ClipArt ETC
"Common Firefly (Photinus pyralis). a, larva; b, pupa in its earthen cell; c, beetle. d, e, f, leg, under side of segment, and head of larva." -Whitney, 1911

Common Eastern Firefly

"Common Firefly (Photinus pyralis). a, larva; b, pupa in its earthen cell; c, beetle. d, e, f, leg,…

Natural and columnar sections at each end and at the center of a line 100 miles long and at right angles to the original trend of the shore. The progressive overlap and change in facies is shown. Note that in each section the clastic formation next above the crystallines is a sandstone, but that it belongs to different formations in each.

Progressive Overlap of Shore

Natural and columnar sections at each end and at the center of a line 100 miles long and at right angles…

Natural and columnar sections at each end and in the center of a line 100 miles long and extending at right angles to the original shore line.

Clastic Deposits in the Sea

Natural and columnar sections at each end and in the center of a line 100 miles long and extending at…

Diagram illustrating the relationships of dip and strike of the inclined strata of an outcropping series of ledges. The strike is represented by the horizontal line; the dip by the line at right angles to the strike.

Inclined Strata Dip and Strike

Diagram illustrating the relationships of dip and strike of the inclined strata of an outcropping series…

"Bones of Human Foot, or Pes, the third principal segment of the hind limb, consisting of tarsus, metatarsus, and phalanges. a, astralagus; ca, calcaneum; n, navicular, or scaphoid; co, cuboid; c1, c2, c3, entocuneiform, mesocuneiform, and ectocuneiform, or inner, middle, and outer cuneiform bones. The foregoing seven bones constitute the tarsus, and m1 to m5, first to the fifth metatarsal, constitue the metatarsus. The remaining fourteen bones are the phalanges, three to each digit excepting the great toe; h, distal phalanx of the hallux or great toe." -Whitney, 1911

Bones of Human Foot

"Bones of Human Foot, or Pes, the third principal segment of the hind limb, consisting of tarsus, metatarsus,…

A fault line valley. A fault line, is a planar fracture in rock in which the rock on one side of the fracture has moved with respect to the rock on the other side.

Fault Line Valley

A fault line valley. A fault line, is a planar fracture in rock in which the rock on one side of the…

"The part of any solid between two planes, which may be either parallel or inclined to each other: as, the frustum of a cone ... In the figure the dotted line, c, indicates the part of the cone cut off to form the frustum, f." -Whitney, 1911

Frustum of a Cone

"The part of any solid between two planes, which may be either parallel or inclined to each other: as,…

An illustration of a woman holding a fishing pole.

Woman with Fishing Pole

An illustration of a woman holding a fishing pole.

View of a village in the Schwartzwald, or Black Forest. The Black Forest stands in the elbow formed by the Rhine river in its course from Schaffhausen to Basle, and from Basle to Mannheim. It is bounded by the plain that borders the river The Neckar River bounds it on the north, while on the east it is limited by the upper part of the same river, and by an imaginary line drawn from the source of the Neckar to Schaffhausen. The Black Forest owes its gloomy name to the dark aspect of its peaks and slopes which is shadowed by pine-trees. On the brightest day the forest's trees still retain their shadow.

Black Forest Village

View of a village in the Schwartzwald, or Black Forest. The Black Forest stands in the elbow formed…

Tadorna cornuta, the Sheld-Drake or Bargander, ...shews a white collar on the lower neck followed by a broad chestnut band; blackish outer scapulars, remiges, and the tip of a tail; a patch of chestnut on the inner secondaries, a green speculum, and a brown line down the under parts, the remaining portions being white." A. H. Evans, 1900

Shelduck

Tadorna cornuta, the Sheld-Drake or Bargander, ...shews a white collar on the lower neck followed by…

