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Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. …in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Non-Vocal Consonant positions have the voice phalanx of the thumb bent at right angles to the breath phalanx, or unaccented. Shut Consonant positions do not have any of the fingers accented. Throat Consonant positions differ from those of the Back in having the index and center fingers separated.

Non-Vocal Shut Throat Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. …in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Primary Consonant positions have only the first finger accented. Throat Consonant positions differ from those of the Back in having the index and center fingers separated.

Vocalized Primary Throat Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics of certain central-aperture consonants with the wide or expanded quality of vowels, but differing from vowels in not having a fixed configuration. ...in representing glides the peculiarities of consonants and vowels are blended: the accented fingers, by being straightened, contribute a consonant characteristic; while the second phalanx of the thumb, by being held at an angle to the plane of the palm, imparts to the glide positions the wide, without giving them the firm, quality of vowel positions. <p> Breath-Glide - A transitional aspiration, of organic quality corresponding to that of the adjoining elements [a soft effect of the Consonants, back primary; top primary; Point primary; Lip primary; etc.]. Although this glide has no fixed abiding place, and is of a somewhat variable organic formation, in its effect it is very closely allied to the Throat consonant aspirate, and is therefore represented with a posterior position of the palm and a separation of the index and center fingers, which are characteristic features of Throat positions. This is the only Non-Vocal glide, and hence is the only one in the representation of which the voice phalanx is unaccented.

Breath-Glide

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics…

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics of certain central-aperature consonants with the wide or expanded quality of vowels, but differing from vowels in not having a fixed configuration. ...in representing glides the peculiarities of consonants and vowels are blended: the accented fingers, by being straightened, contribute a consonant characteristic; while the second phalanx of the thumb, by being held at an angle to the plane of the palm, imparts to the glide positions the wide, without giving them the firm, quality of vowel positions. Back-Glide – A semi-vowelized sound of the Vocalized back primary consonant.

Back-Glide

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics…

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics of certain central-aperature consonants with the wide or expanded quality of vowels, but differing from vowels in not having a fixed configuration. ...in representing glides the peculiarities of consonants and vowels are blended: the accented fingers, by being straightened, contribute a consonant characteristic; while the second phalanx of the thumb, by being held at an angle to the plane of the palm, imparts to the glide positions the wide, without giving them the firm, quality of vowel positions. Back Mixed-Glide – A semi-vowelized sound of the Vocalized back Mixed consonant.

Back Mixed-Glide

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. … in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Back Vowels have the palm in the posterior position. In Primary Vowel positions the accented voice phalanx of the thumb and the terminal phalanx of the accented finger overlap. None of the unaccented fingers are straightened. High Vowels have the third finger accented

Normal Aperture Back Primary High Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. … in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Back Vowels have the palm in the posterior position. In Primary Vowel positions the accented voice phalanx of the thumb and the terminal phalanx of the accented finger overlap. None of the unaccented fingers are straightened. Mid Vowels have the center finger accented.

Normal Aperture Back Primary Mid Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. … in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Back Vowels have the palm in the posterior position. In Primary Vowel positions the accented voice phalanx of the thumb and the terminal phalanx of the accented finger overlap. None of the unaccented fingers are straightened. Low Vowels have the first or index finger accented.

Normal Aperture Back Primary Low Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. … in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Back Vowels have the palm in the posterior position. Wide Vowel positions differ from analogous Primary Vowel positions by having straightened unaccented fingers, to denote "Wide." High Vowels have the third finger accented

Normal Aperture Back Wide High Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. … in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Back Vowels have the palm in the posterior position. Wide Vowel positions differ from analogous Primary Vowel positions by having straightened unaccented fingers, to denote "Wide." Mid Vowels have the center finger accented.

Normal Aperture Back Wide Mid Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. … in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Back Vowels have the palm in the posterior position. Wide Vowel positions differ from analogous Primary Vowel positions by having straightened unaccented fingers, to denote "Wide." Low Vowels have the first or index finger accented.

Normal Aperture Back Wide Low Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. … in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Mixed Vowels have the palm thrown forward so as to assume a compromising position. In Primary Vowel positions the accented voice phalanx of the thumb and the terminal phalanx of the accented finger overlap. None of the unaccented fingers are straightened. High Vowels have the third finger accented

Normal Aperture Mixed Primary High Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. … in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Mixed Vowels have the palm thrown forward so as to assume a compromising position. In Primary Vowel positions the accented voice phalanx of the thumb and the terminal phalanx of the accented finger overlap. None of the unaccented fingers are straightened. Wide Vowel positions differ from analogous Primary Vowel positions by having straightened unaccented fingers, to denote "Wide." Mid Vowels have the center finger accented.

