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A French Gothic capital from Sainte Chapelle in Paris from the thirteenth century. The capitals were tall and slender, concave in profile, with heavy square or octagonal abaci. After the middle of the thirteenth century the carving became more realistic; the leaves, larger and more mature, were treated as if applied to the capital or moulding, not as if they grew out of it.

French Gothic Capital

A French Gothic capital from Sainte Chapelle in Paris from the thirteenth century. The capitals were…

A fourteenth century capital from transept of Notre Dame, Paris. The capitals were tall and slender, concave in profile, with heavy square or octagonal abaci. After the middle of the thirteenth century the carving became more realistic; the leaves, larger and more mature, were treated as if applied to the capital or moulding, not as if they grew out of it.

French Gothic Capital

A fourteenth century capital from transept of Notre Dame, Paris. The capitals were tall and slender,…

A fifteenth century capital from the north spire of Chartres. The capitals were tall and slender, concave in profile, with heavy square or octagonal abaci. After the middle of the thirteenth century the carving became more realistic; the leaves, larger and more mature, were treated as if applied to the capital or moulding, not as if they grew out of it.

French Gothic Capital

A fifteenth century capital from the north spire of Chartres. The capitals were tall and slender, concave…

Carved band from Anhausen-an-dem-Brienz, Southern Germany.

Carved Band

Carved band from Anhausen-an-dem-Brienz, Southern Germany.

This is a 16th century weave design. It consists of a leaf pattern.

16th Century Weave Design

This is a 16th century weave design. It consists of a leaf pattern.