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"European Jay. Garrulus glandarius. With the wings much shorter than or about equalling the tail, both rounded; tip of the wing formed by the 4th-7th quills. The feet, as well as the bill, are usually weaker than in the true crows, and the birds are more strictly arboricole, usually advancing by leaps when on the ground, to which they do not habitually resort. In striking contrast to most Corvinae, the jays are usually birds of right and varied colors, among which blue is the most prominent; and the head is frequently crested. The sexes are nearly alike, and the changes of plumage do not appear to be as great as is usual among highly-colored birds, although some differences are frequently observable. Our well-known Blue Jay is a familiar illustration of the habits and traits of the species in general. They are found in most parts of the world, and reach their highest development in the warmer portions of American. With one boreal (Perisoreus), the genera of the Old and New Word are entirely different." Elliot Coues, 1884

Eurasian Jay

"European Jay. Garrulus glandarius. With the wings much shorter than or about equalling the tail, both…

"Pica. rustica hudsonica. Lustrous black, with green, purple, violet, and even golden iridescence, especially on the tail and wings. Below, from the breast to the crissum, a scapular patch, and a great part of the inner webs of the primary quills, white; some whitish touches on the throat; lower back showing gray, owing to mixture of white with black; bill and feet black; eyes blackish." Elliot Coues, 1884

magpie

"Pica. rustica hudsonica. Lustrous black, with green, purple, violet, and even golden iridescence, especially…

"Perisoreus canadensis. Canada Jay. Whiskey Jack. Moose-bird. Gray whitening on head, neck, and breast; a dark cap on hind and nape, separated by a gray cervical collar from ashy-plumbeous back; wings and tail plumbeous, the feathers obscurely tipped with whitish. Bill and feet black." Elliot Coues, 1884

Canada Jay

"Perisoreus canadensis. Canada Jay. Whiskey Jack. Moose-bird. Gray whitening on head, neck, and breast;…

"Pitangus derbianus. Derby Flycatcher. Under parts light wood-brown, with an olive tinge; wings and tail the same, but the feathers extensively bordered without and within with chestnut, forming a conspicuous continuous area on the wing-quills in the closed wing, and on most of the wing and tail-feathers more extensively than the brown portion of the inner webs. Below from the breast, including lining of wings, clear and continuous lemon-yellow. Whole chin and throat pure white, widening behind up under ear-coverts. Top and sides of head black, a circle of white from forehead over eyes to nape white, the enclosed black enclosing black a lemon and orange patch. Or, middle of crown yellow and orange, enclosed and partly concealed in black, this black enclosed in white, then the long and broad black bar on side of head, separating the white of side of crown from that of side of throat. The coronal feathers lengthened and erectile as in a king-bird, or more so; crown-patch of same character but more extensive. Bill and feet black; iris hazel Sexes alike." Elliot Coues, 1884

Derby Flycatcher

"Pitangus derbianus. Derby Flycatcher. Under parts light wood-brown, with an olive tinge; wings and…

Tyrannus carolinensis. King-bird. Bee-martin. No olive nor decided yellow. Only outer primaries obviously emarginate. Tail nearly even - if anything a little rounded. Blackish-ash, still darker or quite black on head, crown with a flaming spot. Below, pure white, the breast shaded with plumbeous. Wings dusky, with much whitish edging. Tail black, broadly and sharply tipped with white, the outer feather sometimes edged with the same. Bill and feet black." Elliot Coues, 1884

King-bird

Tyrannus carolinensis. King-bird. Bee-martin. No olive nor decided yellow. Only outer primaries obviously…

"Myiarchus crinitus. Great Crested Flycatcher. Decidedly olivaceous above, a little browner on head, where the feathers have dark centres; throat and fore pure dark ash; rest of under parts bright yellow, the two colors meeting abruptly; primaries margined on both edges with chestnut; secondaries and coverts edges and tipped with yellowish-white; tail with all the feathers but the central pair chestnut on the whole of the inner web (excepting perhaps a very narrow space next the shaft); outer web of outer feathers with yellowish; middle feathers, outer webs of the rest, and wings except as stated, dusky-brown. The foregoing phrases are intended to be chiefly antithetical to those used in describing cinerescens, below, No. 375. Other diagnostic points are: bill dark but not quite black, pale at base below; stout and comparatively short, hardly or not as long as tarsus, the latter perhaps never .90, the olive back, ash throat, and yellow belly severally pure in color; all tail-feathers but middle pair so extensively rufous on inner webs that a mere line, if any, of fuscous persists next the shaft (compare erythrocercus and cooperi), and this fuscous line,if any, running of same narrowness to ends of the feathers (compare cinerescens); never more than a trace of rufous on outer webs." Elliot Coues, 1884

Great Crested Flycatcher

"Myiarchus crinitus. Great Crested Flycatcher. Decidedly olivaceous above, a little browner on head,…

"Sayiornis fusca. Pewit Flycatcher. Water Pewee. Pewit. Phaebe. Dull olivaceous-brown, the head much darker fuscous-brown, almost blackish, usually in marked contrast with the back; below, solid whitish, or palest possible yellow, particularly on the belly; the sides, and the breast nearly or quite across, shaded with grayish -brown; wings and tail dusky, the outer tail-feather, inner secondaries, and usually the wing-coverts, edged with whitish; a whitish ring round the eye; bill and feet black. Varies greatly in shade; the foregoing is the average spring condition. As summer passes, the plumage becomes much-duller and and darker brown, from wearing of the feather; then, after the moult, fall specimens are much brighter than in spring, the under parts being decidedly yellow, at least on the belly." Elliot Coues, 1884

Pewit Flycatcher

"Sayiornis fusca. Pewit Flycatcher. Water Pewee. Pewit. Phaebe. Dull olivaceous-brown, the head much…

"Antrostomus vociferus. Whippoorwill. Night-jar. Upper parts variegated with gray, black, whitish, and tawny; prevailing tone gray; black streaks sharp on the head and back, the colors elsewhere delicately marbled, including the four median tail-feathers; wings and their coverts with bars of rufous spots; lateral tail-feathers black, with large white (male) or small tawny (female) terminal spaces; a white (male) or tawny (female) throat-bar. Adult male: Assuming stone-gray as the ground-color of the upper parts: Crown with a purplish cast, heavily dashed lengthwise with black; back darker, with smaller streaks; tail beautifully marbled with slate-gray and black tending crosswise on the 4 middle feathers; scapulars with bold black centre-fields set in frosty marbling; hind neck with white specks, as if continued around from the white throat-bar. Primaries black, with a little marbling at their ends, fully broken-barred with tawny-reddish; no white spaces. Three lateral tail-feathers mostly black, with pure white terminal spaces 1-2 inches long. Under parts quite blackish, on the breast powdered over with hoary-gray, more posteriorly marbled with gray and tawny, tending crosswise. Lores and ear-coverts dark brown. It is only in perfect plumage that the colors are as slaty and frosty as described; ordinarily more brown and ochrey." Elliot Coues, 1884

Small Whippoorwill

"Antrostomus vociferus. Whippoorwill. Night-jar. Upper parts variegated with gray, black, whitish, and…