Normal Aperture Mixed Primary Mid Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. … in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Mixed Vowels have the palm thrown forward so as to assume a compromising position. Wide Vowel positions differ from analogous Primary Vowel positions by having straightened unaccented fingers, to denote "Wide." High Vowels have the third finger accented

Normal Aperture Mixed Wide High Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. … in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Mixed Vowels have the palm thrown forward so as to assume a compromising position. Wide Vowel positions differ from analogous Primary Vowel positions by having straightened unaccented fingers, to denote "Wide." Mid Vowels have the center finger accented.

Normal Aperture Mixed Wide Mid Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. … in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Mixed Vowels have the palm thrown forward so as to assume a compromising position. Wide Vowel positions differ from analogous Primary Vowel positions by having straightened unaccented fingers, to denote "Wide." Low Vowels have the first or index finger accented.

Normal Aperture Mixed Wide Low Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Normal Aperture Front Primary High Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Normal Aperture Front Primary Mid Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Normal Aperture Front Primary Low Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Normal Aperture Front Wide High Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Normal Aperture Front Primary Wide Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Normal Aperture Front Wide Low Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. … in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Round Vowels differ visibly from normal aperture Vowels by having a contraction of the Lip aperture. This is shown by bringing the terminal phalanges of the thumb and the accented finger together so as to form an outline which is approximately round. Back Vowels have the palm in the posterior position. In Primary Vowel positions the accented voice phalanx of the thumb and the terminal phalanx of the accented finger overlap. None of the unaccented fingers are straightened. High Vowels have the third finger accented

Round Back Primary High Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. … in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Round Vowels differ visibly from normal aperture Vowels by having a contraction of the Lip aperture. This is shown by bringing the terminal phalanges of the thumb and the accented finger together so as to form an outline which is approximately round. Back Vowels have the palm in the posterior position. In Primary Vowel positions the accented voice phalanx of the thumb and the terminal phalanx of the accented finger overlap. None of the unaccented fingers are straightened. Mid Vowels have the center finger accented.

Round Back Primary Mid Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. … in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Round Vowels differ visibly from normal aperture Vowels by having a contraction of the Lip aperture. This is shown by bringing the terminal phalanges of the thumb and the accented finger together so as to form an outline which is approximately round. Back Vowels have the palm in the posterior position. In Primary Vowel positions the accented voice phalanx of the thumb and the terminal phalanx of the accented finger overlap. None of the unaccented fingers are straightened. Low Vowels have the first or index finger accented.

Round Back Primary Low Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. … in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Round Vowels differ visibly from normal aperture Vowels by having a contraction of the Lip aperture. This is shown by bringing the terminal phalanges of the thumb and the accented finger together so as to form an outline which is approximately round. Back Vowels have the palm in the posterior position. Wide Vowel positions differ from analogous Primary Vowel positions by having straightened unaccented fingers, to denote "Wide." High Vowels have the third finger accented

Round Back Wide High Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. … in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Round Vowels differ visibly from normal aperture Vowels by having a contraction of the Lip aperture. This is shown by bringing the terminal phalanges of the thumb and the accented finger together so as to form an outline which is approximately round. Back Vowels have the palm in the posterior position. Wide Vowel positions differ from analogous Primary Vowel positions by having straightened unaccented fingers, to denote "Wide." Mid Vowels have the center finger accented.

Round Back Wide Mid Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. … in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Round Vowels differ visibly from normal aperture Vowels by having a contraction of the Lip aperture. This is shown by bringing the terminal phalanges of the thumb and the accented finger together so as to form an outline which is approximately round. Back Vowels have the palm in the posterior position. Wide Vowel positions differ from analogous Primary Vowel positions by having straightened unaccented fingers, to denote "Wide." Low Vowels have the first or index finger accented.

Round Back Wide Low Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. … in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Round Vowels differ visibly from normal aperture Vowels by having a contraction of the Lip aperture. This is shown by bringing the terminal phalanges of the thumb and the accented finger together so as to form an outline which is approximately round. Mixed Vowels have the palm thrown forward so as to assume a compromising position. In Primary Vowel positions the accented voice phalanx of the thumb and the terminal phalanx of the accented finger overlap. None of the unaccented fingers are straightened. High Vowels have the third finger accented

Round Mixed Primary High Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. … in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Round Vowels differ visibly from normal aperture Vowels by having a contraction of the Lip aperture. This is shown by bringing the terminal phalanges of the thumb and the accented finger together so as to form an outline which is approximately round. Mixed Vowels have the palm thrown forward so as to assume a compromising position. In Primary Vowel positions the accented voice phalanx of the thumb and the terminal phalanx of the accented finger overlap. None of the unaccented fingers are straightened. Mid Vowels have the center finger accented.

