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"The creations of Alberti form a class apart in Florentine palace architecture, for they do not display the peculiarities of the Florentine style, but rather accommodating the forms of the antique to more modern requirements, they pointed out the road which was followed by the Roman Renaissance style, especially at the commencement of the sixteenth century. As will be seen from (this image,) these buildings are, to a certain extent, free from medièval sympathies, and approach more closely to the classical models."

Rucellai Palace

"The creations of Alberti form a class apart in Florentine palace architecture, for they do not display…

"A more determined imitation of Roman architecture is subsequently perceptible in the productions of San Michele during the first half of the sixteenth century. The conceptions of this architect had a considerable influence on his contemporaries and successors, and display a certain independence and originality." The Palazzo Grimani di San Luca is a Renaissance building in Venice, Italy. It is located on the Rio di San Luca channel of the city, at the point in which it flows into the Canal Grande. The palace was built in the mid-16th century for procurator Gerolamo Grimani by architect Michele Sanmicheli, and completed after his death by Gian Giacomo de' Grigi, known as "il Bergamasco".

Grimani Palace at Venice

"A more determined imitation of Roman architecture is subsequently perceptible in the productions of…

Palazzo Farnese is a prominent High Renaissance palace in Rome, which currently houses the French Embassy in Italy. "The pupils of Bramante and other renowned architects pursued the path which he had marked out; as, for example, Balthazar Peruzzi (1481 to 1536) as the principle of his works may be mentioned the Farnesia at Rome; Ant. di Sangallo of Florence (died 1546), whose principle work is the Farnese Palace at Rome. The third story of this palace is, however, the work of Michel-Angelo. The Farnese Palace forms to a certain extent the type of distinct class in the architecture of Roman palaces, and its chief characteristic is, that the façades are not divided by any orders of columns or pilasters, but the same effect and impression are produced by the architraves, cornices, and plinths of the windows, which invariably have rectilineal terminations, as well as the doors, and also by the string-courses which divide the storeys, and by a far-projecting cornice: at the same time especial consideration is devoted to the effect of good proportions. Ornaments are by sparingly introduced; whilst, on the other hand, the corners are generally marked by rustications. These palaces convey the impression of solidity without cumbersomeness, or richness without luxury, and above all, of simplicity in conjunction with dignity."

Farnese Palace at Rome

Palazzo Farnese is a prominent High Renaissance palace in Rome, which currently houses the French Embassy…

This image "presents a type of the majority of the palaces if the Roman Renaissance style, at least so far as regards the architectural features and their arrangement; for the most important palaces in this style are both more imposing by their great length, whilst at the same time they are less simple and less correct in their details." The Verospi Palace, or The Palazzo Verospi, is located on the main street in Rome, the Via Del Corso.

Verospi Palace, Rome

This image "presents a type of the majority of the palaces if the Roman Renaissance style, at least…

"The purity of style, however, of the Genoese palaces is not so great as in the Roman, particularly as regards the heavy, ungraceful forms of details. This is shown by [this image], and there are other instances in which the faults are more marked than in the palaces in question. The palaces of Genoa may, however, be favorably contrasted with the Roman as regards height; for ground-floor and the mezzanine are raised considerably, in order to gain more light and a better view from the main storey. Owing, however, to the extreme narrowness of the streets and the consequent difficulty in obtaining a satisfactory point of view, the object is not obtained to the desired degree."

Half the Façade of a Palace at Genoa

"The purity of style, however, of the Genoese palaces is not so great as in the Roman, particularly…

"The purity of style, however, of the Genoese palaces is not so great as in the Roman, particularly as regards the heavy, ungraceful forms of details. This is shown by [this image], and there are other instances in which the faults are more marked than in the palaces in question. The palaces of Genoa may, however, be favorably contrasted with the Roman as regards height; for ground-floor and the mezzanine are raised considerably, in order to gain more light and a better view from the main storey. Owing, however, to the extreme narrowness of the streets and the consequent difficulty in obtaining a satisfactory point of view, the object is not obtained to the desired degree."