"Antrostomus vociferus. Whippoorwill. Night-jar. Upper parts variegated with gray, black, whitish, and tawny; prevailing tone gray; black streaks sharp on the head and back, the colors elsewhere delicately marbled, including the four median tail-feathers; wings and their coverts with bars of rufous spots; lateral tail-feathers black, with large white (male) or small tawny (female) terminal spaces; a white (male) or tawny (female) throat-bar. Adult male: Assuming stone-gray as the ground-color of the upper parts: Crown with a purplish cast, heavily dashed lengthwise with black; back darker, with smaller streaks; tail beautifully marbled with slate-gray and black tending crosswise on the 4 middle feathers; scapulars with bold black centre-fields set in frosty marbling; hind neck with white specks, as if continued around from the white throat-bar. Primaries black, with a little marbling at their ends, fully broken-barred with tawny-reddish; no white spaces. Three lateral tail-feathers mostly black, with pure white terminal spaces 1-2 inches long. Under parts quite blackish, on the breast powdered over with hoary-gray, more posteriorly marbled with gray and tawny, tending crosswise. Lores and ear-coverts dark brown. It is only in perfect plumage that the colors are as slaty and frosty as described; ordinarily more brown and ochrey." Elliot Coues, 1884

Large Whippoorwill

"Antrostomus vociferus. Whippoorwill. Night-jar. Upper parts variegated with gray, black, whitish, and…

"Fig 63 - Skull of a duck (Clangula islandica), nat. size; Dr. R.W. Shufeldt, U.S.A. a, premaxillary bone; b, partly ossified internasal septum; b', pervious part of nostril; c, end of premaxillary, perforated form numerous branches of second division of the fifth cranial nerve; d, dentary bone of under mandible; e, groove of nerves, etc.; f, a vacuity between dentary and other pieces of the mandible; g, articular surface; h, recurved "angle of the jaw;" i, occipital protuberance; j, vacuity in supraoccipital bone; k, muscular impression on back of skull; l is over the black ear-cavity; m, post-frontal process; n, quadrate bone; o, pterygoid; p, palatine; q, quadrato-jugal; r, jugal; s, maxillary; t, fronto-parietal dome of the brain-cavity; u; u, the lacrymal bone, immense in a duck, nearly completing rim of the orbit by approaching m; v, vomer; w, supra-orbital depression for the nasal gland; x, cranio-facial hinge; y, optic foramen; z, etc. interorbital vacuities." Elliot Coues, 1884

Duck Skull

"Fig 63 - Skull of a duck (Clangula islandica), nat. size; Dr. R.W. Shufeldt, U.S.A. a, premaxillary…

Alcedo Ispida. European Kingfisher. Small bird, upper parts blue-green; under parts orange; rump and back azure-blue head large; rufous patch on ear; stripe on neck blue-green; bill long and black with some red at base; short tail.

Common Kingfisher

Alcedo Ispida. European Kingfisher. Small bird, upper parts blue-green; under parts orange; rump and…

"Ceryle alcyon. Belted Kingfisher. Upper parts, broad pectoral bar, and sides under the wings, dull blue with fine black shaft lines. Lower eyelid, spot before eye, a cervical collar and under parts except as said, pure white; the female with chestnut belly-band and the sides of the same color. Quills and tail-feathers black, speckled, blotched or barred on the inner webs with white; outer webs of the secondaries and tail feathers like the back; wing-coverts frequently sprinkled with white. Bill black, pale at base below. Feet dark; tibiae naked below. A long, thin, pointed occipital crest; plumage compact and oily to resist water, into which the birds constantly plunge after their finny prey." Elliot Coues, 1884

Belted Kingfisher

"Ceryle alcyon. Belted Kingfisher. Upper parts, broad pectoral bar, and sides under the wings, dull…

This Old World bird's plumage is gray or brown. They have a long tail, strong legs, and a slim body.

Common Cuckoo

This Old World bird's plumage is gray or brown. They have a long tail, strong legs, and a slim body.

"Geococcyx californianus. Ground Cuckoo. Chaparral Cock. Road Runner. Snake Killer. Paisano. Most of the feathers of the head and neck bristle-tipped; a naked area around eye; crown crested; plumage course. Above, lustrous bronzy or coppery-green, changing to dark steel-blue on the head and neck, to purplish-violet on the middle tail-feathers; everywhere except on rump conspicuously streaked with white, mixed with tawny on the head, neck, and wings - this white and buff streaking consisting of the edges of the feathers, which are frayed out, fringe-like, producing a peculiar effect. Breast, throat and sides of neck mixed tawny-white and black; other under parts dull soiled whitish. Primaries white, tipped and with oblique white space on outer webs. Lateral tail-feathers steel-blue with green violet reflections, their outer webs fringed part way with white, their tips broadly white. Lower back and rump, where covered by the folded wings, dark colored and unmarked; under surface of wings sooty-brown. Bare space around eye bluish and orange. Bill dark horn-color; feet the same, the larger scales yellowish." Elliot Coues, 1884

Ground Cuckoo Head

"Geococcyx californianus. Ground Cuckoo. Chaparral Cock. Road Runner. Snake Killer. Paisano. Most of…

"Geococcyx californianus. Ground Cuckoo. Chaparral Cock. Road Runner. Snake Killer. Paisano. Most of the feathers of the head and neck bristle-tipped; a naked area around eye; crown crested; plumage course. Above, lustrous bronzy or coppery-green, changing to dark steel-blue on the head and neck, to purplish-violet on the middle tail-feathers; everywhere except on rump conspicuously streaked with white, mixed with tawny on the head, neck, and wings - this white and buff streaking consisting of the edges of the feathers, which are frayed out, fringe-like, producing a peculiar effect. Breast, throat and sides of neck mixed tawny-white and black; other under parts dull soiled whitish. Primaries white, tipped and with oblique white space on outer webs. Lateral tail-feathers steel-blue with green violet reflections, their outer webs fringed part way with white, their tips broadly white. Lower back and rump, where covered by the folded wings, dark colored and unmarked; under surface of wings sooty-brown. Bare space around eye bluish and orange. Bill dark horn-color; feet the same, the larger scales yellowish." Elliot Coues, 1884

Ground Cuckoo

"Geococcyx californianus. Ground Cuckoo. Chaparral Cock. Road Runner. Snake Killer. Paisano. Most of…

The Illustrata Iconibus is a 16th century print that was created by German artist Hans Holbein. It shows a king in his quarters writing, and two commoners outside walking.

Iconibus Illustrata

The Illustrata Iconibus is a 16th century print that was created by German artist Hans Holbein. It shows…

This is a print by German artist Johann Otmar in 1502 . It depicts St. Francis reading a bible outside between trees. In each corner of the print are symbols of the four Evangelists: top left, St. John represented by the eagle; top right, St. Mark represented by the lion; bottom left, St. Matthew represented by the winged man; and bottom right, St. Luke represented by the ox.

Johann Otmar

This is a print by German artist Johann Otmar in 1502 . It depicts St. Francis reading a bible outside…

At the Back of the North Wind is a wood engraving that was created by English painter Albert Hughes. It is a children's book that was written by George Macdonald in 1857. It is a fantasy about a boy named diamond and his adventures with the lady north wind.

