we might—"
"It looks like such a circus!" she said regretfully.
Home was a rambling frame house set on a white lap of mow, and there she met a big, gray–haired man of whom she approved, and a lady who was like an egg, and who kissed her—these were Harry's parents. There was a breathless indescribable hour crammed full of self–sentences, hot water, bacon and eggs and confusion; and after that she was alone with Harry in the library, asking him if she dared smoke.
It was a large room with s Madonna over the fireplace and rows upon rows of books in covers of light gold and dark gold and shiny red. Al the chairs had little lace squares where one's head should rest, the couch was just comfortable, the books looked as if they had been read—some—and Sally Carrol had an instantaneous vision of the battered old library at home, with her father's huge medical books, and the oil–paintings of her three great–uncles, and the old couch that had been mended up for forty–five years and was still luxurious to dream in. This room struck her as being neither attractive nor particularly otherwise. It was simply a room with a lot of fairly expensive things in it that all looked about fifteen years old.
"What do you think of it up here?" demanded Harry eagerly. "Does it surprise you? Is it what you expected I mean?"
"You are, Harry," she said quietly, and reached out her arms to him.
But after a brief kiss he seemed to extort enthusiasm from her.
"The town, I mean. Do you like it? Can you feel the pep in the air?"
"Oh, Harry," she laughed, "you'll have to give me time. You can't just fling questions at me."
She puffed at her cigarette with a sigh of contentment.
"One thing I want to ask you," he began rather apologetically; "you Southerners put quite an emphasis on family, and all that—not that it isn't quite all right, but you'll find it a little different here. I mean—you'll notice a lot of things that'll seem to you sort of vulgar display at first, Sally Carrol; but just remember that this is a three–generation town. Everybody has a father, and about half of us have grandfathers. Back of that we don't go."
"Of course," she murmured.
"Our grandfathers, you see, founded the place, and a lot of them had to take some pretty queer jobs while they were doing the founding. For instance there's one woman who at present is about the social model for the town; well, her father was the first public ash man—things like that."
"Why," said Sally Carol, puzzled, "did you s'pose I was goin' to make remarks about people?"
"Not at all," interrupted Harry, "and I'm not apologizing for any one either. It's just that—well, a Southern girl came up here' last summer and said some unfortunate things, and—oh, I just thought I'd tell you."
Sally Carrol felt suddenly indignant—as though she had been unjustly spanked—but Harry evidently considered the subject closed, for he went on with a great surge of enthusiasm.
"It's carnival time, you know. First in ten years. And there's an ice palace they're building new that's the first they've had since eighty–five. Built out of blocks of the clearest ice they could find—on a tremendous scale."
She rose and walking to the window pushed aside the heavy Turkish porti�res and looked out.
"Oh!" she cried suddenly. "There's two little boys makin' a snow man! Harry, do you reckon I can go out an' help 'em?"
"You dream! Come here and kiss me."
She left the window rather reluctantly.
"I don't guess this is a very kissable climate, is it? I mean, it makes you so you don't want to sit round, doesn't it?"
"We're not going to. I've got a vacation for the first week you're here, and there's a dinner–dance to–night."
"Oh, Harry," she confessed, subsiding in a heap, half in his Lap, half in the pillows, "I sure do feel confused. I haven't got an idea whether I'll like it or not, an' I don't know what people expect, or anythin'. You'll have to tell me, honey."
"I'll tell you," he said softly, "if you'll just tell me you're glad to be here."
"Glad—just awful glad!" she whispered, insinuating herself into his arms in her own peculiar way. "Where you are is home for me, Harry."
And as she said this she had the feeling for almost the first time in her life that she was acting a part.
That night, amid the gleaming candles of a dinner–party, where the men seemed to do most of the talking while the girls sat in a haughty and expensive aloofness, even Harry's presence on her left failed to make her feel at home.
"They're a good–looking crowd, don't you think?" he demanded. "Just look round. There's Spud Hubbard, tackle at Princeton last year, and Junie Morton—he and the red–haired fellow next to him were both Yale hockey captains; Junie was in my class. Why, the best athletes in the world come from these States round here. This is a man's country, I tell you. Look at John J. Fishburn!"
"Who's he?" asked Sally Carrol innocently.
"Don't you know?"
"I've heard the name."
"Greatest wheat man in the Northwest, and one of the greatest financiers in the country."
She turned suddenly to a voice on her right.
