ClipArt ETC
A doodad.

Doodad

A doodad.

A doodad.

Doodad

A doodad.

A doodad resembling a vase.

Vase doodad

A doodad resembling a vase.

A doodad resembling a pineapple.

Pineapple doodad

A doodad resembling a pineapple.

A doodad.

Doodad

A doodad.

A doodad.

Doodad

A doodad.

A beehive doodad.

Beehive doodad

A beehive doodad.

A doodad.

Doodad

A doodad.

A doodad.

Doodad

A doodad.

A doodad with a plant in a shallow pot.

Plant doodad

A doodad with a plant in a shallow pot.

A doodad.

Doodad

A doodad.

A doodad.

Doodad

A doodad.

"An indented parapet, formed by a series of rising parts called cops or merlons, separated by openings called crenelles or embrasures. Originally military, they are now used in buildings for ornament." — Williams, 1889

Battlement

"An indented parapet, formed by a series of rising parts called cops or merlons, separated by openings…

"Applied to one of the 5 orders of arch, which allows no ornaments or flinting." — Williams, 1889

Tuscan order

"Applied to one of the 5 orders of arch, which allows no ornaments or flinting." — Williams, 1889

Very much resembles our pond lily with the exception that the color is of a brilliant purple on the border petals with a heart of deep orange and the stem stands high out of the water. It is commonly found on the banks of the Nile and is the first flower to spring up after the overflowing waters of that river have subsided. For this reason and becacuse it preserves its chaste beauty while growing from such impure surroundings it has always figured among the Egyptians as an emblem of immortality and purity. With the Chinese it is symbolic of many descendants and in India it is especially sacred to the Buddhists and is the national flower of that country. In ornament the lotus is handled by many different nations, being used in both circular and profile forms, figuring as flowers, wheels, medallions, etc.

Lotus Design

Very much resembles our pond lily with the exception that the color is of a brilliant purple on the…

Very much resembles our pond lily with the exception that the color is of a brilliant purple on the border petals with a heart of deep orange and the stem stands high out of the water. It is commonly found on the banks of the Nile and is the first flower to spring up after the overflowing waters of that river have subsided. For this reason and becacuse it preserves its chaste beauty while growing from such impure surroundings it has always figured among the Egyptians as an emblem of immortality and purity. With the Chinese it is symbolic of many descendants and in India it is especially sacred to the Buddhists and is the national flower of that country. In ornament the lotus is handled by many different nations, being used in both circular and profile forms, figuring as flowers, wheels, medallions, etc.

Lotus Design

Very much resembles our pond lily with the exception that the color is of a brilliant purple on the…

Very much resembles our pond lily with the exception that the color is of a brilliant purple on the border petals with a heart of deep orange and the stem stands high out of the water. It is commonly found on the banks of the Nile and is the first flower to spring up after the overflowing waters of that river have subsided. For this reason and becacuse it preserves its chaste beauty while growing from such impure surroundings it has always figured among the Egyptians as an emblem of immortality and purity. With the Chinese it is symbolic of many descendants and in India it is especially sacred to the Buddhists and is the national flower of that country. In ornament the lotus is handled by many different nations, being used in both circular and profile forms, figuring as flowers, wheels, medallions, etc.

Lotus Design

Very much resembles our pond lily with the exception that the color is of a brilliant purple on the…

Very much resembles our pond lily with the exception that the color is of a brilliant purple on the border petals with a heart of deep orange and the stem stands high out of the water. It is commonly found on the banks of the Nile and is the first flower to spring up after the overflowing waters of that river have subsided. For this reason and becacuse it preserves its chaste beauty while growing from such impure surroundings it has always figured among the Egyptians as an emblem of immortality and purity. With the Chinese it is symbolic of many descendants and in India it is especially sacred to the Buddhists and is the national flower of that country. In ornament the lotus is handled by many different nations, being used in both circular and profile forms, figuring as flowers, wheels, medallions, etc.