"The male figure is that of Sir John de Weston, of Weston-Lizars, in Staffordshire, and Isabel his wife, whose paternal name was Bromley. In three quarterfoils beneath the figures are shields: the first contains the arms of Weston, sable, and eagle displayed or, with a lable argent, fretty gules; the centre shield is argent, fretty gules; that under the lady is formed entirely of the colours of her arms disposed quarterly, and parted horizontally, or fessways, by the line dancette." -Hall, 1862

Weston Coat of Arms

"The male figure is that of Sir John de Weston, of Weston-Lizars, in Staffordshire, and Isabel his wife,…

Diagram used to prove the theorem: "The area of the surface generated by a straight line revolving about an axis in its plane is equal to the product of the projection of the line on the axis by the circumference whose radius is perpendicular erected at the middle point of the line and terminated by the axis."

Area of Surface Generated by a Straight Line

Diagram used to prove the theorem: "The area of the surface generated by a straight line revolving about…

"If a sector revolves about its bounding radius as an axis, it generates what may be called a spherical cone."

Spherical Cone

"If a sector revolves about its bounding radius as an axis, it generates what may be called a spherical…

Diagram used to prove the theorem: "The volume of a spherical segment is equal to the sum of two cylinders and a sphere, the altitudes of the cylinders being one half the altitude of the segment, and their bases the upper and lower bases of the segment, respectively, and the diameter of the sphere being the altitude of the segment."

Volume of Spherical Segment

Diagram used to prove the theorem: "The volume of a spherical segment is equal to the sum of two cylinders…

A line engrailed for dividing a field. "Escutcheons that have more than one tincture are divided by lines ... Curved and angular lines are numerous, and each has an Heraldic name expressive of its form." -Hall, 1862

Line Engrailed

A line engrailed for dividing a field. "Escutcheons that have more than one tincture are divided by…

A line invected for dividing a field. "Escutcheons that have more than one tincture are divided by lines ... Curved and angular lines are numerous, and each has an Heraldic name expressive of its form." -Hall, 1862

Line Invected

A line invected for dividing a field. "Escutcheons that have more than one tincture are divided by lines…

A line wavy or undé for dividing a field. "Escutcheons that have more than one tincture are divided by lines ... Curved and angular lines are numerous, and each has an Heraldic name expressive of its form." -Hall, 1862

Line Wavy

A line wavy or undé for dividing a field. "Escutcheons that have more than one tincture are divided…

A line embattled or crenelle for dividing a field. "Escutcheons that have more than one tincture are divided by lines ... Curved and angular lines are numerous, and each has an Heraldic name expressive of its form." -Hall, 1862

Line Embattled

A line embattled or crenelle for dividing a field. "Escutcheons that have more than one tincture are…

A line nebule for dividing a field. "Escutcheons that have more than one tincture are divided by lines ... Curved and angular lines are numerous, and each has an Heraldic name expressive of its form." -Hall, 1862

Line Nebule

A line nebule for dividing a field. "Escutcheons that have more than one tincture are divided by lines…

A line indented for dividing a field. "Escutcheons that have more than one tincture are divided by lines ... Curved and angular lines are numerous, and each has an Heraldic name expressive of its form." -Hall, 1862

Line Indented

A line indented for dividing a field. "Escutcheons that have more than one tincture are divided by lines…

A line dancette for dividing a field. "Escutcheons that have more than one tincture are divided by lines ... Curved and angular lines are numerous, and each has an Heraldic name expressive of its form." -Hall, 1862

Line Dancette

A line dancette for dividing a field. "Escutcheons that have more than one tincture are divided by lines…

A line angled for dividing a field. "Escutcheons that have more than one tincture are divided by lines ... Curved and angular lines are numerous, and each has an Heraldic name expressive of its form." -Hall, 1862

Line Angled

A line angled for dividing a field. "Escutcheons that have more than one tincture are divided by lines…

A line bevilled for dividing a field. "Escutcheons that have more than one tincture are divided by lines ... Curved and angular lines are numerous, and each has an Heraldic name expressive of its form." -Hall, 1862

Line Bevilled

A line bevilled for dividing a field. "Escutcheons that have more than one tincture are divided by lines…