"I guess they forget to introduce us. My name's Roger Patton."
"My name is Sally Carrol Happer," she said graciously.
"Yes, I know. Harry told me you were coming."
"You a relative?"
"No, I'm a professor."
"Oh," she laughed.
"At the university. You're from the South, aren't you?"
"Yes; Tarleton, Georgia."
She liked him immediately—a reddish–brown mustache under watery blue eyes that had something in them that these other eyes lacked, some quality of appreciation. They exchanged stray sentences through dinner, and she made up her mind to see him again.
After coffee she was introduced to numerous good–looking young men who danced with conscious precision and seemed to take it for granted that she wanted to talk about nothing except Harry.
"Heavens," she thought, "They talk as if my being engaged made me older than they are—as if I'd tell their mothers on them!"
In the South an engaged girl, even a young married woman, expected the same amount of half–affectionate badinage and flattery that would be accorded a d�butante, but here all that seemed banned. One young man after getting well started on the subject of Sally Carrol's eyes and, how they had allured him ever since she entered the room, went into a violent convulsion when he found she was visiting the Bellamys—was Harry's fianc�e. He seemed to feel as though he had made some risqu� and inexcusable blunder, became immediately formal and left her at the first opportunity.
She was rather glad when Roger Patton cut in on her and suggested that they sit out a while.
"Well," he inquired, blinking cheerily, "how's Carmen from the South?"
"Mighty fine. How's—how's Dangerous Dan McGrew? Sorry, but he's the only Northerner I know much about."
He seemed to enjoy that.
"Of course," he confessed, "as a professor of literature I'm not supposed to have read Dangerous Dan McGrew."
"Are you a native?"
"No, I'm a Philadelphian. Imported from Harvard to teach French. But I've been here ten years."
"Nine years, three hundred an' sixty–four days longer than me."
"Like it here?"
"Uh–huh. Sure do!"
"Well, why not? Don't I look as if I were havin' a good time?"
"I saw you look out the window a minute ago— and shiver."
"Just my imagination," laughed Sally Carroll "I'm used to havin' everythin' quiet outside an' sometimes I look out an' see a flurry of snow an' it's just as if somethin' dead was movin'"
He nodded appreciatively.
"Ever been North before?"
"Spent two Julys in Asheville, North Carolina."
"Nice–looking crowd aren't they?" suggested Patton, indicating the swirling floor.
Sally Carrol started. This had been Harry's remark.
"Sure are! They're—canine."
"I'm sorry; that sounded worse than I meant it. You see I always think of people as feline or canine, irrespective of sex."
"Which are you?"
"I'm feline. So are you. So are most Southern men an' most of these girls here."
"Harry's canine distinctly. Al the men I've to–night seem to be canine."
"What does canine imply? A certain conscious masculinity as opposed to subtlety?"
"Reckon so. I never analyzed it—only I just look at people an' say 'canine' or 'feline' right off. It's right absurd I guess."
"Not at all. I'm interested. I used to leave a theory about these people. I think they're freezing up."
"Well, they're growing' like Swedes—Ibsenesque, you know. Very gradually getting gloomy and melancholy. It's these long winters. Ever read Ibsen?"
She shook her head.
"Well, you find in his characters a cerulean brooding rigidity. They're righteous, narrow, and cheerless, without infinite possibilities for great sorrow or joy."
"Without smiles or tears?"
"Exactly. That's my theory. You see there are thousands of Swedes up here. They come, I imagine, because the climate is very much like their own, and there's been a gradual mingling. There're probably not half a dozen here to–night, but—we've had four Swedish governors. Am I boring you?"
"I'm mighty interested."
"Your future sister–in–law is half Swedish. Personally I like her, but my theory is that Swedes react rather badly on us as a whole. Scandinavians, you know, have the largest suicide rate in the world."
"Why do you live here if it's so depressing?"
"Oh, it doesn't get me. I'm pretty well cloistered, and I suppose books mean more than people to me anyway."
"But writers all speak about the South being tragic. You know—Spanish se�oritas, black hair and daggers an' haunting music."
He shook his head.
"No, the Northern races are the tragic races—they don't indulge in the cheering luxury of tears."
Sally Carrol thought of her graveyard. She supposed that that was vaguely what she had meant when she said it didn't depress her.
"The Italians are about the gayest people in the world—but it's a dull subject," he broke off. "Anyway, I want to tell you you're marrying a pretty fine man."