Round Mixed Primary Mid Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. … in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Mixed Vowels have the palm thrown forward so as to assume a compromising position. In Primary Vowel positions the accented voice phalanx of the thumb and the terminal phalanx of the accented finger overlap. None of the unaccented fingers are straightened. Wide Vowel positions differ from analogous Primary Vowel positions by having straightened unaccented fingers, to denote "Wide." Low Vowels have the first or index finger accented.

Round Mixed Primary Low Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. … in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Round Vowels differ visibly from normal aperture Vowels by having a contraction of the Lip aperture. This is shown by bringing the terminal phalanges of the thumb and the accented finger together so as to form an outline which is approximately round. Mixed Vowels have the palm thrown forward so as to assume a compromising position. Wide Vowel positions differ from analogous Primary Vowel positions by having straightened unaccented fingers, to denote "Wide." High Vowels have the third finger accented

Round Mixed Wide High Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. … in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Round Vowels differ visibly from normal aperture Vowels by having a contraction of the Lip aperture. This is shown by bringing the terminal phalanges of the thumb and the accented finger together so as to form an outline which is approximately round. Mixed Vowels have the palm thrown forward so as to assume a compromising position. Wide Vowel positions differ from analogous Primary Vowel positions by having straightened unaccented fingers, to denote "Wide." Mid Vowels have the center finger accented.

Round Mixed Wide Mid Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. … in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Mixed Vowels have the palm thrown forward so as to assume a compromising position. Wide Vowel positions differ from analogous Primary Vowel positions by having straightened unaccented fingers, to denote "Wide." Low Vowels have the first or index finger accented.

Round Mixed Wide Low Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Round Front Primary High Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Round Front Primary Mid Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Round Front Primary Low Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Round Front Wide High Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Round Front Wide Mid Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Round Front Wide Low Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics of certain central-aperature consonants with the wide or expanded quality of vowels, but differing from vowels in not having a fixed configuration. ...in representing glides the peculiarities of consonants and vowels are blended: the accented fingers, by being straightened, contribute a consonant characteristic; while the second phalanx of the thumb, by being held at an angle to the plane of the palm, imparts to the glide positions the wide, without giving them the firm, quality of vowel positions. <p> Glides-Indicated positions are distinguished by having the accent finger straightened, and the accented voice phalanx of the thumb in contact with that finger's second phalanx. They are adapted to illustrate the easy transition from Vowel to Glide. Glides-Indicated possess exactly the same phonetic value and significance as the Glides which they respectively replace. When used with a High Vowel, have the third finger accented. Primary glides-indicated have closed unaccented fingers. Back Glide-Indicated positions, being posterior, have the palm held laterally at an angle to the arm.

Indicated High Primary Back Glide

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics…

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics of certain central-aperature consonants with the wide or expanded quality of vowels, but differing from vowels in not having a fixed configuration. ...in representing glides the peculiarities of consonants and vowels are blended: the accented fingers, by being straightened, contribute a consonant characteristic; while the second phalanx of the thumb, by being held at an angle to the plane of the palm, imparts to the glide positions the wide, without giving them the firm, quality of vowel positions. <p> Glides-Indicated positions are distinguished by having the accent finger straightened, and the accented voice phalanx of the thumb in contact with that finger's second phalanx. They are adapted to illustrate the easy transition from Vowel to Glide. Glides-Indicated possess exactly the same phonetic value and significance as the Glides which they respectively replace. When used with a High Vowel, have the third finger accented. Straightened unaccented fingers should be employed only to indicate "Wide". Back Glide-Indicated positions, being posterior, have the palm held laterally at an angle to the arm.

Indicated High Wide Back Glide

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics…

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics of certain central-aperature consonants with the wide or expanded quality of vowels, but differing from vowels in not having a fixed configuration. ...in representing glides the peculiarities of consonants and vowels are blended: the accented fingers, by being straightened, contribute a consonant characteristic; while the second phalanx of the thumb, by being held at an angle to the plane of the palm, imparts to the glide positions the wide, without giving them the firm, quality of vowel positions. <p> Glides-Indicated positions are distinguished by having the accent finger straightened, and the accented voice phalanx of the thumb in contact with that finger's second phalanx. They are adapted to illustrate the easy transition from Vowel to Glide. Glides-Indicated possess exactly the same phonetic value and significance as the Glides which they respectively replace. When used with a Mid, have the center finger accented. Primary glides-indicated have closed unaccented fingers. Back Glide-Indicated positions, being posterior, have the palm held laterally at an angle to the arm.