Lotus Design

Very much resembles our pond lily with the exception that the color is of a brilliant purple on the…

Very much resembles our pond lily with the exception that the color is of a brilliant purple on the border petals with a heart of deep orange and the stem stands high out of the water. It is commonly found on the banks of the Nile and is the first flower to spring up after the overflowing waters of that river have subsided. For this reason and becacuse it preserves its chaste beauty while growing from such impure surroundings it has always figured among the Egyptians as an emblem of immortality and purity. With the Chinese it is symbolic of many descendants and in India it is especially sacred to the Buddhists and is the national flower of that country. In ornament the lotus is handled by many different nations, being used in both circular and profile forms, figuring as flowers, wheels, medallions, etc.

Lotus Design

Very much resembles our pond lily with the exception that the color is of a brilliant purple on the…

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather, the boquet, and the flame. There is a vast difference of opinion as to the origin and meaning of this motif. Some authorities claim it was intended for the fir cone, which served as an emblem of immortality and was revered by the ancients; some say it was intended for the palm leaf, which has been handed down by the Greeks as a symbol of victory; others say it was intended to represent a loop which the river Indus makes on a vast plain in upper Cashmere as seen from the Mosque. By some it is said to represent the crown jewels or chief ornament in the old Iranian crown, which is a composite jewel of pear shape. Tradition tells us that the signing of documents in such a manner was a custom well known in the East. This design has also been called the almond, the feather, the bouquet, and the flame on account of its fancied resemblance to these objects. We have selected the name "pear" because the image it conveys is more clearly recognized by the western mind. It is that which its shape most suggests. The Pear design is common in many kinds of rugs, especially in those of Persia and Kurdistan, but it varies greatly in varieties of form and size. The large size is usually employed in the Caucasus and Southern Persia, while the small size is used more frequently in Central and Western Persia. In the Saraband, Shiraz, Herat, Khorasan, and Senna, it frequently covers the whole field. In the two former alternate rows usually have the stems of the pears turned in opposite directions, while in the three latter the stems are usually turned in the same direction."

Pear Design

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather,…

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather, the boquet, and the flame. There is a vast difference of opinion as to the origin and meaning of this motif. Some authorities claim it was intended for the fir cone, which served as an emblem of immortality and was revered by the ancients; some say it was intended for the palm leaf, which has been handed down by the Greeks as a symbol of victory; others say it was intended to represent a loop which the river Indus makes on a vast plain in upper Cashmere as seen from the Mosque. By some it is said to represent the crown jewels or chief ornament in the old Iranian crown, which is a composite jewel of pear shape. Tradition tells us that the signing of documents in such a manner was a custom well known in the East. This design has also been called the almond, the feather, the bouquet, and the flame on account of its fancied resemblance to these objects. We have selected the name "pear" because the image it conveys is more clearly recognized by the western mind. It is that which its shape most suggests. The Pear design is common in many kinds of rugs, especially in those of Persia and Kurdistan, but it varies greatly in varieties of form and size. The large size is usually employed in the Caucasus and Southern Persia, while the small size is used more frequently in Central and Western Persia. In the Saraband, Shiraz, Herat, Khorasan, and Senna, it frequently covers the whole field. In the two former alternate rows usually have the stems of the pears turned in opposite directions, while in the three latter the stems are usually turned in the same direction."

Pear Design

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather,…

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather, the boquet, and the flame. There is a vast difference of opinion as to the origin and meaning of this motif. Some authorities claim it was intended for the fir cone, which served as an emblem of immortality and was revered by the ancients; some say it was intended for the palm leaf, which has been handed down by the Greeks as a symbol of victory; others say it was intended to represent a loop which the river Indus makes on a vast plain in upper Cashmere as seen from the Mosque. By some it is said to represent the crown jewels or chief ornament in the old Iranian crown, which is a composite jewel of pear shape. Tradition tells us that the signing of documents in such a manner was a custom well known in the East. This design has also been called the almond, the feather, the bouquet, and the flame on account of its fancied resemblance to these objects. We have selected the name "pear" because the image it conveys is more clearly recognized by the western mind. It is that which its shape most suggests. The Pear design is common in many kinds of rugs, especially in those of Persia and Kurdistan, but it varies greatly in varieties of form and size. The large size is usually employed in the Caucasus and Southern Persia, while the small size is used more frequently in Central and Western Persia. In the Saraband, Shiraz, Herat, Khorasan, and Senna, it frequently covers the whole field. In the two former alternate rows usually have the stems of the pears turned in opposite directions, while in the three latter the stems are usually turned in the same direction."