Sally Carrol was moved by an impulse of confidence.
"I know. I'm the sort of person who wants to be taken care of after a certain point, and I feel sure I will be."
"Shall we dance? You know," he continued as they rose, "it's encouraging to find a girl who knows what she's marrying for. Nine–tenths of them think of it as a sort of walking into a moving–picture sunset."
She laughed and liked him immensely.
Two hours later on the way home she nestled near Harry in the back seat.
"Oh, Harry," she whispered "it's so co–old!"
"But it's warm in here, daring girl."
"But outside it's cold; and oh, that howling wind!"
She buried her face deep in his fur coat and trembled involuntarily as his cold lips kissed the tip of her ear.
The first week of her visit passed in a whirl. She had her promised toboggan–ride at the back of an automobile through a chill January twilight. Swathed in furs she put in a morning tobogganing on the country–club hill; even tried skiing, to sail through the air for a glorious moment and then land in a tangled laughing bundle on a soft snow–drift. She liked all the winter sports, except an afternoon spent snow–shoeing over a glaring plain under pale yellow sunshine, but she soon realized that these things were for children—that she was being humored and that the enjoyment round her was only a reflection of her own.
At first the Bellamy family puzzled her. The men were reliable and she liked them; to Mr. Bellamy especially, with his iron–gray hair and energetic dignity, she took an immediate fancy, once she found that he was born in Kentucky; this made of him a link between the old life and the new. But toward the women she felt a definite hostility. Myra, her future sister–in–law, seemed the essence of spiritless conversationality. Her conversation was so utterly devoid of personality that Sally Carrol, who came from a country where a certain amount of charm and assurance could be taken for granted in the women, was inclined to despise her.
"If those women aren't beautiful," she thought, "they're nothing. They just fade out when you look at them. They're glorified domestics. Men the centre of every mixed group."
Lastly there was Mrs. Bellamy, whom Sally Carrol detested. The first day's impression of an egg had been confirmed—an egg with a cracked, veiny voice and such an ungracious dumpiness of carriage that Sally Carrol felt that if she once fell she would surely scramble. In addition, Mrs. Bellamy seemed to typify the town in being innately hostile to strangers. She called Sally Carrol "Sally," and could not be persuaded that the double name was anything more than a tedious ridiculous nickname. To Sally Carrol this shortening of her name was presenting her to the public half clothed. She loved "Sally Carrol"; she loathed "Sally." She knew also that Harry's mother disapproved of her bobbed hair; and she had never dared smoke down–stairs after that first day when Mrs. Bellamy had come into the library sniffing violently.
Of all the men she met she preferred Roger Patton, who was a frequent visitor at the house. He never again alluded to the Ibsenesque tendency of the populace, but when he came in one day and found her curled upon the sofa bent over "Peer Gynt" he laughed and told her to forget what he'd said—that it was all rot.
They had been walking homeward between mounds of high–piled snow and under a sun which Sally Carrol scarcely recognized. They passed a little girl done up in gray wool until she resembled a small Teddy bear, and Sally Carrol could not resist a gasp of maternal appreciation.
"That little girl—did you see her face?"
"It was red as a little strawberry. Oh, she was cute!"
"Why, your own face is almost as red as that already! Everybody's healthy here. We're out in the cold as soon as we're old enough to walk. Wonderful climate!"
She looked at him and had to agree. He was mighty healthy–looking; so was his brother. And she had noticed the new red in her own cheeks that very morning.
Suddenly their glances were caught and held, and they stared for a moment at the street–corner ahead of them. A man was standing there, his knees bent, his eyes gazing upward with a tense expression as though he were about to make a leap toward the chilly sky. And then they both exploded into a shout of laughter, for coming closer they discovered it had been a ludicrous momentary illusion produced by the extreme bagginess of the man's trousers.
"Reckon that's one on us," she laughed.
"He must be Southerner, judging by those trousers," suggested Harry mischievously.
Her surprised look must have irritated him.
"Those damn Southerners!"
Sally Carrol's eyes flashed.
"Don't call 'em that."
"I'm sorry, dear," said Harry, malignantly apologetic, "but you know what I think of them. They're sort of—sort of degenerates—not at all like the old Southerners. They've lived so long down there with all the colored people that they've gotten lazy and shiftless."
"Hush your mouth, Harry!" she cried angrily. "They're not! They may be lazy—anybody would be in that climate—but they're my best friends, an' I don't want to hear 'em criticised in any such sweepin' way. Some of 'em are the finest men in the world."