Façade of the Tursi-Doria Palace at Genoa

"The purity of style, however, of the Genoese palaces is not so great as in the Roman, particularly…

"The decoration of the interiors of the buildings of the Renaissance is also copied from ancient Roman architecture. The rooms are either vaulted or have flat ceilings, but in both cases are adorned with paintings after the manner of those discovered in the Baths of Titus, as is shown in [this image], or by panel-work, that is, sunken coffers with a regularly distributed enrichment. These panels are themselves often adorned with historical or allegorical paintings, or with arabesques. Ornamented panels were employed in large palaces for horizontal ceilings, as also in churches, though in the latter case they were more often applied to cupola vaulting, as notable in St. Peter's."

Painted Vault of the Florentine Palace in Rome

"The decoration of the interiors of the buildings of the Renaissance is also copied from ancient Roman…

"The decoration of the interiors of the buildings of the Renaissance is also copied from ancient Roman architecture. The rooms are either vaulted or have flat ceilings, but in both cases are adorned with paintings after the manner of those discovered in the Baths of Titus, or by panel-work, that is, sunken coffers with a regularly distributed enrichment [shown here]. These panels are themselves often adorned with historical or allegorical paintings, or with arabesques. Ornamented panels were employed in large palaces for horizontal ceilings, as also in churches, though in the latter case they were more often applied to cupola vaulting, as notable in St. Peter's."

Interior View of St. Peter's at Rome

"The decoration of the interiors of the buildings of the Renaissance is also copied from ancient Roman…

"Haliaetus leucocephalus. White-headed Sea Eagle. "Bald Eagle." "Bird of Washington". Adult: Dark brown; quills black; head and tail white; bill, eyes, and feet yellow. Three years are required for the perfection of the white head tail of the "bald" eagle. The first year, the young are "black" eagle; very dark colored, with fleecy white bases of the feathers showing here and there; bill black; iris brown feet yellow. The next year, they are "gray" eagles, and usually larger than the old birds, the largest known specimens being of this kind." Elliot Coues, 1884

Bald Eagle

"Haliaetus leucocephalus. White-headed Sea Eagle. "Bald Eagle." "Bird of Washington". Adult: Dark brown;…

The Musée du Louvre or officially the Grand Louvre — in English, the Louvre Museum or Great Louvre, or simply the Louvre — is the national museum of France, the most visited museum in the world, and a historic monument. It is a central landmark of Paris, located on the Right Bank of the Seine in the 1st arrondissement (neighborhood). Nearly 35,000 objects from the 6th century BC to the 19th century are exhibited over an area of 60,600 square meters (652,300 square feet)."Du Cerceau, who flourished during the reign of Henry IV., connected the block of buildings which belong to the Louvre, and had been constructed under Catherine dei Medici, by a gallery with the Tuileries [shown here]. This architect abandoned the characteristic feature of the French Renaissance, which had prevailed hitherto, namely, of giving its peculiar columnar order to each storey, and assimilated his designs to those of the late Roman Renaissance, in which a striking effect was produced at the expense of truth by continuous columns and pilasters extending over several storeys and rows of windows."

Flore Pavilion and part of the Gallery of the Louvre

The Musée du Louvre or officially the Grand Louvre — in English, the Louvre Museum or Great Louvre,…

The Musée du Louvre or officially the Grand Louvre — in English, the Louvre Museum or Great Louvre, or simply the Louvre — is the national museum of France, the most visited museum in the world, and a historic monument. It is a central landmark of Paris, located on the Right Bank of the Seine in the 1st arrondissement (neighborhood). Nearly 35,000 objects from the 6th century BC to the 19th century are exhibited over an area of 60,600 square meters (652,300 square feet)."Du Cerceau, who flourished during the reign of Henry IV., connected the block of buildings which belong to the Louvre, and had been constructed under Catherine dei Medici, by a gallery with the Tuileries. This architect abandoned the characteristic feature of the French Renaissance, which had prevailed hitherto, namely, of giving its peculiar columnar order to each storey, and assimilated his designs to those of the late Roman Renaissance, in which a striking effect was produced at the expense of truth by continuous columns and pilasters extending over several storeys and rows of windows.Although Du Cerceau was obligated to leave France in the year 1604, the impulse which he had given in the direction of the above-mentioned manner led to its being generally adopted. The new buildings were more correct, but less picturesque than those built during the earlier period of the French Renaissance, and a certain insipidity seems to characterize the various structures erected during the reigns of Henry IV., and especially Louis XIII. As is shown [here], a combination of free-stone and brick was restored to in such a way that the former was employed for the mouldings, and for the quoins and dressings of the doors and windows, whilst brick was used for the spaces between. In the case of the windows the free-stone introduced assumed the forms of quoins. If ornamentation had been previously excessive, it now retired into the background, and was only employed in moderation; and the method of its treatment began to be distinguished from that of the former period. The forms of the details above all began to lose in purity: rustications were inappropriately introduced in the walls and columns, and the roofs were made high and steep, which gave the rest of the building a heavy and squat appearance, whilst the numerous turret-shaped chimneys, which were necessitated by these high roofs, formed a peculiar feature in the construction."