At the Back of the North Wind

At the Back of the North Wind is a wood engraving that was created by English painter Albert Hughes.…

"Coccygus americanus. Yellow-billed Cuckoo. Bill black, extensively yellow below and on the sides of upper mandible. Feet dark plumbeous. Above, satiny olive-gray. Below, pure white. Wings extensively cinnamon-rufous on inner webs of the quills. Central tail-feathers like the back; the rest black with large white tips, the outermost usually also edged with white. Very constant in color, the chief variation being in extent and intensity of the cinnamon on the wings, which sometimes shows through when the wings are closed, and even tinges the coverts. Young differ chiefly in having the white ends of the tail-feathers less trenchant and extensive, the black not so pure; this state approaches the condition of erthrophthalmus, but does not match it." Elliot Coues, 1884

Small Yellow-billed Cuckoo

"Coccygus americanus. Yellow-billed Cuckoo. Bill black, extensively yellow below and on the sides of…

"Coccygus americanus. Yellow-billed Cuckoo. Bill black, extensively yellow below and on the sides of upper mandible. Feet dark plumbeous. Above, satiny olive-gray. Below, pure white. Wings extensively cinnamon-rufous on inner webs of the quills. Central tail-feathers like the back; the rest black with large white tips, the outermost usually also edged with white. Very constant in color, the chief variation being in extent and intensity of the cinnamon on the wings, which sometimes shows through when the wings are closed, and even tinges the coverts. Young differ chiefly in having the white ends of the tail-feathers less trenchant and extensive, the black not so pure; this state approaches the condition of erthrophthalmus, but does not match it." Elliot Coues, 1884

Yellow-billed Cuckoo

"Coccygus americanus. Yellow-billed Cuckoo. Bill black, extensively yellow below and on the sides of…

"Picus major. European Spotted Woodpecker. Bill more or less nearly equal to head in length, stout, straight, truncate at tip, bevelled toward end, with sharp culmen and distinct lateral ridges on upper mandible; at base rather broader than high, with large nasal tufts hiding the nostrils; culmen, commissure and gonys straight or nearly so. Feet with the outer posterior longer than outer anterior toe; inner anterior intermediate between these. Wing long, pointed by the 4th, 3d, and 5th quills; 2d decidedly shorter (shorter than 7th, except in P. borealis); 1st fairly spurious. Species of medium and small size. All black and white (one brown-backed), the back striped or barred, the wings with numerous small round white spots on the quills; Male with red on the head." Elliot Coues, 1884

European Spotted Woodpecker

"Picus major. European Spotted Woodpecker. Bill more or less nearly equal to head in length, stout,…

"Those palaces which like the back of the Strozzi Place are constucted of dressed blocks with a less decided projection, present a more elegant appearance." Palazzo Strozzi is a palace in Florence, Italy. The Palace was begun in 1489 by Benedetto da Maiano, for Filippo Strozzi the Elder, a rival of the Medici who had returned to the city in November 1466 and desired the most magnificent palace to assert his family's continued prominence and, perhaps more importantly a political statement of his own status. A great number of other buildings were acquired during the 70s and demolished to provide enough space for the new construction. Giuliano da Sangallo the Younger provided a wood model of the design. Filippo Strozzi died in 1491, long before the construction's completion in 1538. Duke Cosimo I de' Medici confiscated it in the same year, not returning it to the Strozzi family until thirty years later.

Strozzi Palace at Florence

"Those palaces which like the back of the Strozzi Place are constucted of dressed blocks with a less…

"Picus borealis. Red-Cockaded Woodpecker. Body spotted and crosswise banded, but not streaked. Head black on top, with a large silky white auricular patch embracing the eye and extending on the side of the neck, bordered above in the male by a scarlet stripe not meeting its fellow on the nape; nasal feathers and those on the side of the jay white; black of the crown connected across the lores with a black stripe running from the corner of the bill down the side of the breast in black spots continued less thickly along the whole side and on the crissum; under parts otherwise soiled white. Central tail-feathers black; others white, black-barred. Back and wings barred with black and white, the larger quills and many coverts with the white bars resolved into paired spots. Female lacking the red cockade. A peculiar isolated species; wings longer and more pointed than usual in this genus." Elliot Coues, 1884

Red-cockaded Woodpecker

"Picus borealis. Red-Cockaded Woodpecker. Body spotted and crosswise banded, but not streaked. Head…

"Picus scalaris nutalli. Nuttall's Woodpecker. Similar; rather larger' more white, this prevailing on the back over the black bars; nape chiefly white; nasal tufts white; lateral tail-feathers, especially, sparsely or imperfectly barred. The Californian coast race, differing decidedly in some respects, and constantly; but connected with general series of ladder-backs. Barring restricted to the back proper, the hind neck being black, succeeded anteriorly by a white space adjoining the red, wanting in scalaris, where red joins black. Red chiefly confined to the occiput, the rest of the crown black, spotted with white. Lateral tail-feathers white, not barred throughout, having not 1-3 black bars, all beyond their middles, all but the terminal one of these broken. White postocular stripe running into the white nuchal area, but cut off from the white of the shoulders. White maxillary stripe enclosed in black as in scalaris, but this black continuous with the cervical black patch, which is not the case in scalaris. No Smoky-brown state of the under parts observed." Elliot Coues, 1884

Nuttall's Woodpecker

"Picus scalaris nutalli. Nuttall's Woodpecker. Similar; rather larger' more white, this prevailing on…

"Picus villosus. Hairy Woodpecker. Spotted and lengthwise streaked, but not banded. Usually 9-10 long; outer tail-feathers wholly white. Back black, with a long white stripe down the middle. Quills and wing-coverts with a profusion of white spots; usually 6-7 pairs on the primaries, several on all the secondaries, and one or more on each of the coverts. Four middle tail-feathers black; next pair black and white; next two pairs white, as stated. Under parts white. Crown and sides of head black, with a white stripe over and behind the eye; another from the nasal feathers running below the eye to spread on the side of the neck; a scarlet nuchal band in the male, sometimes broken in two, wanting in the female. Young with the crown mostly red or bronzy, or even yellowish." Elliot Coues, 1884

Hairy Woodpecker

"Picus villosus. Hairy Woodpecker. Spotted and lengthwise streaked, but not banded. Usually 9-10 long;…

"A certain originality and freedom of intervention is perceptible in the buildings of the early period of the Venetian Renaissance style; the old style is happily blended with the new, which during the first stage is still imbued with Romanesque conceptions." The Vendramin were a rich merchant family of Venice, Italy. What is now the most prominent "Palazzo Vendramin" in Venice, the splendid Ca' Vendramin Calergi by Mauro Codussi on the Grand Canal, was in fact only inherited by the family in 1739, and is now the casino, also famous as the place where Richard Wagner died in 1883. Some rooms are kept as a museum commemorating Wagner's stay. The 16th century Ca' Vendramin di Santa Fosca in the Cannaregio quarter, now also a hotel, is where Gabriele Vendramin's collection was housed. Yet another is the 16th or possibly 17th century "Palazzo Vendramin dei Carmini", in Dorsoduro, most of which is now occupied by part of the University of Venice.