Pear Design

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather,…

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather, the boquet, and the flame. There is a vast difference of opinion as to the origin and meaning of this motif. Some authorities claim it was intended for the fir cone, which served as an emblem of immortality and was revered by the ancients; some say it was intended for the palm leaf, which has been handed down by the Greeks as a symbol of victory; others say it was intended to represent a loop which the river Indus makes on a vast plain in upper Cashmere as seen from the Mosque. By some it is said to represent the crown jewels or chief ornament in the old Iranian crown, which is a composite jewel of pear shape. Tradition tells us that the signing of documents in such a manner was a custom well known in the East. This design has also been called the almond, the feather, the bouquet, and the flame on account of its fancied resemblance to these objects. We have selected the name "pear" because the image it conveys is more clearly recognized by the western mind. It is that which its shape most suggests. The Pear design is common in many kinds of rugs, especially in those of Persia and Kurdistan, but it varies greatly in varieties of form and size. The large size is usually employed in the Caucasus and Southern Persia, while the small size is used more frequently in Central and Western Persia. In the Saraband, Shiraz, Herat, Khorasan, and Senna, it frequently covers the whole field. In the two former alternate rows usually have the stems of the pears turned in opposite directions, while in the three latter the stems are usually turned in the same direction."

Pear Design

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather,…

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather, the boquet, and the flame. There is a vast difference of opinion as to the origin and meaning of this motif. Some authorities claim it was intended for the fir cone, which served as an emblem of immortality and was revered by the ancients; some say it was intended for the palm leaf, which has been handed down by the Greeks as a symbol of victory; others say it was intended to represent a loop which the river Indus makes on a vast plain in upper Cashmere as seen from the Mosque. By some it is said to represent the crown jewels or chief ornament in the old Iranian crown, which is a composite jewel of pear shape. Tradition tells us that the signing of documents in such a manner was a custom well known in the East. This design has also been called the almond, the feather, the bouquet, and the flame on account of its fancied resemblance to these objects. We have selected the name "pear" because the image it conveys is more clearly recognized by the western mind. It is that which its shape most suggests. The Pear design is common in many kinds of rugs, especially in those of Persia and Kurdistan, but it varies greatly in varieties of form and size. The large size is usually employed in the Caucasus and Southern Persia, while the small size is used more frequently in Central and Western Persia. In the Saraband, Shiraz, Herat, Khorasan, and Senna, it frequently covers the whole field. In the two former alternate rows usually have the stems of the pears turned in opposite directions, while in the three latter the stems are usually turned in the same direction."

Pear Design

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather,…

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather, the boquet, and the flame. There is a vast difference of opinion as to the origin and meaning of this motif. Some authorities claim it was intended for the fir cone, which served as an emblem of immortality and was revered by the ancients; some say it was intended for the palm leaf, which has been handed down by the Greeks as a symbol of victory; others say it was intended to represent a loop which the river Indus makes on a vast plain in upper Cashmere as seen from the Mosque. By some it is said to represent the crown jewels or chief ornament in the old Iranian crown, which is a composite jewel of pear shape. Tradition tells us that the signing of documents in such a manner was a custom well known in the East. This design has also been called the almond, the feather, the bouquet, and the flame on account of its fancied resemblance to these objects. We have selected the name "pear" because the image it conveys is more clearly recognized by the western mind. It is that which its shape most suggests. The Pear design is common in many kinds of rugs, especially in those of Persia and Kurdistan, but it varies greatly in varieties of form and size. The large size is usually employed in the Caucasus and Southern Persia, while the small size is used more frequently in Central and Western Persia. In the Saraband, Shiraz, Herat, Khorasan, and Senna, it frequently covers the whole field. In the two former alternate rows usually have the stems of the pears turned in opposite directions, while in the three latter the stems are usually turned in the same direction."

Pear Design

"Also known as the cone, the palm leaf, the river loop, the crown jewel, the seal, the almond, the feather,…

This design owes its origin to some ancient conception of elemental forces. It has been adopted by Korea and Japan as a national and heraldic crest. Frequently used in Mongolian ornament.