Paris, Royal Palace Façade

The Musée du Louvre or officially the Grand Louvre — in English, the Louvre Museum or Great Louvre,…

St Paul's Cathedral is the Anglican cathedral on Ludgate Hill, in the City of London, and the seat of the Bishop of London. The present building dates from the 17th century and is generally reckoned to be London's fifth St Paul's Cathedral, although the number is higher if every major medieval reconstruction is counted as a new cathedral. The cathedral sits on the highest point of the City of London, which originated as a Roman trading post situated on the River Thames. The cathedral is one of London's most visited sights.

St. Paul's London

St Paul's Cathedral is the Anglican cathedral on Ludgate Hill, in the City of London, and the seat of…

In architecture the frieze is the wide central section part of an entablature and may be plain or—in the Ionic or Corinthian order—decorated with bas-reliefs. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ('main beam') and is capped by the moldings of the cornice.In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium.This image is "intended to convey an idea of the details of decoration which characterized the Renaissance style during its best period, and which display considerable grace and finish. They are based on the antique Roman type, but still display a peculiar independent treatment, as in the deeply under-cut foliage in the arabesques and the lightness and clearness of the stalks and tendrils."

Friezes at Venice

In architecture the frieze is the wide central section part of an entablature and may be plain or—in…

In architecture the frieze is the wide central section part of an entablature and may be plain or—in the Ionic or Corinthian order—decorated with bas-reliefs. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ('main beam') and is capped by the moldings of the cornice.In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium.This image is "intended to convey an idea of the details of decoration which characterized the Renaissance style during its best period, and which display considerable grace and finish. They are based on the antique Roman type, but still display a peculiar independent treatment, as in the deeply under-cut foliage in the arabesques and the lightness and clearness of the stalks and tendrils."

Friezes at Venice

In architecture the frieze is the wide central section part of an entablature and may be plain or—in…

Georges d'Amboise (1460 – May 25, 1510) was a French Roman Catholic cardinal and minister of state. He belonged to the house of Amboise, a noble family possessed of considerable influence: of his nine brothers, four were bishops. His father, Pierre d'Amboise, seigneur de Chaumont, was chamberlain to Charles VII and Louis XI and ambassador at Rome. Georges' eldest brother, Charles, was governor of the île-de-France, Champagne and Burgundy, and councillor of Louis XI. This image "represents a characteristic specimen of French Renaissance decoration".

Tomb of Cardinal d'Amboise at Rouen

Georges d'Amboise (1460 – May 25, 1510) was a French Roman Catholic cardinal and minister of state.…

"In Belgium the Roman Renaissance was introduced about the same time as in France: but an unmistakable distinction is visible between the two styles. The buildings in Belgium have a certain stamp by which they essentially differ from those of France; in fact, the whole style might be designated as modern Belgian. The peculiarity of the treatment lies mainly in a predilection for that Renaissance which is called the Roccoco style in conjunction with heavy and often very [skillfully] managed; but still the details are for the most part heavier and more robust than those that belong to the best Renaissance style. [This image] shows this peculiarity, but it is somewhat less marked than in many other instances."

View of the Opera House in Paris

"In Belgium the Roman Renaissance was introduced about the same time as in France: but an unmistakable…

The Temple of Neptune is located in the Graeco-Roman ancient city of Paestum, located in the Campania region in Italy. The Temple is made out of vertical columns that stand on a flat base. It is a misnomer, as it was originally dedicated to Hera.

Temple of Neptune

The Temple of Neptune is located in the Graeco-Roman ancient city of Paestum, located in the Campania…

This Roman Colosseum is located in Rome, Italy. It is the largest elliptical amphitheater that was built during the Roman Empire. Its construction was completed in 80 A.D. during the rule of Emperor Titus. The Colosseum was used for Gladiator contests and public spectacles.

