ClipArt ETC

The Oriental Rugs ClipArt gallery offers 123 illustrations of oriental carpets, including patterns often seen on oriental rugs, as well as weave techniques.

A nameless Persian border design.

Persian Design

A nameless Persian border design.

This design is sometimes call by the Persians "sechrudisih," meaning teeth of the rat. Almost distinctive of Caucasian fabrics, especially the Kazaks. Occasionally present in the Turkish and Turkoman rugs also.

Reciprocal Saw-Teeth

This design is sometimes call by the Persians "sechrudisih," meaning teeth of the rat. Almost distinctive…

This design was named by European experts who claim it to be an essential mark of the Polish carpets. Like the barber pole stripe it is found in rugs of nearly all classes, but more especially the Caucasians. Probably found more frequently in the Karabaghs than in any other rug.

Reciprocal Trefoil

This design was named by European experts who claim it to be an essential mark of the Polish carpets.…

This design was named by European experts who claim it to be an essential mark of the Polish carpets. Like the barber pole stripe it is found in rugs of nearly all classes, but more especially the Caucasians. Probably found more frequently in the Karabaghs than in any other rug.

Reciprocal Trefoil

This design was named by European experts who claim it to be an essential mark of the Polish carpets.…

This design was named by European experts who claim it to be an essential mark of the Polish carpets. Like the barber pole stripe it is found in rugs of nearly all classes, but more especially the Caucasians. Probably found more frequently in the Karabaghs than in any other rug.

Reciprocal Trefoil

This design was named by European experts who claim it to be an essential mark of the Polish carpets.…

Composed of small flowers with three triangular petals and a long stem. Has the appearance somewhat of a shamrock leaf. It may be found in any of the Asia Minor rugs, especially in the field of the Konieh and Ladik. In the former it is nearly always present and for this reason is sometimes known as the Konieh design.

Rhodian or Lily Design

Composed of small flowers with three triangular petals and a long stem. Has the appearance somewhat…

Composed of small flowers with three triangular petals and a long stem. Has the appearance somewhat of a shamrock leaf. It may be found in any of the Asia Minor rugs, especially in the field of the Konieh and Ladik. In the former it is nearly always present and for this reason is sometimes known as the Konieh design.

Rhodian or Lily Design

Composed of small flowers with three triangular petals and a long stem. Has the appearance somewhat…

Composed of small flowers with three triangular petals and a long stem. Has the appearance somewhat of a shamrock leaf. It may be found in any of the Asia Minor rugs, especially in the field of the Konieh and Ladik. In the former it is nearly always present and for this reason is sometimes known as the Konieh design.

Rhodian or Lily Design

Composed of small flowers with three triangular petals and a long stem. Has the appearance somewhat…

Composed of small flowers with three triangular petals and a long stem. Has the appearance somewhat of a shamrock leaf. It may be found in any of the Asia Minor rugs, especially in the field of the Konieh and Ladik. In the former it is nearly always present and for this reason is sometimes known as the Konieh design.

Rhodian or Lily Design

Composed of small flowers with three triangular petals and a long stem. Has the appearance somewhat…

The ribbon design is a representation of a twisted ribbon. Like the barber pole stripe, the reciprocal trefoil, and the Greek meander, it is found in nearly all classes of rugs.

Ribbon

The ribbon design is a representation of a twisted ribbon. Like the barber pole stripe, the reciprocal…

The people of Shiraz personify the Devil in a form of a rooster, which they weave in some of their choicest rugs in order to avert the evil eye. Some forms of the "crowing cock," so called, are easily confused with the Pear pattern.

Rooster

The people of Shiraz personify the Devil in a form of a rooster, which they weave in some of their choicest…

A floral-shaped design which is said to resemble the "Star of Bethlehem," an early spring flower of Persia. It is much used in border designs and it alternates with the palmette in forming the Sha Abbas pattern. It also forms the design known as the Knop and Flower by alternating with a closed bud. Some authorities claim that it originated from the lotus.