Vendramin Palace at Venice

"A certain originality and freedom of intervention is perceptible in the buildings of the early period…

"The creations of Alberti form a class apart in Florentine palace architecture, for they do not display the peculiarities of the Florentine style, but rather accommodating the forms of the antique to more modern requirements, they pointed out the road which was followed by the Roman Renaissance style, especially at the commencement of the sixteenth century. As will be seen from (this image,) these buildings are, to a certain extent, free from medièval sympathies, and approach more closely to the classical models."

Rucellai Palace

"The creations of Alberti form a class apart in Florentine palace architecture, for they do not display…

"A method of decoration is peculiar to these buildings which appears to have been borrowed from Byzantine models. Fine marbles of various colors, of which red porphyry and green serpentine are the most frequent, are inserted in circular and angular panels and borderings, and form a sort of mosaic-work. This style of ornamentation is employed both in churches and palaces, and gives a peculiarly rich and elegant appearance to the façades. Another peculiarity which was borrowed from the Byzantine style consists in the employment of semi-circular gables, both in churches, as in the case of the Santa Maria dei Miracoli, and also in public places, of which the Scuola di San Marco is a brilliant example."

Scuola di San Marco

"A method of decoration is peculiar to these buildings which appears to have been borrowed from Byzantine…

"Sphyropicus varius. Yellow-bellied Woodpecker. Male: Crown crimson, bordered all around with black; chin, and breast black, enclosing a large crimson patch on the former (in the male; in the female this patch white); sides of head with a white line starting from the nasal feathers and dividing the black of the throat from a trans-ocular black stripe, this separated from the black of the crown by a white post-ocular stripe; all these stripes frequently yellowish. Under parts dingy yellow, brownish and and with sagittate dusky marks on the sides. Back variegated with black and yellowish. Wings black with a large oblique white bar on the coverts; the quills with numerous paired white spots on the edges of both webs. Tail black, most of the feathers white-edged, the inner webs of the middle pair, and the upper coverts, mostly white. Bill brownish; feet greenish-plumbeous; iris brown." Elliot Coues, 1884

Yellow-bellied Woodpecker

"Sphyropicus varius. Yellow-bellied Woodpecker. Male: Crown crimson, bordered all around with black;…

"Melanerpes erythrocephalus. Red-headed Woodpecker. Tricolor. Adult: Beautifully tricolor with "the red, white, and blue." Back, wings and tail glossy blue-black; secondaries, upper tail-coverts, under wing-coverts, under parts from the breast, and ends of some outer tail-feathers, white. Whole head, neck and fore breast crimson, usually black-bordered where adjoining the white. The white of hte wings and rump is pure; that of belly usually tinged with ochraceous or reddish; the white quills have black shafts. The red feathers are stiffish and somewhat bristly in their colored portions. The gloss is sometimes green instead of blue. Bill and feet dusky horn-color. Iris brown." Elliot Coues, 1884

Red-headed Woodpecker

"Melanerpes erythrocephalus. Red-headed Woodpecker. Tricolor. Adult: Beautifully tricolor with "the…

"Asyndesmus torquatus. Lewis' Woodpecker. Lared Woodpecker. Adult: Upper parts, including wings and tail, flanks and crissum, green-black with intense bronzy lustre, especially on the back - this iridescence like that of Quiscalus aneus almost. Face dark crimson, in a patch of velvety feathers around bill and eyes. A narrow distant collar around back of neck, and breast, hoary bluish-gray, gradually brightening behind on the under parts to intense rose-red or lake, delicately pencilled in hair lines with the hoary-gray. No white on wings or tail, their under surfaces simply black. Bill blackish; feet greenish-plumbeous. Iris brown." Elliot Coues, 1884

Lewis' Woodpecker Head

"Asyndesmus torquatus. Lewis' Woodpecker. Lared Woodpecker. Adult: Upper parts, including wings and…

"Asyndesmus torquatus. Lewis' Woodpecker. Lared Woodpecker. Adult: Upper parts, including wings and tail, flanks and crissum, green-black with intense bronzy lustre, especially on the back - this iridescence like that of Quiscalus aneus almost. Face dark crimson, in a patch of velvety feathers around bill and eyes. A narrow distant collar around back of neck, and breast, hoary bluish-gray, gradually brightening behind on the under parts to intense rose-red or lake, delicately pencilled in hair lines with the hoary-gray. No white on wings or tail, their under surfaces simply black. Bill blackish; feet greenish-plumbeous. Iris brown." Elliot Coues, 1884

Lewis' Woodpecker

"Asyndesmus torquatus. Lewis' Woodpecker. Lared Woodpecker. Adult: Upper parts, including wings and…

"Colaptes auratus. Golden-winged Woodpecker. Pigeon Woodpecker. Flicker. Yucker. High-holder. Back and exposed surfaces of wing-coverts and secondaries olive-brown with numerous black bars. Rump snowy-white; upper tail-coverts white, mixed with black. Primaries blackish, with golden shafts, and glossed with golden underneath, at their bases paler and more tawny yellow. Tail-feathers above black, their shafts and under surfaces golden, blackened at ends, the outermost with a few touches of yellow or white. Top of head, with back and sides of neck, ash, with a scarlet nuchel band (in both sexes). Sides of head, whole chin, throat, and fore-breast lilac-brown, with broad black cheek patches, these 'moustaches' wanting usually in the female. A broad black pectoral semi-lune. Other under parts shading from a lighter shade of the color of the breast into creamy-yellow, marked with numerous circular black spots. Bill and feet dark plumbeous. Iris brown." Elliot Coues, 1884

Flicker

"Colaptes auratus. Golden-winged Woodpecker. Pigeon Woodpecker. Flicker. Yucker. High-holder. Back and…

"Next in order are the productions of Jacopo Tatti, or Sansovino, who was born in 1479, and died in 1570. This architect was educated in the Florentine school, and afterwards proceeded to Rome; his masterpieces are less powerful and imposing but on the other hand, are more graceful, and display more richly developed details than those of San Michele."The Biblioteca Nazionale Marciana is a library and Renaissance building in Venice, northern Italy; it is one of the earliest surviving public manuscript depositories in the country, holding one of the greatest classical texts collections in the world. The library is named after St. Mark, the patron saint of Venice.

Old Library of St. Mark at Venice

"Next in order are the productions of Jacopo Tatti, or Sansovino, who was born in 1479, and died in…

"Palladio, who became the special champion of this style of architecture, was born in Vicenza in 1518, and died in 1580. He was undoubtedly a man of great talent, and, after Michelangelo, exercised, perhaps, more influence than anyone else on architecture. Still the introduction of great confusion of ideas is attributable to this architect, for he adorned buildings of every kind and of the building as a whole, so that the order was frequently carried up through several storeys without any reference to its arrangement. But although these reproductions of columns and the employment of pilasters were meaningless in themselves, they served, in a merely decorative point of view, to give a striking appearance to the buildings." Palazzo Valmarana is a patrician palace in Vicenza, Italy, built by architect Andrea Palladio in 1565 for the noble Isabella Nogarola Valmarana.