Indicated Mid Primary Back Glide

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics…

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics of certain central-aperature consonants with the wide or expanded quality of vowels, but differing from vowels in not having a fixed configuration. ...in representing glides the peculiarities of consonants and vowels are blended: the accented fingers, by being straightened, contribute a consonant characteristic; while the second phalanx of the thumb, by being held at an angle to the plane of the palm, imparts to the glide positions the wide, without giving them the firm, quality of vowel positions. <p> Glides-Indicated positions are distinguished by having the accent finger straightened, and the accented voice phalanx of the thumb in contact with that finger's second phalanx. They are adapted to illustrate the easy transition from Vowel to Glide. Glides-Indicated possess exactly the same phonetic value and significance as the Glides which they respectively replace. When used with a Mid, have the center finger accented. Straightened unaccented fingers should be employed only to indicate "Wide". Back Glide-Indicated positions, being posterior, have the palm held laterally at an angle to the arm.

Indicated Mid Wide Back Glide

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics…

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics of certain central-aperature consonants with the wide or expanded quality of vowels, but differing from vowels in not having a fixed configuration. ...in representing glides the peculiarities of consonants and vowels are blended: the accented fingers, by being straightened, contribute a consonant characteristic; while the second phalanx of the thumb, by being held at an angle to the plane of the palm, imparts to the glide positions the wide, without giving them the firm, quality of vowel positions. <p> Glides-Indicated positions are distinguished by having the accent finger straightened, and the accented voice phalanx of the thumb in contact with that finger's second phalanx. They are adapted to illustrate the easy transition from Vowel to Glide. Glides-Indicated possess exactly the same phonetic value and significance as the Glides which they respectively replace. When used with a Low, have the first finger accented. Primary glides-indicated have closed unaccented fingers. Back Glide-Indicated positions, being posterior, have the palm held laterally at an angle to the arm.

Indicated Low Primary Back Glide

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics…

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics of certain central-aperature consonants with the wide or expanded quality of vowels, but differing from vowels in not having a fixed configuration. ...in representing glides the peculiarities of consonants and vowels are blended: the accented fingers, by being straightened, contribute a consonant characteristic; while the second phalanx of the thumb, by being held at an angle to the plane of the palm, imparts to the glide positions the wide, without giving them the firm, quality of vowel positions. <p> Glides-Indicated positions are distinguished by having the accent finger straightened, and the accented voice phalanx of the thumb in contact with that finger's second phalanx. They are adapted to illustrate the easy transition from Vowel to Glide. Glides-Indicated possess exactly the same phonetic value and significance as the Glides which they respectively replace. When used with a Low, have the first finger accented. Straightened unaccented fingers should be employed only to indicate "Wide". Back Glide-Indicated positions, being posterior, have the palm held laterally at an angle to the arm.

Indicated Low Wide Back Glide

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics…

"And the king of Jericho sent unto Rahab, saying, Bring forth the men that are come to thee, which are entered into thine house: for they be come to search out all the country." Joshua 2:3 KJV

Rahab and the Spies

"And the king of Jericho sent unto Rahab, saying, Bring forth the men that are come to thee, which are…

"And it came to pass on the seventh day, that they rose early at the dawning of the day, and compassed the city after the same manner seven times: only on the day they compassed the city seven times. And it came to pass at the seventh time, when the priests blew the trumpets, Joshua said unto the people, Shout; for Jehovah hath given you the city. And the city shall be devoted, even it and all that is therein, to Jehovah: only Rahab the harlot shall live, she and all that are with her in the house, because she hid the messengers that we sent. But as for you, only keep yourselves from the devoted thing, lest when ye have devoted it, ye take of the devoted thing; so would ye make the camp of Israel accursed, and trouble it. But all the silver, and gold, and vessels of brass and iron, are holy unto Jehovah: they shall come into the treasury of Jehovah. So the people shouted, and the priests blew the trumpets; and it came to pass, when the people heard the sound of the trumpet, that the people shouted with a great shout, and the wall fell down flat, so that the people went up into the city, every man straight before him, and they took the city." Joshua 6:15-20 ASV
<p>Illustration of the walls of Jericho falling as the Israelites surround the city. The ark of the covenant and priests blowing trumpets are seen on the left side of the picture.