Rosette Design

A floral-shaped design which is said to resemble the "Star of Bethlehem," an early spring flower of…

A floral-shaped design which is said to resemble the "Star of Bethlehem," an early spring flower of Persia. It is much used in border designs and it alternates with the palmette in forming the Sha Abbas pattern. It also forms the design known as the Knop and Flower by alternating with a closed bud. Some authorities claim that it originated from the lotus.

Rosette Design

A floral-shaped design which is said to resemble the "Star of Bethlehem," an early spring flower of…

A floral-shaped design which is said to resemble the "Star of Bethlehem," an early spring flower of Persia. It is much used in border designs and it alternates with the palmette in forming the Sha Abbas pattern. It also forms the design known as the Knop and Flower by alternating with a closed bud. Some authorities claim that it originated from the lotus.

Rosette Design

A floral-shaped design which is said to resemble the "Star of Bethlehem," an early spring flower of…

A floral-shaped design which is said to resemble the "Star of Bethlehem," an early spring flower of Persia. It is much used in border designs and it alternates with the palmette in forming the Sha Abbas pattern. It also forms the design known as the Knop and Flower by alternating with a closed bud. Some authorities claim that it originated from the lotus.

Rosette Design

A floral-shaped design which is said to resemble the "Star of Bethlehem," an early spring flower of…

This design is especially repeated in the form of a border, are very common in the Caucasian fabrics, especially in the Kabistans and Shirvans. Also found to some extent in the Turkish and Persian weaves.

S Forms

This design is especially repeated in the form of a border, are very common in the Caucasian fabrics,…

This design is especially repeated in the form of a border, are very common in the Caucasian fabrics, especially in the Kabistans and Shirvans. Also found to some extent in the Turkish and Persian weaves.

S Forms

This design is especially repeated in the form of a border, are very common in the Caucasian fabrics,…

This design is especially repeated in the form of a border, are very common in the Caucasian fabrics, especially in the Kabistans and Shirvans. Also found to some extent in the Turkish and Persian weaves.

S Forms

This design is especially repeated in the form of a border, are very common in the Caucasian fabrics,…

Chinese, viciousness, poison. In India it is believed that if a scorpion creeps over the body it causes leprosy and that if one bears the tattooed image of a scorpion he is free from leprosy as well as from the bite of that insect. As a design it is quite common in the borders of Caucasian fabrics, especially the Shirvans.

Scorpion or Spider

Chinese, viciousness, poison. In India it is believed that if a scorpion creeps over the body it causes…

This design is composed of a diamond figure, each side of which is formed by a series of steps. Frequently the centre is filled with small geometrical figures. This design is found more or less in the majority of the Caucasian products, but more especially in the Shirvans.

Shirvan Design

This design is composed of a diamond figure, each side of which is formed by a series of steps. Frequently…

This design appears in many forms, but the three forms illustrated herewith are the most common, not only in Chinese rugs but also as decoration in old porcelain and as embroidered designs on silk.

Shou

This design appears in many forms, but the three forms illustrated herewith are the most common, not…

This design appears in many forms, but the three forms illustrated herewith are the most common, not only in Chinese rugs but also as decoration in old porcelain and as embroidered designs on silk.

Shou

This design appears in many forms, but the three forms illustrated herewith are the most common, not…

This design appears in many forms, but the three forms illustrated herewith are the most common, not only in Chinese rugs but also as decoration in old porcelain and as embroidered designs on silk.

Shou

This design appears in many forms, but the three forms illustrated herewith are the most common, not…

Built on the right angle triangle and, like the Signet of David, it is found in many of the Turkish and Caucasian fabrics and to it scores of patterns may be traced.

Solomon's Seal

Built on the right angle triangle and, like the Signet of David, it is found in many of the Turkish…

An emblem seen the world over in decoration, especially in synagogues. It is common in the Caucasian and Turkoman products, especially in the form of the elongated eight-pointed star. This eight-pointed star in the centre of an octagon is said to have represented the Deity of the ancient Medes. In all probability the six-pointed star was an adaptation of the Shield of David. It is supposed to have been symbolic of divinity. To it may be traced scores of Turkish patterns.