Roman Colosseum

This Roman Colosseum is located in Rome, Italy. It is the largest elliptical amphitheater that was built…

The ruins of the baths of Caracalla were roman public baths built in Rome, Italy between AD 212 and 216, during the reign of the emperor Caracalla. At the time, the baths included marble seats for bathers, a public library, gymnasiums and restaurants.

Ruins of the Baths of Caracalla

The ruins of the baths of Caracalla were roman public baths built in Rome, Italy between AD 212 and…

The pantheon at Rome is a temple that was built to all the gods of Ancient Rome. It was built by Marcus Agrippa Roman statesman, general, and son-in-law to Emperor Caesar Augustus. The structure has a circular body with columns and a dome that covers the ceiling.

The Pantheon at Rome

The pantheon at Rome is a temple that was built to all the gods of Ancient Rome. It was built by Marcus…

The Trajan's column is a monument in honor of Emperor Trajan located in Rome, Italy. The column is a continuous bas-relief design (raised art) that winds up around the capital from the base to the top of the capital. The relief designs depict Emperor Trajan's two victorious wars against the Dacian's.

Trajan's Column

The Trajan's column is a monument in honor of Emperor Trajan located in Rome, Italy. The column is a…

The square house of Nîmes is also known as Maison Carree. It is an ancient Roman temple located in Nimes, Souther France. It was built by Roman statesman and general, Marcus Agrippa in dedication to his sons. The temple is made up of corinthian columns in the front entrance and attached columns all around the structure.

The Square House of Nîmes

The square house of Nîmes is also known as Maison Carree. It is an ancient Roman temple located in…

The arena of Nîmes is a Roman amphitheater located in city of Nimes, France. The amphitheater was built around 70 A.D. during the time of Emperor Caesar Augustus. The structure is designed in an enclosed ellipsis.

The Arena of Nîmes

The arena of Nîmes is a Roman amphitheater located in city of Nimes, France. The amphitheater was built…

The amphitheater of Arles is a roman amphitheater in the southern French town of Arles. It is still in use today.

The Amphitheater of Arles

The amphitheater of Arles is a roman amphitheater in the southern French town of Arles. It is still…

The Pont du Gard is an aqueduct and bridge that was built over the Gard River by the Roman Empire. It is located in Southern France, in the Vers-Pont-du-Gard and Remoulins area. The bridge is built on three levels. The lower level has 6 arches and carries a road, the middle level has 11 arches, and the upper level has 35 arches and was used as a water conduit.

Pont du Gard

The Pont du Gard is an aqueduct and bridge that was built over the Gard River by the Roman Empire. It…

The Mosque of Cordoba was a former mosque and today is a Roman Catholic Cathedral located in the Andalusian city of Cordoba, Spain. It was built into a mosque by the Umayyad Dynasty. The structure is most notable for its interior large arches, and over 1,000 columns that are made out of jasper, onyx, marble and granite.

Mosque of Cordoba

The Mosque of Cordoba was a former mosque and today is a Roman Catholic Cathedral located in the Andalusian…

The Cathedral of Mans is a Roman Catholic Cathedral located in Le Mans, France. The Cathedral was built in dedication to the city's first bishop Saint Julian of Le Mans. It is built in a Romanesque and Gothic style.

Cathedral of Mans

The Cathedral of Mans is a Roman Catholic Cathedral located in Le Mans, France. The Cathedral was built…

The cathedral of Chartres is a roman catholic cathedral in Chartres, France. Built in a Gothic style, the Cathedral has two different spires.

Cathedral of Chartres

The cathedral of Chartres is a roman catholic cathedral in Chartres, France. Built in a Gothic style,…

The Cathedral of Rheims is also known as Notre-Dame de Rheims in French. It is a Roman Catholic Cathedral, located in Rheim, France. It was the site of where the Kings of France were once crowned. The Cathedral was completed during the end of the 13th century.

Cathedral of Rheims

The Cathedral of Rheims is also known as Notre-Dame de Rheims in French. It is a Roman Catholic Cathedral,…

The cathedral of Strasbourg is a Roman Catholic cathedral located in Strasbourg, France. The church was erected by the bishop St. Argobast of the Strasbourg Diocese during the end of the 7th century. It is designed in a Gothic style with some parts in a Romanesque style. Today the church is the 6th tallest church in the world.