"Oh, I know. They're all right when they come North to college, but of all the hangdog, ill–dressed, slovenly lot I ever saw, a bunch of small–town Southerners are the worst!"
Sally Carrol was clinching her gloved hands and biting her lip furiously.
"Why," continued Harry, if there was one in my class at New Haven, and we all thought that at last we'd found the true type of Southern aristocrat, but it turned out that he wasn't an aristocrat at all—just the son of a Northern carpetbagger, who owned about all the cotton round Mobile."
"A Southerner wouldn't talk the way you're talking now," she said evenly.
"They haven't the energy!"
"Or the somethin' else."
"I'm sorry Sally Carrol, but I've heard you say yourself that you'd never marry—"
"That's quite different. I told you I wouldn't want to tie my life to any of the boys that are round Tarleton now, but I never made any sweepin' generalities."
They walked along in silence.
"I probably spread it on a bit thick Sally Carrol. I'm sorry."
She nodded but made no answer. Five minutes later as they stood in the hallway she suddenly threw her arms round him.
"Oh, Harry," she cried, her eyes brimming with tears; "let's get married next week. I'm afraid of having fusses like that. I'm afraid, Harry. It wouldn't be that way if we were married."
But Harry, being in the wrong, was still irritated.
"That'd be idiotic. We decided on March."
The tears in Sally Carrol's eyes faded; her expression hardened slightly.
"Very well—I suppose I shouldn't have said that."
"Dear little nut!" he cried. "Come and kiss me and let's forget."
That very night at the end of a vaudeville performance the orchestra played "Dixie" and Sally Carrol felt something stronger and more enduring than her tears and smiles of the day brim up inside her. She leaned forward gripping the arms of her chair until her face grew crimson.
"Sort of get you dear?" whispered Harry.
But she did not hear him. To the limited throb of the violins and the inspiring beat of the kettle–drums her own old ghosts were marching by and on into the darkness, and as fifes whistled and sighed in the low encore they seemed so nearly out of sight that she could have waved good–by.
Away down South in Dixie!
Away down South in Dixie!"
It was a particularly cold night. A sudden thaw had nearly cleared the streets the day before, but now they were traversed again with a powdery wraith of loose snow that travelled in wavy lines before the feet of the wind, and filled the lower air with a fine–particled mist. There was no sky— only a dark, ominous tent that draped in the tops of the streets and was in reality a vast approaching army of snowflakes—while over it all, chilling away the comfort frond the brown–and–green glow of lighted windows and muffling the steady trot of the horse pulling their sleigh, interminably washed the north wind. It was a dismal town after all, she though, dismal.
Sometimes at night it had seemed to her as though no one lived here—they had all gone long ago—leaving lighted houses to be covered in time by tombing heaps of sleet. Oh, if there should be snow on her grave! To be beneath great piles of it all winter long, where even her headstone would be a light shadow against light shadows. Her grave—a grave that should be flower–strewn and washed with sun and rain.
She thought again of those isolated country houses that her train had passed, and of the life there the long winter through—the ceaseless glare through the windows, the crust forming on the soft drifts of snow, finally the slow cheerless melting and the harsh spring of which Roger Patton had told her. Her spring—to lose it forever—with its lilacs and the lazy sweetness it stirred in her heart. She was laying away that spring—afterward she would lay away that sweetness.
With a gradual insistence the storm broke. Sally Carrol felt a film of flakes melt quickly on her eyelashes, and Harry reached over a furry arm and drew down her complicated flannel cap. Then the small flakes came in skirmish–line, and the horse bent his neck patiently as a transparency of white appeared momentarily on his coat.
"Oh, he's cold, Harry," she said quickly.
"Who? The horse? Oh, no, he isn't. He likes it!"
After another ten minutes they turned a corner and came in sight of their destination. On a tall hill outlined in vivid glaring green against the wintry sky stood the ice palace. It was three stories in the air, with battlements and embrasures and narrow icicled windows, and the innumerable electric lights inside made a gorgeous transparency of the great central hall. Sally Carrol clutched Harry's hand under the fur robe.
"It's beautiful!" he cried excitedly. "My golly, it's beautiful, isn't it! They haven't had one here since eighty–five!"
Somehow the notion of there not having been one since eighty–five oppressed her. Ice was a ghost, and this mansion of it was surely peopled by those shades of the eighties, with pale faces and blurred snow–filled hair.