Star Designs

An emblem seen the world over in decoration, especially in synagogues. It is common in the Caucasian…

An emblem seen the world over in decoration, especially in synagogues. It is common in the Caucasian and Turkoman products, especially in the form of the elongated eight-pointed star. This eight-pointed star in the centre of an octagon is said to have represented the Deity of the ancient Medes. In all probability the six-pointed star was an adaptation of the Shield of David. It is supposed to have been symbolic of divinity. To it may be traced scores of Turkish patterns.

Star Designs

An emblem seen the world over in decoration, especially in synagogues. It is common in the Caucasian…

An emblem seen the world over in decoration, especially in synagogues. It is common in the Caucasian and Turkoman products, especially in the form of the elongated eight-pointed star. This eight-pointed star in the centre of an octagon is said to have represented the Deity of the ancient Medes. In all probability the six-pointed star was an adaptation of the Shield of David. It is supposed to have been symbolic of divinity. To it may be traced scores of Turkish patterns.

Star Designs

An emblem seen the world over in decoration, especially in synagogues. It is common in the Caucasian…

Palace or Sunburst design known by the latter name inasmuch as its shape suggests the radii around the sun. A very common design in Kazaks and Shirvans, especially the antiques. Never found in any but the Caucasian products.

Sunburst

Palace or Sunburst design known by the latter name inasmuch as its shape suggests the radii around the…

"Derived from the Sanscrit word Svasti, which means good pretence. It dates bck three or four thousand years B.C. and has been found in nearly all excavations of prehistoric times and among the relics of primitive people all over the world. It has been known alike to Ancient Greeks, Egyptians, Chinese, Japanese, East Indians, Aztecs, mound builders, and the North and South American Indians, with all of whom it has a similar meaning, viz., good luck and happiness. In Indian it is drawn below the seats intended for bridegrooms, below the plates containing food to be offered to gods and is tattooed on the arms. It is drawn on the scalp at the thread ceremony and on the dorsum of the feet on all auspicious ceremonies, such as mariages, etc. The usual figure consists of four arms with the cross at right angles and the arms pointing in the direction of motion of a clock's hand, although it has been given different forms, as shown by the accompanying illustrations. It is very commonly used as a rug design, especially in the Chinese, Caucasian, Turkish, and Turkoman products."

Swastika Design

"Derived from the Sanscrit word Svasti, which means good pretence. It dates bck three or four thousand…

"Derived from the Sanscrit word Svasti, which means good pretence. It dates bck three or four thousand years B.C. and has been found in nearly all excavations of prehistoric times and among the relics of primitive people all over the world. It has been known alike to Ancient Greeks, Egyptians, Chinese, Japanese, East Indians, Aztecs, mound builders, and the North and South American Indians, with all of whom it has a similar meaning, viz., good luck and happiness. In Indian it is drawn below the seats intended for bridegrooms, below the plates containing food to be offered to gods and is tattooed on the arms. It is drawn on the scalp at the thread ceremony and on the dorsum of the feet on all auspicious ceremonies, such as mariages, etc. The usual figure consists of four arms with the cross at right angles and the arms pointing in the direction of motion of a clock's hand, although it has been given different forms, as shown by the accompanying illustrations. It is very commonly used as a rug design, especially in the Chinese, Caucasian, Turkish, and Turkoman products."

Swastika Design

"Derived from the Sanscrit word Svasti, which means good pretence. It dates bck three or four thousand…

"Derived from the Sanscrit word Svasti, which means good pretence. It dates bck three or four thousand years B.C. and has been found in nearly all excavations of prehistoric times and among the relics of primitive people all over the world. It has been known alike to Ancient Greeks, Egyptians, Chinese, Japanese, East Indians, Aztecs, mound builders, and the North and South American Indians, with all of whom it has a similar meaning, viz., good luck and happiness. In Indian it is drawn below the seats intended for bridegrooms, below the plates containing food to be offered to gods and is tattooed on the arms. It is drawn on the scalp at the thread ceremony and on the dorsum of the feet on all auspicious ceremonies, such as mariages, etc. The usual figure consists of four arms with the cross at right angles and the arms pointing in the direction of motion of a clock's hand, although it has been given different forms, as shown by the accompanying illustrations. It is very commonly used as a rug design, especially in the Chinese, Caucasian, Turkish, and Turkoman products."