Palace at Vicenza

"Palladio, who became the special champion of this style of architecture, was born in Vicenza in 1518,…

"Strix nebulosa. Barred Owl. Hoot Owl. American Wood Owl. Toes fully feathered, nearly or quite to the claws, which are blackish; bill yellow; iris black. Of medium size in this genus. Markings of back and breast in cross-bars, of belly in lengthwise stripes. Above, umber-brown or liver-color, everywhere with white or tawny, or both; breast the same; on the belly the pattern changing abruptly to heavy dusky shaft-stripes on a white or tawny ground; crissum the same; feet speckled with dusky; wings and tail like the back or rather darker, regularly barred with gray, light brown or tawny, some of the bars usually making white spots at their ends, and the markings of the wing-coverts rather in spots than bars. Lining of wings tawny, with some dusky spotting. Facial disc set in a frame of black and white specks, with blackened eye-lids, and obscurely watered with lighter and darker colors in rings around the eye as a centre, the bristly feathers about the bill mixed black and white, or white at base, blackened terminally. A notably large and somewhat impressive owl of Eastern North America, common in woodland of the U.S. especially southerly; not known to range much north of the U.S. though occurring in parts of Canada, and not reported from the West, where apparently replaced by S. occidentalis." Elliot Coues, 1884

Barred Owl

"Strix nebulosa. Barred Owl. Hoot Owl. American Wood Owl. Toes fully feathered, nearly or quite to the…

"Surnia funerea. American Hawk Owl. Day Owl. Bill and eyes yellow; claws brownish-black. Upper parts bistre-brown, darkest and almost blackish on the head, where profusely spotted with small round white mark, to which succeeds a nuchal interval less spotted or free from spots, then an area of larger and lengthened spots; scapulars profusely spotted with white in large pattern, forming a scapular bar as in Scops; back and wing-coverts more or less spotted with white also; primaries and secondaries with with white spots in pairs on opposite edges of the feathers. Tail broken-barred with white or pale gray, usually narrowly and distinctly, on one or both webs, and tipped with the same; but there is great individual variation in this respect, as may also be said of the amount and character of the spotting of the upper parts. Under parts from the breast backward, including the crissum, closely and regularly cross-barred with rich reddish-brown, or even reddish-brown, or even reddish-black, upon a white ground, the alternating bars of color usually of about equal widths - if anything, the white the broadest.

Hawk Owl

"Surnia funerea. American Hawk Owl. Day Owl. Bill and eyes yellow; claws brownish-black. Upper parts…

"More than one cause served to render the compositions of Palladio so celebrated. He possessed an especial felicity in the arrangement of his ground-plans, particularly in instances where he had an unlimited space for disposal. His command, moreover, of good proportion , rendered his combinations of civic and sacred buildings most pleasing to the eye; whilst the columnar arrangement of his entrances conveyed an agreeable, and at the same time, dignified impression. Consequently the works of Palladio, although often composed of heterogeneous elements, remained for a long period the model for an entire style; and even in the eighteenth century, when the total deterioration of architecture, as exemplified in what is called by the Germans "the Zopf-und-Perrücken Styl" (pigtail and periwig style), led architects again in the direction of the classical, the designs of Palladio became anew a subject of study. Even in present day they are often immoderately praised by those who are not really conversant with the principles and requirements of art, and who are ignorant of the history of the development of architecture." Villa Capra "La Rotonda" is a Renaissance villa just outside Vicenza, northern Italy, designed by Andrea Palladio. The correct name is Villa Almerico-Capra. It is also known as La Rotonda, Villa Rotunda, Villa La Rotonda, and Villa Almerico. The name "Capra" derives from the Capra brothers, who completed the building after it was ceded to them in 1591. Like other works by Palladio in Vicenza and the surrounding area, the building is conserved as part of the World Heritage Site "City of Vicenza and the Palladian Villas of the Veneto".

Villa by Palladio

"More than one cause served to render the compositions of Palladio so celebrated. He possessed an especial…

"Owing to the rarity and expensiveness of free-stone in Upper Italy, an architectural style in brick was developed side-by-side with that which has just been touched upon. This material had already been employed in the foregoing period for churches, and it now came into frequent use in the construction of the palaces. Bologna is especially rich in palaces of this description, which, with an admixture of earlier forms, belong for the most part to the Early Renissance, with semicircles for the heads of the opening, as was necessitated by the character of the material. The easy multiplication of the ornamental parts in burnt clay, generally led to an undue increase of the decorative element. Inasmuch as the main streets of Bologna have arcades running along them of which the individual palaces only embrace a portion, these buildings do not present the appearance of being totally detached, but seem rather parts of the entire front of the street, and show much similarity in the architecture of their façades with that of the arcades themselves."

Façade of a Palace at Bologna

"Owing to the rarity and expensiveness of free-stone in Upper Italy, an architectural style in brick…

"Michel-Angelo assumed such considerable and prominent position by his genius and authority, that his example necessarily entailed imitation and produced effects on subsequent times. When his deviations were moderate, they were considered by his imitators merely as marks of the originality of his wonderful talent, and by this means proved stepping-stones to the degeneration which marked the ensuing period of the Roccoco style. Amongst his architectural works, the design of the Capitol at Rome, with its wings, may be considered as the most pleasing, whilst as a testimony to his lofty genius the mighty and glorious dome of St. Peter's at Rome, which has no rival in the world, must be adducted as a striking instance."

Modern Capital at Rome

"Michel-Angelo assumed such considerable and prominent position by his genius and authority, that his…

"Michel-Angelo assumed such considerable and prominent position by his genius and authority, that his example necessarily entailed imitation and produced effects on subsequent times. When his deviations were moderate, they were considered by his imitators merely as marks of the originality of his wonderful talent, and by this means proved stepping-stones to the degeneration which marked the ensuing period of the Roccoco style. Amongst his architectural works, the design of the Capitol at Rome, with its wings, may be considered as the most pleasing, whilst as a testimony to his lofty genius the mighty and glorious dome of St. Peter's at Rome, which has no rival in the world, must be adducted as a striking instance. This dome was only completed after Michel-Angelo's death. Both as regards its colossal dimensions, as well as its beautiful proportions and lines, it produces, both internally and externally, a most wonderful impression. It should be remarkable that Michel-Angelo, like Bramante before him, selected the form of the Greek cross for his church, and planned the dome accordingly, and that the nave, which is by Carlo Maderno, is, both externally and internally, prejudicial to the effect of the dome."The Papal Basilica of Saint Peter (Latin: Basilica Sancti Petri), officially known in Italian as the Basilica Papale di San Pietro in Vaticano and commonly known as St. Peter's Basilica, is located within the Vatican City. St. Peter's has the largest interior of any Christian church in the world, holding 60,000 people. It is regarded as one of the holiest Christian sites and has been described as "holding a unique position in the Christian world" and as "the greatest of all churches of Christendom". In Catholic tradition, it is the burial site of its namesake Saint Peter, who was one of the twelve apostles of Jesus and, according to tradition, first Bishop of Rome and therefore first in the line of the papal succession.