"Come on, dear," said Harry.
She followed him out of the sleigh and waited while he hitched the horse. A party of four—Gordon, Myra, Roger Patton, and another girl— drew up beside them with a mighty jingle of bells. There were quite a crowd already, bundled in fur or sheepskin, shouting and calling to each other as they moved through the snow, which was now so thick that people could scarcely be distinguished a few yards away.
"It's a hundred and seventy feet tall," Harry was saying to a muffled figure beside him as they trudged toward the entrance; "covers six thousand square yards."
"She caught snatches of conversation: "One main hall"—"walls twenty to forty inches thick"—"and the ice cave has almost a mile of—'—"this Canuck who built it—"
They found their way inside, and dazed by the magic of the great crystal walls Sally Carrol found herself repeating over and over two lines from "Kubla Khan":
"It was a miracle of rare device,
A sunny pleasure–dome with caves of ice!"
In the great glittering cavern with the dark shut out she took a seat on a wooded bench and the evening's oppression lifted. Harry was right—it was beautiful; and her gaze travelled the smooth surface of the walls, the blocks for which had been selected for their purity and dearness to obtain this opalescent, translucent effect.
"Look! Here we go—oh, boy! " cried Harry.
A band in a far corner struck up "Hail, Hail, the Gang's All Here!" which echoed over to them in wild muddled acoustics, and then the lights suddenly went out; silence seemed to flow down the icy sides and sweep over them. Sally Carrol could still see her white breath in the darkness, and a dim row of pale faces over on the other side.
The music eased to a sighing complaint, and from outside drifted in the full–throated remnant chant of tee marching clubs. It grew louder like some p�an of a viking tribe traversing an ancient wild; it swelled—they were coming nearer; then a row of torches appeared, and another and another, and keeping time with their moccasined feet a long column of gray–mackinawed figures swept in, snow–shoes slung at their shoulders, torches soaring and flickering as their voice rose along the great walls.
The gray column ended and another followed, the light streaming luridly this time over red toboggan caps and flaming crimson mackinaws, and as they entered they took up the refrain; then came a long platoon of blue and white, of green, of white, of brown and yellow.
"Those white ones are the Wacouta Club," whispered Harry eagerly. "Those are the men you've met round at dances."
The volume of the voices grew; the great cavern was a phantasmagoria of torches waving in great banks of fire, of colors and the rhythm of soft–leather steps. The leading column turned and halted, platoon deploys in front of platoon until the whole procession made a solid flag of flame, and then from thousands of voices burst a mighty shout that filled the air like a crash of thunder, and sent the torches wavering. It was magnificent, it was tremendous! To Sally Carol it was the North offering sacrifice on some mighty altar to the gray pagan God of Snow. As the shout died the band struck up again and there came more singing, and then long reverberating cheers by each club. She sat very quiet listening while the staccato cries rent the stillness; and then she started, for there was a volley of explosion, and great clouds of smoke went up here and there through the cavern—the flash–light photographers at work—and the council was over. With the band at their head the clubs formed in column once more, took up their chant, and began to march out.
"Come on!" shouted Harry. "We want to see the labyrinths down–stairs before they turn the lights of!"
They all rose and started toward the chute—Harry and Sally Carrol in the lead, her little mitten buried in his big fur gantlet. At the bottom of the chute was a long empty room of ice, with the ceiling so low that they had to stoop—and their hands were parted. Before she realized what he intended Harry Harry had darted down one of the half–dozen glittering passages that opened into the room an was only a vague receding blot against the green shimmer.
"Harry!" she called.
"Come on!" he cried back.
She looked round the empty chamber; the rest of the party had evidently decided to go home, were already outside somewhere in the blundering snow. She hesitated and then darted in after Harry.
"Harry!" she shouted.
She had reached a turning–point thirty feet down; she heard a faint muffled answer far to the left, and with a touch of panic fled toward it. She passed another turning, two more yawning alleys.
No answer. She started to run straight forward, and then turned like lightning and sped back the way she had come, enveloped in a sudden icy terror.
She reached a turn—was it here?—took the left and came to what should have been the outlet into the long, low room, but it was only another glittering passage with darkness at the end. She called again, but the walls gave back a flat, lifeless echo with no reverberations. Retracing her steps she turned another corner, this time following a wide passage. It was like the green lane between the parted water of the Red Sea, like a damp vault connecting empty tombs.