Falling of the Walls of Jericho

"And it came to pass on the seventh day, that they rose early at the dawning of the day, and compassed…

5 Then went Samson down, and his father and his mother, to Timnath, and came to the vineyards of Timnath: and, behold, a young lion roared against him. 6 And the Spirit of the LORD came mightily upon him, and he rent him as he would have rent a kid, and he had nothing in his hand: but he told not his father or his mother what he had done. Judges 14:5-6 KJV

Saltier Ordinary

5 Then went Samson down, and his father and his mother, to Timnath, and came to the vineyards of Timnath:…

"Then went Samson down, and his father and his mother, to Timnah, and came to the vineyards of Timnah: and, behold, a young lion roared against him. And the Spirit of Jehovah came mightily upon him, and he rent him as he would have rent a kid; and he had nothing in his hand: but he told not his father or his mother what he had done." Judges 14:5-6
<p>Illustration of Samson fighting a lion barehanded.

Samson Slaying the Lion

"Then went Samson down, and his father and his mother, to Timnah, and came to the vineyards of Timnah:…

"Then said Boaz unto his servant that was set over the reapers, Whose damsel is this?And the servant that was set over the reapers answered and said, It is the Moabitish damsel that came back with Naomi out of the country of Moab: And she said, Let me glean, I pray you, and gather after the reapers among the sheaves. So she came, and hath continued even from the morning until now, save that she tarried a little in the house. Then said Boaz unto Ruth, Hearest thou not, my daughter? Go not to glean in another field, neither pass from hence, but abide here fast by my maidens. Let thine eyes be on the field that they do reap, and go thou after them: have I not charged the young men that they shall not touch thee? and when thou art athirst, go unto the vessels, and drink of that which the young men have drawn." Ruth 2:5-9
<p>Boaz and his servant speak with Ruth who is gleaning in his field.

Ruth Gleaning in the Fields of Boaz

"Then said Boaz unto his servant that was set over the reapers, Whose damsel is this?And the servant…

Many-flowered Darnel

The Many-flowered Darnel (Lolium multiflorum) is the most showy species of rye grass cultvated. Three…

The Many-flowered Darnel (Lolium multiflorum) is the most showy species of rye grass cultvated. Three to several flowered, compressed spikelets with the flat side toward the rachis. Glumes nearly equal and opposite, nerved. The lower palea like the glumes, convex on the back, awned from the tip, upper flattened. Three stamens. Mostly annuals but some are perennials. A magnified spikelet is shown here.

Many-flowered Darnel

The Many-flowered Darnel (Lolium multiflorum) is the most showy species of rye grass cultvated. Three…

Wild Oat Grass

Wild Oat Grass (Danthonia spicata), also referred to as White Top grass, and Old Fog grass, is common…

Wild Oat Grass

Wild Oat Grass (Danthonia spicata), also referred to as White Top grass, and Old Fog grass, is common…

Wild Oat Grass (Danthonia spicata), also referred to as White Top grass, and Old Fog grass, is common in dry, sunny pastures, with a stem one foot high, slender with short leaves. Narrow sheaths, bearded. The panicle is simple and there are seven flowered spikelets. The lower palea broadly ovate, loosely hairy on the back, longer than its awl-shaped teeth. Perennial and flowers in June. Shown is a magnified spikelet. Shown is the upper pale.

Wild Oat Grass

Wild Oat Grass (Danthonia spicata), also referred to as White Top grass, and Old Fog grass, is common…

Tall Meadow Oat Grass

Tall Meadow Oat Grass (Arrhenatherum avenaceum), or Tall Oat Grass is the avena elatior of Linnaeus.…

Tall Meadow Oat Grass

Tall Meadow Oat Grass (Arrhenatherum avenaceum), or Tall Oat Grass is the avena elatior of Linnaeus.…

Sweet-scented Vernal Grass

Sweet-scented Vernal Grass (Anthoxanthum odoratum) has three-flowered spreading spikelets. The lateral…

Sweet-scented Vernal Grass (Anthoxanthum odoratum) has three-flowered spreading spikelets. The lateral flowers are neutral with one palea, hairy on the outside, and awned on the back. The glumes are thin, acute, keeled, the upper twice as long as the lower. The seed is ovate and adhearing to the palea which encloses it. The stem is from one and a half to two feet high. The root is perennial and flowers in May and June. This is one of the earliest spring grasses and one of the latest in autumn, and is almost the only grass that is fragrant. A flower is seen here.

Sweet-scented Vernal Grass

Sweet-scented Vernal Grass (Anthoxanthum odoratum) has three-flowered spreading spikelets. The lateral…