Cathedral of Strasbourg

The cathedral of Strasbourg is a Roman Catholic cathedral located in Strasbourg, France. The church…

The Metz Cathedral is also known as the St. Etienne de Metz in French. It is a Roman Catholic church located in Moselle, France. The interior nave shown in this picture, is the center aisle that leads to the altar, it is the third highest in France.

Metz Cathedral

The Metz Cathedral is also known as the St. Etienne de Metz in French. It is a Roman Catholic church…

The Cathedral of Siena is a Roman Catholic Marian church located in Siena, central Italy. A medieval church, it was completed in 1263. The interior of the church is designed with black and white marble stripes on the columns and the walls. These black and white stripes represent the coat of arms of Siena. The entire floor of the church is covered with an inlaid marble mosaic.

Cathedral of Sienna

The Cathedral of Siena is a Roman Catholic Marian church located in Siena, central Italy. A medieval…

The Theater of Vitruvius was a Roman Theater, named after Roman writer, architect and engineer Vitruvius Marcus Pollio.

Theater of Vitruvius

The Theater of Vitruvius was a Roman Theater, named after Roman writer, architect and engineer Vitruvius…

"Membranous labyrinth of Haliaetus albicilla (White-tailed Eagle), X2. a,b, cochlea; b, its saccular extremity (or lagena); c, vestibule; g, its utricle; d, anterior of superior vertical semicircular canal; e, external or horizontal semicircular canal; f, posterior of inferior vertical semicircular canal; h, membranous canal leading into aqueduct of the vestibule; k, vascular membrane covering the scala vestibuli; opposite this, at i, are seen the edges of the cartilaginous prisms in the fenestra rotunda; from the edges of these cartilages proceeds the delicate membrane closing the opening of the cochlea (not shown in the fi.)" Elliot Coues, 1884

The Inner Ear of an Eagle

"Membranous labyrinth of Haliaetus albicilla (White-tailed Eagle), X2. a,b, cochlea; b, its saccular…

"Membranous labyrinth of Haliaetus albicilla (White-tailed Eagle), X2. a,b, cochlea; b, its saccular extremity (or lagena); c, vestibule; g, its utricle; d, anterior of superior vertical semicircular canal; e, external or horizontal semicircular canal; f, posterior of inferior vertical semicircular canal; h, membranous canal leading into aqueduct of the vestibule; k, vascular membrane covering the scala vestibuli; opposite this, at i, are seen the edges of the cartilaginous prisms in the fenestra rotunda; from the edges of these cartilages proceeds the delicate membrane closing the opening of the cochlea (not shown in the fi.)" Elliot Coues, 1884

The Inner Ear of a White-tailed Eagle

"Membranous labyrinth of Haliaetus albicilla (White-tailed Eagle), X2. a,b, cochlea; b, its saccular…

"Part of the superior vertical semicircular canal, showing its ampulla (which is the dilatation of the base of any semicircular canal), nerve of ampulla, artery connective tissue of the perilymph, X3, a, that part of the vestibule (alveus) next to the ampulla; b, the idlatation of the ampulla at its vestibular opening; c, where it passes into the canal proper; d, the canal, furnished with connective of the perilymph along its concave border and sides, as appears clearly at the sections e and f; g, nerve of the ampulla; h, artery of the connective tissue, running beneath it, remote from the wall of the duct." Elliot Coues, 1884

Eagle's Ampulal

"Part of the superior vertical semicircular canal, showing its ampulla (which is the dilatation of the…

"Cochlea, X3. a, external, b, internal, cartilaginous prism; c, membranous zone; d, saccular extremity of the cochlea, or lagena; e, vascular membrane; f, auditory nerve, its middle fascicle penetrating the internal cartilaginous prism, to reach the membranous zone by its terminal filaments; g, auditory nerve, its posterior fascicle, running to the most posterior part of the lagena; h, filament to ampulla of posterior or inferior vertical semicircular canal." Elliot Coues, 1884

Eagle Cochlea

"Cochlea, X3. a, external, b, internal, cartilaginous prism; c, membranous zone; d, saccular extremity…

"Section of the cochlea, X3. a, vestibular surface of external cartilaginous prism, extending into d, the lagena; c, section of the membranous zone; e, Huschke's process of the fenestra, which, with the margins of the cartilaginous prisms, affords attachment Treviranus; i, canals in posterior wall of the lagena, by which the nervous filaments enter its cavity." Elliot Coues, 1884