Back View of St. Peter's, Rome

"Michel-Angelo assumed such considerable and prominent position by his genius and authority, that his…

"Elanoides forficatus. Swallow-tailed Kite. Adult: Head, neck, band on rump, and entire under parts, including lining of wings, snow-white; back, wings, and tail, glossy black, with various lustre, chiefly green and violet. Bill bluish-black; cere, edges of mandibles, and feet pale bluish, the latter tinged with greenish; claws light-colored." Elliot Coues, 1884

Swallow-tailed Kite

"Elanoides forficatus. Swallow-tailed Kite. Adult: Head, neck, band on rump, and entire under parts,…

Two Swallow-tail and One Mississippi Kite. "Ictinia subcaerulea. Mississippi Kite. General plumage plumbeous or dark ashy-gray, bleaching on the head and secondaries, blackening on the tail and wings, several primaries more (male) or less (female) suffused with chestnut-red on the inner web or on both webs. Forehead and tips of secondaries usually silvery-whitish; concealed white spots on the scapulars; bases of the head and under parts fleecy-white. Lores eyelids, and bill, including cere, black; gape of mouth and feet, orange, the latter obscures on the front tarsus, and along the tops of the toes; iris lake-red. Feet and cere drying to a nameless dingy color." And "Elanoides forficatus. Swallow-tailed Kite. Adult: Head, neck, band on rump, and entire under parts, including lining of wings, snow-white; back, wings, and tail, glossy black, with various lustre, chiefly green and violet. Bill bluish-black; cere, edges of mandibles, and feet pale bluish, the latter tinged with greenish; claws light-colored." Elliot Coues, 1884

Two Swallow-tail and One Mississippi Kites

Two Swallow-tail and One Mississippi Kite. "Ictinia subcaerulea. Mississippi Kite. General plumage plumbeous…

"Ideal plan of the double-ringed body of a vertebrate. N, neural canal; H, haemal canal; the body separating them is the centrum of any vertebra, bearing e, and epapophysis, and y, a hypapophysis; n, n, neurapophyses; d, d, diapophyses; ns, bifid neural spine; pl, pl, pleurapophyses; h, h, haemapophyses; hs, bifid haemal spine. Drawn by Dr. R. W. Shufeldt, USA, After Owen. The Axial Skeleton of a bird or any vertebrated animal, that is, one having a back-bone, exhibits in cross-section two rings or hoops, one above and the other below a central point, like the upper and lower loops of a figure 8. The upper ring is the neural arch, so called because such cylinder encloses a section of the cerebro-spinal axis, or principal nervous system of a vertebrate (brain and spinal cord, whence arise all the nerves of the body, excepting those of the sympathetic nervous system). The lower ring is the haema arch, which similarly contains a section of the principal blood vessals and viscera.

Axial Skeleton

"Ideal plan of the double-ringed body of a vertebrate. N, neural canal; H, haemal canal; the body separating…

"Fig 55. - Actual section of the body in the thoracic region of a bird. N, neural canal; H, haemal canal; c, centrum of a dorsal vertebra; hy, hypapophysis; d, diapophysis; z, zygapophysis; ns, neural spine; r, pleurapophysis, or vertebral part of a free rib, bearing u, uncinate process or epipleura; cr, haemapophyses; or sternal part of the same; st, section of the sternum or breast-bone (haemal spine). Designed by Dr. R. W. Shufeldt, USA. This figure shows such a section, made across the thoracic or chest-region of the trunk. Here the upper ring (neural) is contracted, only surrounding the slender spinal cord, while the lower ring is expanded to enclose the heart and lungs." Elliot Coues, 1884

The Axial Skeleton

"Fig 55. - Actual section of the body in the thoracic region of a bird. N, neural canal; H, haemal canal;…

"Michel-Angelo assumed such considerable and prominent position by his genius and authority, that his example necessarily entailed imitation and produced effects on subsequent times. When his deviations were moderate, they were considered by his imitators merely as marks of the originality of his wonderful talent, and by this means proved stepping-stones to the degeneration which marked the ensuing period of the Roccoco style. Amongst his architectural works, the design of the Capitol at Rome, with its wings, may be considered as the most pleasing, whilst as a testimony to his lofty genius the mighty and glorious dome of St. Peter's at Rome, which has no rival in the world, must be adducted as a striking instance. This dome was only completed after Michel-Angelo's death. Both as regards its colossal dimensions, as well as its beautiful proportions and lines, it produces, both internally and externally, a most wonderful impression. It should be remarkable that Michel-Angelo, like Bramante before him, selected the form of the Greek cross for his church, and planned the dome accordingly, and that the nave, which is by Carlo Maderno, is, both externally and internally, prejudicial to the effect of the dome."The Papal Basilica of Saint Peter (Latin: Basilica Sancti Petri), officially known in Italian as the Basilica Papale di San Pietro in Vaticano and commonly known as St. Peter's Basilica, is located within the Vatican City. St. Peter's has the largest interior of any Christian church in the world, holding 60,000 people. It is regarded as one of the holiest Christian sites and has been described as "holding a unique position in the Christian world" and as "the greatest of all churches of Christendom". In Catholic tradition, it is the burial site of its namesake Saint Peter, who was one of the twelve apostles of Jesus and, according to tradition, first Bishop of Rome and therefore first in the line of the papal succession.

Section of the Dome of St. Peter's, Rome

"Michel-Angelo assumed such considerable and prominent position by his genius and authority, that his…

"Michel-Angelo assumed such considerable and prominent position by his genius and authority, that his example necessarily entailed imitation and produced effects on subsequent times. When his deviations were moderate, they were considered by his imitators merely as marks of the originality of his wonderful talent, and by this means proved stepping-stones to the degeneration which marked the ensuing period of the Roccoco style. Amongst his architectural works, the design of the Capitol at Rome, with its wings, may be considered as the most pleasing, whilst as a testimony to his lofty genius the mighty and glorious dome of St. Peter's at Rome, which has no rival in the world, must be adducted as a striking instance. This dome was only completed after Michel-Angelo's death. Both as regards its colossal dimensions, as well as its beautiful proportions and lines, it produces, both internally and externally, a most wonderful impression. It should be remarkable that Michel-Angelo, like Bramante before him, selected the form of the Greek cross for his church, and planned the dome accordingly, and that the nave, which is by Carlo Maderno, is, both externally and internally, prejudicial to the effect of the dome." The Papal Basilica of Saint Peter (Latin: Basilica Sancti Petri), officially known in Italian as the Basilica Papale di San Pietro in Vaticano and commonly known as St. Peter's Basilica, is located within the Vatican City. St. Peter's has the largest interior of any Christian church in the world, holding 60,000 people. It is regarded as one of the holiest Christian sites and has been described as "holding a unique position in the Christian world" and as "the greatest of all churches of Christendom". In Catholic tradition, it is the burial site of its namesake Saint Peter, who was one of the twelve apostles of Jesus and, according to tradition, first Bishop of Rome and therefore first in the line of the papal succession.

