Corner Pavilion of the New Louvre

“The change from the pure to the later Renaissance, which was formerly seen only in individual instances, has now received a certain extension. This is mainly owing to the key-note struck in the New Louvre [shown here], begun by Visconti, but finished by another architect. Although it is true that the new building conforms in general to the architecture of the Old Louvre, yet still an increase rather than a decrease is to be perceived in the effort for picturesque effect, in the licence of the Roccoco style, and in an unstructural treatment of the individual forms and ornamental parts.”

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