Swastika Design

"Derived from the Sanscrit word Svasti, which means good pretence. It dates bck three or four thousand…

This border design figure largely in the decoration of Samarkand and Chinese rugs. Similar to the Chinese fret.

T Forms

This border design figure largely in the decoration of Samarkand and Chinese rugs. Similar to the Chinese…

This design owes its origin to some ancient conception of elemental forces. It has been adopted by Korea and Japan as a national and heraldic crest. Frequently used in Mongolian ornament.

Tomoye Design

This design owes its origin to some ancient conception of elemental forces. It has been adopted by Korea…

Sometimes called the tree of life. Always associated with religious belief. It symbolizes Divine power and perpetual life. It has furnished more different art motives than any other object and is almost omnipresent in Persian prayer rugs. The palm signifies a blessing or benediction, the weeping willow stands for death, and the cypress, while being an emblem of mourning, in its perennial freshness and the durability of its wood, is also a very practical symbol of the life to come. It is an Oriental custom to plant cypress trees on the graves of the dead, to place its twigs in the coffins of the dead, and to use its branches to indicate the houses of mourning. In India the cocoanut palm is considered "the tree of desire" or one that fulfils all desires. Its stem serves as a pillar or beam, as a water conduit and as fuel; its leaves supply mats for roofing the houses; its kernel supplies oil; its shell makes water bowls, and the oil of the shell is used as an external application in certain skin affections, etc. It is all useful and supplies all the primitive wants and therefore was much cultivated by the Rishis (Saints) of old, who called it "kalpa taru," literally the tree that supplies all desires. Its presence therefore is auspicious.

Tree Design

Sometimes called the tree of life. Always associated with religious belief. It symbolizes Divine power…

Sometimes called the tree of life. Always associated with religious belief. It symbolizes Divine power and perpetual life. It has furnished more different art motives than any other object and is almost omnipresent in Persian prayer rugs. The palm signifies a blessing or benediction, the weeping willow stands for death, and the cypress, while being an emblem of mourning, in its perennial freshness and the durability of its wood, is also a very practical symbol of the life to come. It is an Oriental custom to plant cypress trees on the graves of the dead, to place its twigs in the coffins of the dead, and to use its branches to indicate the houses of mourning. In India the cocoanut palm is considered "the tree of desire" or one that fulfils all desires. Its stem serves as a pillar or beam, as a water conduit and as fuel; its leaves supply mats for roofing the houses; its kernel supplies oil; its shell makes water bowls, and the oil of the shell is used as an external application in certain skin affections, etc. It is all useful and supplies all the primitive wants and therefore was much cultivated by the Rishis (Saints) of old, who called it "kalpa taru," literally the tree that supplies all desires. Its presence therefore is auspicious.

Tree Design

Sometimes called the tree of life. Always associated with religious belief. It symbolizes Divine power…

Sometimes called the tree of life. Always associated with religious belief. It symbolizes Divine power and perpetual life. It has furnished more different art motives than any other object and is almost omnipresent in Persian prayer rugs. The palm signifies a blessing or benediction, the weeping willow stands for death, and the cypress, while being an emblem of mourning, in its perennial freshness and the durability of its wood, is also a very practical symbol of the life to come. It is an Oriental custom to plant cypress trees on the graves of the dead, to place its twigs in the coffins of the dead, and to use its branches to indicate the houses of mourning. In India the cocoanut palm is considered "the tree of desire" or one that fulfils all desires. Its stem serves as a pillar or beam, as a water conduit and as fuel; its leaves supply mats for roofing the houses; its kernel supplies oil; its shell makes water bowls, and the oil of the shell is used as an external application in certain skin affections, etc. It is all useful and supplies all the primitive wants and therefore was much cultivated by the Rishis (Saints) of old, who called it "kalpa taru," literally the tree that supplies all desires. Its presence therefore is auspicious.

