ClipArt ETC
Jack fell down and broke his crown, and Jill came tumbling after.

Jack and Jill

Jack fell down and broke his crown, and Jill came tumbling after.

Jack and Jill went up the hill to fetch a pail of water; Jack fell down and broke his crown, and Jill came tumbling after.

Jack and Jill

Jack and Jill went up the hill to fetch a pail of water; Jack fell down and broke his crown, and Jill…

A scene from the story, "King Persifer's Crown."

King Persifer's Crown

A scene from the story, "King Persifer's Crown."

A scene from the story, "King Persifer's Crown."

King Persifer's Crown

A scene from the story, "King Persifer's Crown."

A scene from the story, "King Persifer's Crown."

King Persifer's Crown

A scene from the story, "King Persifer's Crown."

The capital of a pillar or pilaster which supports an arch; more commonly called impost.

Chaptrel

The capital of a pillar or pilaster which supports an arch; more commonly called impost.

"From a medal of Lepidus, represents an olive crown." — Anthon, 1891

Olive crown

"From a medal of Lepidus, represents an olive crown." — Anthon, 1891

"Tiara or Tiaras, a hat with a large high crown. This was the head-dress which characterized the north-western Asiatics, and more especially the Armenians, Parthians, and Persians, as distinguished from the Greeks and Romans, whose hats fitted the head, or had only a low crown. The king of Persia wore an erect tiara, whilst those of his subjects were soft and flexible, falling on one side. The Persian name for this regal head-dress was cidaris. " &mdash Smith; 1873

Tiara

"Tiara or Tiaras, a hat with a large high crown. This was the head-dress which characterized the north-western…

A crown, made of gold.

Corona Navalis

A crown, made of gold.

Famous author and poet.

John Ruskin

Famous author and poet.

Ober-Appellationsrath in Kalbe and minister of justice at Hanover and finally chief syndic of the crown in Kalbe.

Herr Ludwig Windthorst

Ober-Appellationsrath in Kalbe and minister of justice at Hanover and finally chief syndic of the crown…

A wreath or garland, or any ornament encircling the head, especially as a badge of dignity or power.

Crown

A wreath or garland, or any ornament encircling the head, especially as a badge of dignity or power.

A wheel with cogs or teeth at right angles to its plane.

Crown-wheel

A wheel with cogs or teeth at right angles to its plane.

A doodad with a crown and coat of arms.

Royal doodad

A doodad with a crown and coat of arms.

A bird resting on the ground, near some bones.

Bird

A bird resting on the ground, near some bones.

"When a new bird is seen, the observer should write an accurate description of it in his notebook, giving the length from the tip of the bill to the end of the tail; the color of the crown and sides of the head, back, wings, tail, breast, and belly; length, shape, and color of the bill; length, position and arrangement of the tail feathers; and the method of feeding and manner of flight as well as its characteristic song." — Davison, 1906

Labeled bird

"When a new bird is seen, the observer should write an accurate description of it in his notebook, giving…

"Alfred the Great." — Lardner, 1885

Alfred the Great

"Alfred the Great." — Lardner, 1885

"William I." — Lardner, 1885

William I

"William I." — Lardner, 1885

Stephen I, the last Norman king of England.

Stephen

Stephen I, the last Norman king of England.

Henry II of England.

Henry II

Henry II of England.

Henry III of England.

Henry III

Henry III of England.

Richard II

Richard II

Richard II

Henry IV

Henry IV

Henry IV

Henry V.

Henry V

Henry V.

"James II." — Lardner, 1885

James II

"James II." — Lardner, 1885

The crown of the Prince of Wales.

Crown

The crown of the Prince of Wales.

A royal crown of Britain.

Crown

A royal crown of Britain.

A royal crown of Britain.

Crown

A royal crown of Britain.

A royal crown of Britain.

Crown

A royal crown of Britain.

A royal crown of Britain.

Crown

A royal crown of Britain.

A royal crown of Britain.

Crown

A royal crown of Britain.

"Five kinds of glass are made: flint glass, or crystal; crown glass, broad sheet glass, bottle, or green glass, and plate glass." —The Popular Cyclopedia, 1888

Glass manufacturing

"Five kinds of glass are made: flint glass, or crystal; crown glass, broad sheet glass, bottle, or green…

"The Sun-god." —Bulfinch, 1897

Helios or sol

"The Sun-god." —Bulfinch, 1897

"Pluto throned." —Bulfinch, 1897

Pluto throned

"Pluto throned." —Bulfinch, 1897

"This pruning or shortening of the roots causes the production of a new set of fibres from the severed ends. It also causes other roots to push out near the crown, and if a plant thus pruned be taken up in a few weeks after planting, its roots will appear somewhat as shown." —Fuller, 1910

Plant with Roots Pruned

"This pruning or shortening of the roots causes the production of a new set of fibres from the severed…

The king of Belgium, son of Leopold I., born in Brussels, April 9, 1835. he was liberally educated in the leading institutions of Belgium and Germany. His title as crown prince was duke of Brabant, and he served as a member of the national senate, in which he became distinguished as an influential advocate of internal and maritime improvement.