A Section of an Eagle's Cochlea

"Section of the cochlea, X3. a, vestibular surface of external cartilaginous prism, extending into d,…

"In contrast to the Berlin school is that of Munich, which was founded by Gärtner. Its influence, which was supported by the renown of many edifices constructed by this architect, such as the Liberty, the University Buildings, and the Ludwigskirche, extended over many other parts of Germany. Without being in any way influenced by the works of Klenze, which are erected in the classical style, such as the Glyptothek, the Pantheon, the Valhalla, and many others, Gärtner's pupils as well as his pupil's pupils, continued in the course of Romantic treatment pointed out to them, and with few exceptions remained steadfast to the Romanesque style."The Glyptothek is a museum in Munich, Germany, which was commissioned by the Bavarian King Ludwig I to house his collection of Greek and Roman sculptures (hence Glypto-, from the Greek root glyphein, to carve). It was designed by Leo von Klenze in the Neoclassical style, and built from 1816 to 1830. Today the museum is a part of the Kunstareal.

Glyptothek at Munich

"In contrast to the Berlin school is that of Munich, which was founded by Gärtner. Its influence, which…

"In this city many individual tendencies are perceptible, but the predominant inclination is toward the Italian Renaissance . The new Opera-House, built by Van der Nüll and Siccardsburg, forms an exception to this rule, the design and forms of which were copied from the Early French Renaissance, with its narrow moulding and flat elliptical arches. On the other hand, the models of the thirteenth and fourteenth centuries are chosen for churches built in the Gothic style. In its richest phase this is seen in the memorial church, built by Ferstel; and in its poorest aspect, and divested of all the ornamental details necessary to produce a good effect, in the Lazaristen Kirche, built by Schmidt, one of the most important representatives of the Gothic style, and at the same time an advocate in word and deed for its reintroduction."The Lazaristenkirche is a Roman Catholic church building in the 7th district of Vienna, Neubau.

Lazarist Church at Vienna

"In this city many individual tendencies are perceptible, but the predominant inclination is toward…

Enameling is an old and widely adopted technology. The ancient Egyptians applied enamels to pottery and stone objects. Enameling was also used to decorate glass vessels during the Roman period.

Reversible Enameling Cradle

Enameling is an old and widely adopted technology. The ancient Egyptians applied enamels to pottery…

The first reference to an elevator is in the works of the Roman architect Vitruvius, who reported that Archimedes built his first elevator, probably in 236 BC. In some literary sources of later historical periods, elevators were mentioned as cabs on a hemp rope and powered by hand or by animals. It is supposed that elevators of this type were installed in the Sinai monastery of Egypt.

Elevating Apparatus

The first reference to an elevator is in the works of the Roman architect Vitruvius, who reported that…

A mitre of Cardinal Vaughahan from the Roman Catholic Archbishop of Westminster. The hat was worn by the cardinal during special ceremonies. The mitre is decorated with gold thread and jewels within flowers.

Mitre of Roman Catholic ArchBishop of Westminster Cardinal Vaughan

A mitre of Cardinal Vaughahan from the Roman Catholic Archbishop of Westminster. The hat was worn by…

An illustration of a decorative letter M with a man who looks like a roman soldier inside.

Decorative Letter M

An illustration of a decorative letter M with a man who looks like a roman soldier inside.

An illustration of Notre Dame Cathedral in Paris, France. This building is also known as Notre Dame de Paris which is French for Our Lady of Paris. It is the church which contains the official chair of the Archbishop of Paris.

Notre Dame Cathedral

An illustration of Notre Dame Cathedral in Paris, France. This building is also known as Notre Dame…

Bears yellow toned flowers, used as funeral torches in early Greek and Roman society.

Verbascum Thapsus

Bears yellow toned flowers, used as funeral torches in early Greek and Roman society.

A fresco painting of a Roman villa.

Roman Villa

A fresco painting of a Roman villa.

"Chariot-racing was a favorite amusement, and the great circuses were arranged especially for such contests. The space was broad enough to accommodate three of four chariots side by side, each with four horses abreast."—Ridpath, 1885

Circus Maximus

"Chariot-racing was a favorite amusement, and the great circuses were arranged especially for such contests.…

Teutoboch was a legendary king of the Teutons, a Germanic tribe.

The Capture of Teutoboch

Teutoboch was a legendary king of the Teutons, a Germanic tribe.