Tomoye Design

This design owes its origin to some ancient conception of elemental forces. It has been adopted by Korea…

"Pavement slab from the palace of Koyunjik." —D'Anvers, 1895

Pavement slab

"Pavement slab from the palace of Koyunjik." —D'Anvers, 1895

"Column with spiral ornament from Persepolis." —D'Anvers, 1895

Column

"Column with spiral ornament from Persepolis." —D'Anvers, 1895

Decorations placed on the helmets of the Roman soldiers.

Bronze Helmet Ornament

Decorations placed on the helmets of the Roman soldiers.

An ornamental doodad.

Ornamental Doodad

An ornamental doodad.

An ornamental doodad.

Ornamental Doodad

An ornamental doodad.

A musical stringed instrument, much esteemed by the ancients. In Egypt the figure of the harp is found delineated from the earliest ages in many different forms, some of them very simple, and others with great taste and ornament; some played on while standing, others while kneeling. The Celtic bards held the harp in the greatest honor.

Harp

A musical stringed instrument, much esteemed by the ancients. In Egypt the figure of the harp is found…

A posing woman with a hair ornament.

Hair Ornament

A posing woman with a hair ornament.

A portion of the ornament which runs along the base of the rows of figures on the monolithic doorway. Details that show Tiahuanacu existed.

Base

A portion of the ornament which runs along the base of the rows of figures on the monolithic doorway.…

"In architecture, this term, adhering originally to its etymological meaning, signified an ornament in the form of a baske, like those sometimes set on the heads of carvatides. In Gothic architecture, to which it is now almost peculiar, it is applied to any kind of ornamented projection used for supporting pillars or other superincumbent weights." — Chambers, 1881

Corbel

"In architecture, this term, adhering originally to its etymological meaning, signified an ornament…

"In architecture, this term, adhering originally to its etymological meaning, signified an ornament in the form of a baske, like those sometimes set on the heads of carvatides. In Gothic architecture, to which it is now almost peculiar, it is applied to any kind of ornamented projection used for supporting pillars or other superincumbent weights." — Chambers, 1881

Corbel

"In architecture, this term, adhering originally to its etymological meaning, signified an ornament…

"A style of classical ornament, so called, in the 13th century from its having been rediscovered in the excavations made in the baths of Titus and other ancient Roman buildings, the Italian word grotto applying to any subterranean chamber. This light, fantastic style was much in favor during the Renaissance. It abounds in all kinds of transformations, from the animal to the vegetable, and mingles all the natural kingdoms in the most fanciful and picturesque confusion." — Chambers, 1881

Grotesque

"A style of classical ornament, so called, in the 13th century from its having been rediscovered in…

"The Sternoxi include the Metallic Beetles, Buprestidae the most gorgeous of the coleopterous families. Some have a general coppery hue, whilst some present the beautiful contrast of fine yellow spots and marks upon a highly polished blue or green ground, and others exhibit the appearance of burnished gold or of rubies, inlaid on emerald of emony. The elytra of the Metallic Beetles are those usually employed in the embroidery of ladies' dresses and for other purposes of personal ornament. They are most plentiful in the thick forests of tropical countries, and seem partial to stage in the heart of timber." — Encyclopedia Britanica, 1893

Metallic Beetle

"The Sternoxi include the Metallic Beetles, Buprestidae the most gorgeous of the coleopterous families.…

"The Sternoxi include the Metallic Beetles, Buprestidae the most gorgeous of the coleopterous families. Some have a general coppery hue, whilst some present the beautiful contrast of fine yellow spots and marks upon a highly polished blue or green ground, and others exhibit the appearance of burnished gold or of rubies, inlaid on emerald of emony. The elytra of the Metallic Beetles are those usually employed in the embroidery of ladies' dresses and for other purposes of personal ornament. They are most plentiful in the thick forests of tropical countries, and seem partial to stage in the heart of timber." — Encyclopedia Britanica, 1893

Metallic Beetle Larva

"The Sternoxi include the Metallic Beetles, Buprestidae the most gorgeous of the coleopterous families.…

An expanded ornamental cross.

Ornamental Cross

An expanded ornamental cross.