Leopold II

The king of Belgium, son of Leopold I., born in Brussels, April 9, 1835. he was liberally educated in…

King of France and King of Navarre from May 14, 1643 until his death. He inherited the Crown at the age of four, but he did not actually assume personal control of the government until the death of his chief minister, Jules Cardinal Mazarin, in 1661.

Louis XIV

King of France and King of Navarre from May 14, 1643 until his death. He inherited the Crown at the…

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather, the boquet, and the flame. There is a vast difference of opinion as to the origin and meaning of this motif. Some authorities claim it was intended for the fir cone, which served as an emblem of immortality and was revered by the ancients; some say it was intended for the palm leaf, which has been handed down by the Greeks as a symbol of victory; others say it was intended to represent a loop which the river Indus makes on a vast plain in upper Cashmere as seen from the Mosque. By some it is said to represent the crown jewels or chief ornament in the old Iranian crown, which is a composite jewel of pear shape. Tradition tells us that the signing of documents in such a manner was a custom well known in the East. This design has also been called the almond, the feather, the bouquet, and the flame on account of its fancied resemblance to these objects. We have selected the name "pear" because the image it conveys is more clearly recognized by the western mind. It is that which its shape most suggests. The Pear design is common in many kinds of rugs, especially in those of Persia and Kurdistan, but it varies greatly in varieties of form and size. The large size is usually employed in the Caucasus and Southern Persia, while the small size is used more frequently in Central and Western Persia. In the Saraband, Shiraz, Herat, Khorasan, and Senna, it frequently covers the whole field. In the two former alternate rows usually have the stems of the pears turned in opposite directions, while in the three latter the stems are usually turned in the same direction."

Pear Design

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather,…

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather, the boquet, and the flame. There is a vast difference of opinion as to the origin and meaning of this motif. Some authorities claim it was intended for the fir cone, which served as an emblem of immortality and was revered by the ancients; some say it was intended for the palm leaf, which has been handed down by the Greeks as a symbol of victory; others say it was intended to represent a loop which the river Indus makes on a vast plain in upper Cashmere as seen from the Mosque. By some it is said to represent the crown jewels or chief ornament in the old Iranian crown, which is a composite jewel of pear shape. Tradition tells us that the signing of documents in such a manner was a custom well known in the East. This design has also been called the almond, the feather, the bouquet, and the flame on account of its fancied resemblance to these objects. We have selected the name "pear" because the image it conveys is more clearly recognized by the western mind. It is that which its shape most suggests. The Pear design is common in many kinds of rugs, especially in those of Persia and Kurdistan, but it varies greatly in varieties of form and size. The large size is usually employed in the Caucasus and Southern Persia, while the small size is used more frequently in Central and Western Persia. In the Saraband, Shiraz, Herat, Khorasan, and Senna, it frequently covers the whole field. In the two former alternate rows usually have the stems of the pears turned in opposite directions, while in the three latter the stems are usually turned in the same direction."

Pear Design

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather,…

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather, the boquet, and the flame. There is a vast difference of opinion as to the origin and meaning of this motif. Some authorities claim it was intended for the fir cone, which served as an emblem of immortality and was revered by the ancients; some say it was intended for the palm leaf, which has been handed down by the Greeks as a symbol of victory; others say it was intended to represent a loop which the river Indus makes on a vast plain in upper Cashmere as seen from the Mosque. By some it is said to represent the crown jewels or chief ornament in the old Iranian crown, which is a composite jewel of pear shape. Tradition tells us that the signing of documents in such a manner was a custom well known in the East. This design has also been called the almond, the feather, the bouquet, and the flame on account of its fancied resemblance to these objects. We have selected the name "pear" because the image it conveys is more clearly recognized by the western mind. It is that which its shape most suggests. The Pear design is common in many kinds of rugs, especially in those of Persia and Kurdistan, but it varies greatly in varieties of form and size. The large size is usually employed in the Caucasus and Southern Persia, while the small size is used more frequently in Central and Western Persia. In the Saraband, Shiraz, Herat, Khorasan, and Senna, it frequently covers the whole field. In the two former alternate rows usually have the stems of the pears turned in opposite directions, while in the three latter the stems are usually turned in the same direction."

Pear Design

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather,…

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather, the boquet, and the flame. There is a vast difference of opinion as to the origin and meaning of this motif. Some authorities claim it was intended for the fir cone, which served as an emblem of immortality and was revered by the ancients; some say it was intended for the palm leaf, which has been handed down by the Greeks as a symbol of victory; others say it was intended to represent a loop which the river Indus makes on a vast plain in upper Cashmere as seen from the Mosque. By some it is said to represent the crown jewels or chief ornament in the old Iranian crown, which is a composite jewel of pear shape. Tradition tells us that the signing of documents in such a manner was a custom well known in the East. This design has also been called the almond, the feather, the bouquet, and the flame on account of its fancied resemblance to these objects. We have selected the name "pear" because the image it conveys is more clearly recognized by the western mind. It is that which its shape most suggests. The Pear design is common in many kinds of rugs, especially in those of Persia and Kurdistan, but it varies greatly in varieties of form and size. The large size is usually employed in the Caucasus and Southern Persia, while the small size is used more frequently in Central and Western Persia. In the Saraband, Shiraz, Herat, Khorasan, and Senna, it frequently covers the whole field. In the two former alternate rows usually have the stems of the pears turned in opposite directions, while in the three latter the stems are usually turned in the same direction."