Ground-plan of St. Peter's, Rome

"Michel-Angelo assumed such considerable and prominent position by his genius and authority, that his…

"The purity of style, however, of the Genoese palaces is not so great as in the Roman, particularly as regards the heavy, ungraceful forms of details. This is shown by [this image], and there are other instances in which the faults are more marked than in the palaces in question. The palaces of Genoa may, however, be favorably contrasted with the Roman as regards height; for ground-floor and the mezzanine are raised considerably, in order to gain more light and a better view from the main storey. Owing, however, to the extreme narrowness of the streets and the consequent difficulty in obtaining a satisfactory point of view, the object is not obtained to the desired degree."

Half the Façade of a Palace at Genoa

"The purity of style, however, of the Genoese palaces is not so great as in the Roman, particularly…

"The purity of style, however, of the Genoese palaces is not so great as in the Roman, particularly as regards the heavy, ungraceful forms of details. This is shown by [this image], and there are other instances in which the faults are more marked than in the palaces in question. The palaces of Genoa may, however, be favorably contrasted with the Roman as regards height; for ground-floor and the mezzanine are raised considerably, in order to gain more light and a better view from the main storey. Owing, however, to the extreme narrowness of the streets and the consequent difficulty in obtaining a satisfactory point of view, the object is not obtained to the desired degree."

Façade of the Tursi-Doria Palace at Genoa

"The purity of style, however, of the Genoese palaces is not so great as in the Roman, particularly…

"The decoration of the interiors of the buildings of the Renaissance is also copied from ancient Roman architecture. The rooms are either vaulted or have flat ceilings, but in both cases are adorned with paintings after the manner of those discovered in the Baths of Titus, or by panel-work, that is, sunken coffers with a regularly distributed enrichment [shown here]. These panels are themselves often adorned with historical or allegorical paintings, or with arabesques. Ornamented panels were employed in large palaces for horizontal ceilings, as also in churches, though in the latter case they were more often applied to cupola vaulting, as notable in St. Peter's."

Interior View of St. Peter's at Rome

"The decoration of the interiors of the buildings of the Renaissance is also copied from ancient Roman…

"Astur atricapillus. American Goshawk. Blue Hen Hawk (adult). Chicken Hawk (young). Adult: Above, dark bluish-slate color, each feather black-shafted; top of head blackish, conspicuously different from other upper parts, the feathers there with fleecy white bases; a long white superciliary or rather post-ocular stripe; auriculars blackish. Ground color of under parts, including lining of wings, white, closely barred or vermiculated in narrow zigzag lines with slaty-brown, except on throat and crissum, and everywhere sharply pencilled with blackish shaft-lines, one on each feather. The barring is largest and most regular on the belly, flanks, and tibiae, but is for the most part much dissipated in a fine mottling. It varies greatly in coarseness in different specimens, some of which approach A. palumbarius in this respect. Tail like back, banded with four or five blackish bars, the terminal one much the broadest. Bill dark bluish; iris yellowish; feet yellow, claws black." Elliot Coues, 1884

American Goshawk

"Astur atricapillus. American Goshawk. Blue Hen Hawk (adult). Chicken Hawk (young). Adult: Above, dark…

"Falco peregrinus. Peregrine Falcon. Duck Hawk. Great-footed Hawk. A medium-sized falcon, about as large as the foregoing, but known at a glance from any bird of N. Am. by the slaty-plumbeous or dark bluish-ash of the upper parts, the black "moustache," and other marks, taken with its particular size and shape. Wings stiff, long, thin, pointed by the 2d quill, supported nearly to its tip by 1st and 3d; 1st quill alone abruptly emarginate on inner web, this about 2 inches from its tip; none cut on outer webs. Tomium of upper mandible strongly toothed, of under mandible deeply notched. Tarsus feathered but a little way down in front, otherwise entirely reticulate; toes very long, giving great grasp to the talons. Adult: Above rich dark bluish-ash or slate-color, very variable, sometimes quite slaty-blackish, again much lighter bluish-slate; the tint pretty uniform, whatever it may be, over all the upper parts, but all the feathers with somewhat paler edges, and the larger ones for the most part obscurely barred with lighter and darker hues. Under parts at large varying from nearly pure white to a peculiar muddy buff color of different degrees of intensity; the throat and breast usually free from markings (or only with a few sharp shaft pencillings), and this white or light color mounting on the auriculars, so that it partly isolates a blackish moustache from the blackish of the side of the head; the under parts, except as said, and including the under wing- and tail-coverts closely and regularly barred, or less closely and more irregularly spotted, with blackish; the bars best pronounced on the flanks, tibiae, and crissum, other parts tending to spotting, which may extend forward to invade the breast (this is the rule in European birds, the exception, though not a rare one, in American birds). Tail and its upper coverts regularly and closely barred with blackish and ashy-gray, the interspacing best marked on the inner webs, and all the feathers narrowly tipped with white or whitish." Elliot Coues, 1884

Peregrine Falcon Small

"Falco peregrinus. Peregrine Falcon. Duck Hawk. Great-footed Hawk. A medium-sized falcon, about as large…

"Falco peregrinus. Peregrine Falcon. Duck Hawk. Great-footed Hawk. A medium-sized falcon, about as large as the foregoing, but known at a glance from any bird of N. Am. by the slaty-plumbeous or dark bluish-ash of the upper parts, the black "moustache," and other marks, taken with its particular size and shape. Wings stiff, long, thin, pointed by the 2d quill, supported nearly to its tip by 1st and 3d; 1st quill alone abruptly emarginate on inner web, this about 2 inches from its tip; none cut on outer webs. Tomium of upper mandible strongly toothed, of under mandible deeply notched. Tarsus feathered but a little way down in front, otherwise entirely reticulate; toes very long, giving great grasp to the talons. Adult: Above rich dark bluish-ash or slate-color, very variable, sometimes quite slaty-blackish, again much lighter bluish-slate; the tint pretty uniform, whatever it may be, over all the upper parts, but all the feathers with somewhat paler edges, and the larger ones for the most part obscurely barred with lighter and darker hues. Under parts at large varying from nearly pure white to a peculiar muddy buff color of different degrees of intensity; the throat and breast usually free from markings (or only with a few sharp shaft pencillings), and this white or light color mounting on the auriculars, so that it partly isolates a blackish moustache from the blackish of the side of the head; the under parts, except as said, and including the under wing- and tail-coverts closely and regularly barred, or less closely and more irregularly spotted, with blackish; the bars best pronounced on the flanks, tibiae, and crissum, other parts tending to spotting, which may extend forward to invade the breast (this is the rule in European birds, the exception, though not a rare one, in American birds). Tail and its upper coverts regularly and closely barred with blackish and ashy-gray, the interspacing best marked on the inner webs, and all the feathers narrowly tipped with white or whitish." Elliot Coues, 1884

Two Peregrine Falcons

"Falco peregrinus. Peregrine Falcon. Duck Hawk. Great-footed Hawk. A medium-sized falcon, about as large…