"An ornament of gold, apparently intended to hang round the neck, found in Athelney, and now in the Ashmolean Museum, Oxford. The inscription on the side here represented, around the female figure holding flowers, is 'Aelfred me haet gewercan' (Alfred had me wrought). On the other side is a flower. The workmanship is in good style." — Chambers' Encyclopedia, 1875

Alfred's Jewel

"An ornament of gold, apparently intended to hang round the neck, found in Athelney, and now in the…

"In architecture, an ornamental finishing, either carved in stone, or of tiles running along the top of a wall, or the ridge of a rood. Crest-tiles, or Crease-tiles, are frequently in the form either of small battlements or Tudor flowers, as in the accompanying illustration from Exeter Cathedral." — Chambers' Encyclopedia, 1875

Crest-Tiles

"In architecture, an ornamental finishing, either carved in stone, or of tiles running along the top…

"Crowns were originally garlands of leaves; and in this form they have probably been used as an ornament for the head by almost every people. they were much used by both the classical nations of joyous and on solemn occasions." — Chambers' Encyclopedia, 1875

Crown

"Crowns were originally garlands of leaves; and in this form they have probably been used as an ornament…

"Crowns were originally garlands of leaves; and in this form they have probably been used as an ornament for the head by almost every people. they were much used by both the classical nations of joyous and on solemn occasions." — Chambers' Encyclopedia, 1875

Crown

"Crowns were originally garlands of leaves; and in this form they have probably been used as an ornament…

A type of molding which has ornament roses embeded on it.

Rose Molding

A type of molding which has ornament roses embeded on it.

"Moore, Thomas, the national poet of Ireland, was born in 1799 in Dublin, where his father was a grocer; died near Devizes in 1852. From Trinity College, Dublin, he passed in 1799 to the Middle Temple in London, nominally to study law; but he almost immediately formed a connection with the fashionable and literary society of which he was so long an ornament, and in 1800 he was permitted to dedicate his Translation of the Odes of anacreon to the Prince of Wales." — Winston's Encyclopedia, 1919

Thomas Moore

"Moore, Thomas, the national poet of Ireland, was born in 1799 in Dublin, where his father was a grocer;…

"A representation of a remarkably elegant pendant ornament, the design being of an exceptionally beautiful character." —The Encyclopedia Britannica, 1910

Pendant Ornament

"A representation of a remarkably elegant pendant ornament, the design being of an exceptionally beautiful…

"The pendant oblong ornament for containing a scroll is an example of great craftsmanship." —The Encyclopedia Britannica, 1910

Pendant

"The pendant oblong ornament for containing a scroll is an example of great craftsmanship." —The…

An ornament resembling a ball placed in a circular flower, the three petals of which form a cup around it.

Ball Flower

An ornament resembling a ball placed in a circular flower, the three petals of which form a cup around…

Early la tene period, reflexed terminal ornament

Brooch

Early la tene period, reflexed terminal ornament

Acanthus of Corinthian Capital

Acanthus

Acanthus of Corinthian Capital

An angle ornament in the hall of the Ministry of State in Paris.

Angle Ornament

An angle ornament in the hall of the Ministry of State in Paris.

An angle ornament in the Louvre, Paris.

Angle Ornament

An angle ornament in the Louvre, Paris.

The symbol for the violin makers' guild in 1716.

Guild Symbol

The symbol for the violin makers' guild in 1716.

A modern ornament on pilaster panels by sculptor Fomilini of Florence.

Pilaster Ornament

A modern ornament on pilaster panels by sculptor Fomilini of Florence.

A modern ornament on pilaster panels by sculptor Fomilini of Florence.

Pilaster Ornament

A modern ornament on pilaster panels by sculptor Fomilini of Florence.

A modern medallion by sculptor Lehr of Berlin.

Medallion Ornament

A modern medallion by sculptor Lehr of Berlin.

A modern medallion by sculptor Lehr of Berlin.

Medallion Ornament

A modern medallion by sculptor Lehr of Berlin.

A modern medallion by sculptor Lehr of Berlin.

Medallion Ornament

A modern medallion by sculptor Lehr of Berlin.

A modern medallion by sculptor Lehr of Berlin.

Medallion Ornament

A modern medallion by sculptor Lehr of Berlin.