A line escartelle for dividing a field. "Escutcheons that have more than one tincture are divided by lines ... Curved and angular lines are numerous, and each has an Heraldic name expressive of its form." -Hall, 1862

Line Escartelle

A line escartelle for dividing a field. "Escutcheons that have more than one tincture are divided by…

A line nowy or franché for dividing a field. "Escutcheons that have more than one tincture are divided by lines ... Curved and angular lines are numerous, and each has an Heraldic name expressive of its form." -Hall, 1862

Line Nowy

A line nowy or franché for dividing a field. "Escutcheons that have more than one tincture are…

A line dove-tailed for dividing a field. "Escutcheons that have more than one tincture are divided by lines ... Curved and angular lines are numerous, and each has an Heraldic name expressive of its form." -Hall, 1862

Line Dove-Tailed

A line dove-tailed for dividing a field. "Escutcheons that have more than one tincture are divided by…

A line embattled grady or battled embattled for dividing a field. "Escutcheons that have more than one tincture are divided by lines ... Curved and angular lines are numerous, and each has an Heraldic name expressive of its form." -Hall, 1862

Line Embattled Grady

A line embattled grady or battled embattled for dividing a field. "Escutcheons that have more than one…

A line potent for dividing a field. "Escutcheons that have more than one tincture are divided by lines ... Curved and angular lines are numerous, and each has an Heraldic name expressive of its form." -Hall, 1862

Line Potent

A line potent for dividing a field. "Escutcheons that have more than one tincture are divided by lines…

A line double arched for dividing a field. "Escutcheons that have more than one tincture are divided by lines ... Curved and angular lines are numerous, and each has an Heraldic name expressive of its form." -Hall, 1862

Line Double Arched

A line double arched for dividing a field. "Escutcheons that have more than one tincture are divided…

A line arched or enarched for dividing a field. "Escutcheons that have more than one tincture are divided by lines ... Curved and angular lines are numerous, and each has an Heraldic name expressive of its form." -Hall, 1862

Line Arched

A line arched or enarched for dividing a field. "Escutcheons that have more than one tincture are divided…

A line urdée for dividing a field. "Escutcheons that have more than one tincture are divided by lines ... Curved and angular lines are numerous, and each has an Heraldic name expressive of its form." -Hall, 1862

Line Urdée

A line urdée for dividing a field. "Escutcheons that have more than one tincture are divided…

A line radient for dividing a field. "Escutcheons that have more than one tincture are divided by lines ... Curved and angular lines are numerous, and each has an Heraldic name expressive of its form." -Hall, 1862

Line Radient

A line radient for dividing a field. "Escutcheons that have more than one tincture are divided by lines…

"QUARTERED PER CROSS—The shield is divided into four parts, called quarters, by an horizontal and perpendicular line, crossing each other in the centre of the field, each of which is numbered." -Hall, 1862

Quartered Per Cross

"QUARTERED PER CROSS—The shield is divided into four parts, called quarters, by an horizontal…

"Argent, on a chief, gules, two mullets, sable. The chief is an ordinary terminated by an horizontal line, which, if it is of any other form but straight, its form must be expressed; it is placed in the upper part of the escutcheon, and occupies one third of the field." -Hall, 1862

Chief Ordinary

"Argent, on a chief, gules, two mullets, sable. The chief is an ordinary terminated by an horizontal…

"Argent, a chief, azure, indented. The chief is an ordinary terminated by an horizontal line, which, if it is of any other form but straight, its form must be expressed; it is placed in the upper part of the escutcheon, and occupies one third of the field." -Hall, 1862

Chief Indented

"Argent, a chief, azure, indented. The chief is an ordinary terminated by an horizontal line, which,…

Diagram of an ellipse that can used to illustrate the different parts. Segment MN is the major axis, segment CD is the conjugate (minor) axis, and point O is the center of the ellipse. Both foci are also labeled in the illustration.