An image depicting Julius Caesar, a Roman general and statesman. He was a key component to the shift of the Roman Republic into the Roman Empire. He emerged as the unrivaled leader of the Roman world in 49 BC.

Julius Caesar

An image depicting Julius Caesar, a Roman general and statesman. He was a key component to the shift…

"After a successful summer campaign, [Caesar] made his way to the coast and cross over into Britain. He then withdrew into his winter-quarters in Gaul, but in the following year returned into the island, defeated the British Celts under their king Cassivellaunus, and reduced the country to a dependency, compelling the Britons to pay tribute and give hostages."

Landing of the Romans in Britain

"After a successful summer campaign, [Caesar] made his way to the coast and cross over into Britain.…

An image of Julius Caesar and his army crossing the Rubicon River, which is located in northeastern Italy. The idiom "Crossing the Rubicon" refers to Julius Caesar passing this river in 49 BC, and means to pass a point of no return.

Caesar Crossing the Rubicon

An image of Julius Caesar and his army crossing the Rubicon River, which is located in northeastern…

"[Caesar] mustered the soldiers in the Campius Martius, and requested a statement of their grievances. Their demands appeared to have a reference to a payment of their dues, the bestowal of promised presents, and a release from further duty. Caesar well knew that the best way to humiliate an insurrection is to grant what it clamors for. He accordingly made an address to his old legion, being careful to begin with "Citizens," instead of "Soldiers." This was gall and wormwood. To be addressed as citizens by their beloved commander! "I discharge you." said he. "You have had enough of fatigue and wounds. I release you from your oath. As to your presents, you shall be paid to the last sesterce." The old veterans could stand no more. They burst into tears, and began to beg for forgiveness. With a certain prudent hesitation, Caesar received them back to favor; but he took care that the leaders who had fomented the mutiny should be executed."—Ridpath, 1885

Citizens! I Discharge You.

"[Caesar] mustered the soldiers in the Campius Martius, and requested a statement of their grievances.…

"More particularly was the new sect of Christians selected as the objects of vengeance. These people had already gained the intense dislike of Rome. The austerity of their manners, the severe tenets of their faith so opposed to the license of paganism, their customs and laws so antagonistic to the usages of the state, all combined to render them odious to the commonwealth."—Ridpath, 1885

Christians Given to the Lions in the Roman Amphitheater

"More particularly was the new sect of Christians selected as the objects of vengeance. These people…

"It was during Hadrian's sojourn in this country that his favorite, the beautiful Birthynian named Antinous, cast himself for his master's sake into the Nile, and was drowned. t appears that the oracle at Besa had informed the Emperor that impending calamity could be averted only by the self-sacrifice of the one whom he most loved. Antinous believed himself to be designated as the offering, and accordingly gave his life to the river."—Ridpath, 1885

Antinous

"It was during Hadrian's sojourn in this country that his favorite, the beautiful Birthynian named Antinous,…

Caracalla is remembered as one of the most notorious emperors of Rome.

Caracalla

Caracalla is remembered as one of the most notorious emperors of Rome.

"The next Emperor was Aurelius Probus, officer of the army of Germany. He was chosen by the legions, and recognized by the Senate, A certain Florianus, brother of Tacitus, had in the mean tie assumed the purple without recognition by either the civil or the military power; but presently finding himself abandoned, he made an end by suicide. Probus, who was a soldier and man of worth, was thus left in undisputed possession of the throne. His reign of six years was almost wholly occupied in war."—Ridpath, 1885

Probus

"The next Emperor was Aurelius Probus, officer of the army of Germany. He was chosen by the legions,…

The Arch of Constantine was erected to celebrate Constantine's victory of Maxentius at the Battle of Milvian Bridge. It is situated between the Colosseum and the Palatine Hill.

Arch of Constantine

The Arch of Constantine was erected to celebrate Constantine's victory of Maxentius at the Battle of…

A depiction of Julian the Apostate, a noted philosopher and Roman Emperor, and his death.

Death of Julian the Apostate

A depiction of Julian the Apostate, a noted philosopher and Roman Emperor, and his death.

"In order that [Alaric's] body might be saved from the gaze of the vulgar and the rage of his foes, he gave direction that it should be buried in the bed of the river Busentinus."—Ridpath, 1885

The Burial of Alaric in the Bed of the Busentinus

"In order that [Alaric's] body might be saved from the gaze of the vulgar and the rage of his foes,…