She slipped a little now as she walked, for ice had formed on the bottom of her overshoes; she had to run her gloves along the half–slippery, half–sticky walls to keep her balance.
Still no answer. The sound she made bounced mockingly down to the end of the passage.
Then on an instant the lights went out, and she was in complete darkness. She gave a small, frightened cry, and sank down into a cold little heap on the ice. She felt her left knee do something as she fell, but she scarcely noticed it as some deep terror far greater than any fear of being lost settled upon her. She was alone with this presence that came out of the North, the dreary loneliness that rose from ice–bound whalers in the Arctic seas, from smokeless, trackless wastes where were strewn the whitened bones of adventure. It was an icy breath of death; it was rolling down low across the land to clutch at her.
With a furious, despairing energy she rose again and started blindly down the darkness. She must get out. She might be lost in here for days, freeze to death and lie embedded in the ice like corpses she had read of, kept perfectly preserved until the melting of a glacier. Harry probably thought she had left with the others—he had gone by now; no one would know until next day. She reached pitifully for the wall. Forty inches thick, they had said—forty inches thick!
On both sides of her along the walls she felt things creeping, damp souls that haunted this palace, this town, this North.
"Oh, send somebody—send somebody!" she cried aloud.
Clark Darrow—he would understand; or Joe Ewing; she couldn't be left here to wander forever—to be frozen, heart, body, and soul. This her— this Sally Carrol! Why, she was a happy thing. She was a happy little girl. She liked warmth and summer and Dixie. These things were foreign— foreign.
"You're not crying," something said aloud. "You'll never cry any more. Your tears would just freeze; all tears freeze up here!"
She sprawled full length on the ice.
"Oh, God!" she faltered.
A long single file of minutes went by, and with a great weariness she felt her eyes dosing. Then some one seemed to sit down near her and take her face in warm, soft hands. She looked up gratefully.
"Why it's Margery Lee" she crooned softly to herself. "I knew you'd come." It really was Margery Lee, and she was just as Sally Carrol had known she would be, with a young, white brow, and wide welcoming eyes, and a hoop–skirt of some soft material that was quite comforting to rest on.
It was getting darker now and darker—all those tombstones ought to be repainted sure enough, only that would spoil 'em, of course. Still, you ought to be able to see 'em.
Then after a succession of moments that went fast and then slow, but seemed to be ultimately resolving themselves into a multitude of blurred rays converging toward a pale–yellow sun, she heard a great cracking noise break her new–found stillness.
It was the sun, it was a light; a torch, and a torch beyond that, and another one, and voices; a face took flesh below the torch, heavy arms raised her and she felt something on her cheek—it felt wet. Some one had seized her and was rubbing her face with snow. How ridiculous—with snow!
"Sally Carrol! Sally Carrol!"
It was Dangerous Dan McGrew; and two other faces she didn't know.
"Child, child! We've been looking for you two hours! Harry's half–crazy!"
Things came rushing back into place—the singing, the torches, the great shout of the marching clubs. She squirmed in Patton's arms and gave a long low cry.
"Oh, I want to get out of here! I'm going back home. Take me home"—her voice rose to a scream that sent a chill to Harry's heart as he came racing down the next passage—"to–morrow!" she cried with delirious, unstrained passion—"To–morrow! To–morrow! To–morrow!"
The wealth of golden sunlight poured a quite enervating yet oddly comforting heat over the house where day long it faced the dusty stretch of road. Two birds were making a great to–do in a cool spot found among the branches of a tree next door, and down the street a colored woman was announcing herself melodiously as a purveyor of strawberries. It was April afternoon.
Sally Carrol Happer, resting her chin on her arm, and her arm on an old window–seat, gazed sleepily down over the spangled dust whence the heat waves were rising for the first time this spring. She was watching a very ancient Ford turn a perilous corner and rattle and groan to a jolting stop at the end of the walk. See made no sound and in a minute a strident familiar whistle rent the air. Sally Carrol smiled and blinked.
A head appeared tortuously from under the car–top below.
"Tain't mawnin', Sally Carrol."
"Sure enough!" she said in affected surprise. "I guess maybe not."
"What you doin'?"
"Eatin' a green peach. 'Spect to die any minute."
Clark twisted himself a last impossible notch to get a view of her face.
"Water's warm as a kettla steam, Sally Carol. Wanta go swimmin'?"
"Hate to move," sighed Sally Carol lazily, "but I reckon so."