Pear Design

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather,…

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather, the boquet, and the flame. There is a vast difference of opinion as to the origin and meaning of this motif. Some authorities claim it was intended for the fir cone, which served as an emblem of immortality and was revered by the ancients; some say it was intended for the palm leaf, which has been handed down by the Greeks as a symbol of victory; others say it was intended to represent a loop which the river Indus makes on a vast plain in upper Cashmere as seen from the Mosque. By some it is said to represent the crown jewels or chief ornament in the old Iranian crown, which is a composite jewel of pear shape. Tradition tells us that the signing of documents in such a manner was a custom well known in the East. This design has also been called the almond, the feather, the bouquet, and the flame on account of its fancied resemblance to these objects. We have selected the name "pear" because the image it conveys is more clearly recognized by the western mind. It is that which its shape most suggests. The Pear design is common in many kinds of rugs, especially in those of Persia and Kurdistan, but it varies greatly in varieties of form and size. The large size is usually employed in the Caucasus and Southern Persia, while the small size is used more frequently in Central and Western Persia. In the Saraband, Shiraz, Herat, Khorasan, and Senna, it frequently covers the whole field. In the two former alternate rows usually have the stems of the pears turned in opposite directions, while in the three latter the stems are usually turned in the same direction."

Pear Design

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather,…

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather, the boquet, and the flame. There is a vast difference of opinion as to the origin and meaning of this motif. Some authorities claim it was intended for the fir cone, which served as an emblem of immortality and was revered by the ancients; some say it was intended for the palm leaf, which has been handed down by the Greeks as a symbol of victory; others say it was intended to represent a loop which the river Indus makes on a vast plain in upper Cashmere as seen from the Mosque. By some it is said to represent the crown jewels or chief ornament in the old Iranian crown, which is a composite jewel of pear shape. Tradition tells us that the signing of documents in such a manner was a custom well known in the East. This design has also been called the almond, the feather, the bouquet, and the flame on account of its fancied resemblance to these objects. We have selected the name "pear" because the image it conveys is more clearly recognized by the western mind. It is that which its shape most suggests. The Pear design is common in many kinds of rugs, especially in those of Persia and Kurdistan, but it varies greatly in varieties of form and size. The large size is usually employed in the Caucasus and Southern Persia, while the small size is used more frequently in Central and Western Persia. In the Saraband, Shiraz, Herat, Khorasan, and Senna, it frequently covers the whole field. In the two former alternate rows usually have the stems of the pears turned in opposite directions, while in the three latter the stems are usually turned in the same direction."

Pear Design

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather,…

Pluto and Proserpina by Bernini in the Villa Borghese.

Pluto and Proserpina

Pluto and Proserpina by Bernini in the Villa Borghese.

Akenes with various types of pappus. <em>Cichorium</em>, pappus a crown of fine scales.

Akenes

Akenes with various types of pappus. Cichorium, pappus a crown of fine scales.

Akenes with various types of pappus. <em>Helenium</em>, pappus a crown of conspicuous scales.

Akenes

Akenes with various types of pappus. Helenium, pappus a crown of conspicuous scales.

A Victorian crown of England.

Crown

A Victorian crown of England.

A royal crown.

Imperial Crown

A royal crown.

A royal crown.

Austrian Crown

A royal crown.

A royal crown.

Russian Crown

A royal crown.

A royal crown.

French Crown

A royal crown.

The front of an English crown coin.

Crown Coin

The front of an English crown coin.

The back of an English crown coin.

Crown Coin

The back of an English crown coin.

A three stranded crown knot.

Crown Knot

A three stranded crown knot.

A wheel having cogs or teeth set at right angles with its plane. Commonly used in watches.

Crown Wheel

A wheel having cogs or teeth set at right angles with its plane. Commonly used in watches.

A dome shaped valve which is vertically reciprocated over a slotted box.

Crown Valve

A dome shaped valve which is vertically reciprocated over a slotted box.

An ornate crown, worn by the ancient kings of Abyssinia.

Abyssinian Crown

An ornate crown, worn by the ancient kings of Abyssinia.

Flowers of a bright primrose yellow color with a cylindrical crown larger then the funnel shaped tube.

Daffodil Flower

Flowers of a bright primrose yellow color with a cylindrical crown larger then the funnel shaped tube.

The coin was first struck in commemoration of the gold crown sent by the Carthagininians to Demarete. Weighs about 43 grams.

Damareteion

The coin was first struck in commemoration of the gold crown sent by the Carthagininians to Demarete.…

The coin was first struck in commemoration of the gold crown sent by the Carthagininians to Demarete. Weighs about 43 grams.

Damareteion

The coin was first struck in commemoration of the gold crown sent by the Carthagininians to Demarete.…