Tree Design

Sometimes called the tree of life. Always associated with religious belief. It symbolizes Divine power…

Sometimes called the tree of life. Always associated with religious belief. It symbolizes Divine power and perpetual life. It has furnished more different art motives than any other object and is almost omnipresent in Persian prayer rugs. The palm signifies a blessing or benediction, the weeping willow stands for death, and the cypress, while being an emblem of mourning, in its perennial freshness and the durability of its wood, is also a very practical symbol of the life to come. It is an Oriental custom to plant cypress trees on the graves of the dead, to place its twigs in the coffins of the dead, and to use its branches to indicate the houses of mourning. In India the cocoanut palm is considered "the tree of desire" or one that fulfils all desires. Its stem serves as a pillar or beam, as a water conduit and as fuel; its leaves supply mats for roofing the houses; its kernel supplies oil; its shell makes water bowls, and the oil of the shell is used as an external application in certain skin affections, etc. It is all useful and supplies all the primitive wants and therefore was much cultivated by the Rishis (Saints) of old, who called it "kalpa taru," literally the tree that supplies all desires. Its presence therefore is auspicious.

Tree Design

Sometimes called the tree of life. Always associated with religious belief. It symbolizes Divine power…

A nameless Turkish border design.

Turkish Design

A nameless Turkish border design.

A nameless Turkish border design.

Turkish Design

A nameless Turkish border design.

A nameless Turkish border design.

Turkish Design

A nameless Turkish border design.

A nameless Turkish border design.

Turkish Design

A nameless Turkish border design.

A nameless Turkish border design.

Turkish Design

A nameless Turkish border design.

A nameless Turkish border design.

Turkish Design

A nameless Turkish border design.

A nameless Turkish border design.

Turkish Design

A nameless Turkish border design.

A nameless Turkish border design.

Turkish Design

A nameless Turkish border design.

A nameless Turkish border design.

Turkish Design

A nameless Turkish border design.

A nameless Turkish border design.

Turkish Design

A nameless Turkish border design.

A nameless Turkish border design.

Turkish Design

A nameless Turkish border design.

A nameless Turkish border design.

Turkish Design

A nameless Turkish border design.

A nameless Turkish border design.

Turkish Design

A nameless Turkish border design.

A nameless Turkish border design.

Turkish Design

A nameless Turkish border design.

A nameless Turkish border design.

Turkish Design

A nameless Turkish border design.

A nameless Turkish border design.

Turkish Design

A nameless Turkish border design.

A nameless Turkish border design.

Turkish Design

A nameless Turkish border design.

A nameless Turkish border design.

Turkish Design

A nameless Turkish border design.

Two Turkish men weaving carpet in the traditional fashion.

Turkish Rug Weavers

Two Turkish men weaving carpet in the traditional fashion.

The tortoise or turtle border design is a design in which the figure of the tortoise is arrayed in a manner similar to that of the Herati border design. In China the tortoise stands for longevity and immortality. In India it is also auspicious inasmuch as it represents the second incarnation of Vishnu where it supports the earth on its back.

Turtle Design

The tortoise or turtle border design is a design in which the figure of the tortoise is arrayed in a…

A border which resembles a wine glass and is especially common in the Caucasian textiles, particularly the Kazaks and Shirvans. It appears in various forms, but the most common is the one in combination with the fish-bone design.

Wine-Glass Border

A border which resembles a wine glass and is especially common in the Caucasian textiles, particularly…

A border which resembles a wine glass and is especially common in the Caucasian textiles, particularly the Kazaks and Shirvans. It appears in various forms, but the most common is the one in combination with the fish-bone design.

Wine-Glass Border

A border which resembles a wine glass and is especially common in the Caucasian textiles, particularly…

A border which resembles a wine glass and is especially common in the Caucasian textiles, particularly the Kazaks and Shirvans. It appears in various forms, but the most common is the one in combination with the fish-bone design.

Wine-Glass Border

A border which resembles a wine glass and is especially common in the Caucasian textiles, particularly…