"Falco sparverius. Rusty-crowned Falcon. Sparrow Hawk. Adults: Crown ashy-blue, with a chestnut patch, sometimes small or altogether wanting, sometimes occupying nearly all the crown. Conspicuous black maxillary and auricular patches which, with three others around the nape, make seven places in all, usually evident, but some of them often obscure or wanting. Back cinnamon-rufous, or chestnut, like the crown-patch, in the male with a few black spots or none, in the female with numerous black bars. Wing-coverts of the male fine ashy-blue, like the crown, with or without black spots; of the female cinnamon-rufous and black barred, like the back. Quill feathers in male, female blackish, usually with pale edges and tips, and the inner webs with numerous white indentations, or bars continuous along the inner webs, leaving the black chiefly in a series of dentations proceeding from the shafts; ends of secondaries usually also slaty-blue like the coverts. Tail bright chestnut, in the male with white tip, broad black subterminal zone, and outer feathers mostly white with several black bars, in the female the whole tail with numerous imperfect black bars. Under parts white, variously tinged with buff or tawny, in the male with a few black spots or none, in the female with many dark brown streaks; throat and vent usually immaculate. Bill dark horn; cere and feet yellow or orange. Elliot Coues, 1884

Sparrow Hawk

"Falco sparverius. Rusty-crowned Falcon. Sparrow Hawk. Adults: Crown ashy-blue, with a chestnut patch,…

"Polyborus auduboni. Common Caracara. General color blackish, the throat, neck all around, and more or less of fore back and breast whitish, spotted and chiefly barred with blackish; upper and under tail-coverts and most of the tail white, the latter very numerously barred with blackish, of which color is the broad terminal zone; the shafts white along the white portion of each feather. Basal portion of primaries likewise barred with whitish. Bill variously pale colored; cere carmine; iris brown; feet yellow; claws black; soft parts drying to a dingy indefinable color." Elliot Coues, 1884

Caracaras

"Polyborus auduboni. Common Caracara. General color blackish, the throat, neck all around, and more…

"Buteo borealis. Red-tailed Buzzard. "Hen Hawk". Upper surface of tail rich chestnut, with white tip and usually a black subterminal zone, with or without other narrower and more or less imperfect black bars; sometimes barred throughout. From below, the tail appears pearly whitish with a reddish tinge, wither quite uniform, or barred throughout with the whitish and blackish. In general, it is the female with the most barred or completely barred tail, the male with the uniform tail, only subterminally once-zoned. Upper parts blackish-brown, with a thoroughly indeterminate amount of light variegation, gray, fulvous, and whitish; feathers of hind head and nape with cottony white bases, showing when disturbed; those of hind neck usually with fulvous edging; of scapular region showing most variegation with tawny or whitish, or both, the scapulars and adjoining feathers being largely barred, and only blackish on their exposed portions; upper tail-coverts showing much tawny and white. Ground color of under parts white, more or less buff-toned, the dark color of the upper parts reaching nearly or quite around the throat, the flanks and lower belly heavily marked with dark brown or blackish, but a large pectoral area, with the tibiae and crissum, mostly free from markings, as a rule; but no description will cover the latitude of coloration. Primaries blackening on their exposed portions, for the rest lighter grayish-brown, dark-barred across both webs, and extensively white-areated on inner webs basally." Elliot Coues, 1884

Red-tailed Buzzard

"Buteo borealis. Red-tailed Buzzard. "Hen Hawk". Upper surface of tail rich chestnut, with white tip…

The royal Château de Chambord at Chambord, Loir-et-Cher, France is one of the most recognizable châteaux in the world because of its very distinct French Renaissance architecture that blends traditional French medieval forms with classical Italian structures. "The artistic influence of Italy came into operation in France sooner than in other European countries, for as early as the fifteenth century the Renaissance style was introduced there by Italian architects, as, for instance, by Fra Giocondo, who was summoned thither by Louis XII. But at the epoch the Flamboyant style was still in its vigour, and the buildings then erected could not extricate themselves from its influence. The consequence was that a blending of the two styles temporarily prevailed, as, for instance in the Château de Blois, which Louis XII. caused to be built, and which has lately been restored by Duban. It was in these country residences of the nobility, especially on the banks of the Loire, that this architectural activity was displayed during the earlier period of the Renaissance; amongst their number the Château de Chambord [shown here] is most worthy of notice. The pilasters and their mouldings of the Renaissance style were, it is true, somewhat rudely carried out, and in the earlier period were combined with certain elements of the Flamboyant style. Highly ornamental gables and dormer-windows. especially, were executed in the latter style. Buildings were contemporaneously constructed entirely in the Flamboyant style, as, for instance, the Cathedral, the Palais de Justice, and the Hâtel Bourgtheroulde, all at Rouen, and the Hâtel de Ville at Compiègne."

Château de Chambord

The royal Château de Chambord at Chambord, Loir-et-Cher, France is one of the most recognizable…

The Musée du Louvre or officially the Grand Louvre — in English, the Louvre Museum or Great Louvre, or simply the Louvre — is the national museum of France, the most visited museum in the world, and a historic monument. It is a central landmark of Paris, located on the Right Bank of the Seine in the 1st arrondissement (neighborhood). Nearly 35,000 objects from the 6th century BC to the 19th century are exhibited over an area of 60,600 square meters (652,300 square feet).The Louvre was built by "three prominent architects, [one of which was] Pierre Lescot (1510-1578), who desiged the celebrated Western Façade of the Louvre [shown here]."

Inner Façade of the Louvre

The Musée du Louvre or officially the Grand Louvre — in English, the Louvre Museum or Great Louvre,…

The Musée du Louvre or officially the Grand Louvre — in English, the Louvre Museum or Great Louvre, or simply the Louvre — is the national museum of France, the most visited museum in the world, and a historic monument. It is a central landmark of Paris, located on the Right Bank of the Seine in the 1st arrondissement (neighborhood). Nearly 35,000 objects from the 6th century BC to the 19th century are exhibited over an area of 60,600 square meters (652,300 square feet).The Louvre was built by "three prominent architects, [one of which was] Pierre Lescot (1510-1578), who desiged the celebrated Western Façade of the Louvre [shown here]."

Inner Façade of the Louvre

The Musée du Louvre or officially the Grand Louvre — in English, the Louvre Museum or Great Louvre,…

The Musée du Louvre or officially the Grand Louvre — in English, the Louvre Museum or Great Louvre, or simply the Louvre — is the national museum of France, the most visited museum in the world, and a historic monument. It is a central landmark of Paris, located on the Right Bank of the Seine in the 1st arrondissement (neighborhood). Nearly 35,000 objects from the 6th century BC to the 19th century are exhibited over an area of 60,600 square meters (652,300 square feet).The three prominent architects, Pierre Lescot (1510-1578), who desiged the celebrated Western Façade of the Louvre, Philibert Delorme and Jean Buillant, who was the architect of the earlier portions of the Tuileries [shown here], and of the Château d'Ecouen, exerted such an influence over the architecture of their native country that the Italian Renaissance Style became thenceforward the predominant one in France."

Façade of the Tuileries

The Musée du Louvre or officially the Grand Louvre — in English, the Louvre Museum or Great Louvre,…