Parts of Ellipse

Diagram of an ellipse that can used to illustrate the different parts. Segment MN is the major axis,…

Diagram an ellipse with a tangent line that illustrates "A line through a point on the ellipse and bisecting the external angle between the focal radii is a tangent."

Tangent to an Ellipse

Diagram an ellipse with a tangent line that illustrates "A line through a point on the ellipse and bisecting…

Diagram part of a hyperbola with a tangent line that illustrates "A line through a point on the hyperbola and bisecting the internal angle between the focal radii is a tangent."

Tangent to a Hyperbola

Diagram part of a hyperbola with a tangent line that illustrates "A line through a point on the hyperbola…

Diagram showing how to construct a conic when given the focus and the auxiliary circle. If the focus is outside the circle, we get a hyperbola. If it's inside the circle, we get an ellipse. If the auxiliary circle is a straight line (radius is infinite), we get a parabola.

Construction of a Conic

Diagram showing how to construct a conic when given the focus and the auxiliary circle. If the focus…

Illustration showing the correct and incorrect position of a right line pen against a T-square, triangle, or straight edge when doing geometric constructions.

Positioning Pen for Constructions

Illustration showing the correct and incorrect position of a right line pen against a T-square, triangle,…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p>Non-Vocal Consonant positions have the voice phalanx of the thumb bent at right angles to the breath phalanx, or unaccented. Primary Consonant positions have only the first finger accented. Point Consonant positions, being anterior, have the palm upright and in line with the arm.

Non-Vocal Primary Point Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p>Non-Vocal Consonant positions have the voice phalanx of the thumb bent at right angles to the breath phalanx, or unaccented. Primary Consonant positions have only the first finger accented. Lip Consonant positions, being anterior, have the palm upright and in line with the arm.

Non-Vocal Primary Lip Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Non-Vocal Consonant positions have the voice phalanx of the thumb bent at right angles to the breath phalanx, or unaccented. Mixed Consonant positions have the second, third, and fourth fingers accented. Point Consonant positions, being anterior, have the palm upright and in line with the arm.

Non-Vocal Mixed Point Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Non-Vocal Consonant positions have the voice phalanx of the thumb bent at right angles to the breath phalanx, or unaccented. Mixed Consonant positions have the second, third, and fourth fingers accented. Lip Consonant positions, being anterior, have the palm upright and in line with the arm.

Non-Vocal Mixed Lip Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Non-Vocal Consonant positions have the voice phalanx of the thumb bent at right angles to the breath phalanx, or unaccented. Divided Consonant positions have the first and second fingers accented. Point Consonant positions, being anterior, have the palm upright and in line with the arm.

Non-Vocal Divided Point Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Non-Vocal Consonant positions have the voice phalanx of the thumb bent at right angles to the breath phalanx, or unaccented. Divided Consonant positions have the first and second fingers accented. Lip Consonant positions, being anterior, have the palm upright and in line with the arm.

Non-Vocal Divided Lip Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Non-Vocal Consonant positions have the voice phalanx of the thumb bent at right angles to the breath phalanx, or unaccented. Mixed-Divided Consonant positions have all of the fingers accented. Point Consonant positions, being anterior, have the palm upright and in line with the arm.

Non-Vocal Mixed-Divided Point Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Non-Vocal Consonant positions have the voice phalanx of the thumb bent at right angles to the breath phalanx, or unaccented. Mixed-Divided Consonant positions have all of the fingers accented. Lip Consonant positions, being anterior, have the palm upright and in line with the arm.

Non-Vocal Mixed-Divided Lip Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Non-Vocal Consonant positions have the voice phalanx of the thumb bent at right angles to the breath phalanx, or unaccented. Shut Consonant positions do not have any of the fingers accented. Point Consonant positions, being anterior, have the palm upright and in line with the arm.

Non-Vocal Shut Point Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Non-Vocal Consonant positions have the voice phalanx of the thumb bent at right angles to the breath phalanx, or unaccented. Shut Consonant positions do not have any of the fingers accented. Lip Consonant positions, being anterior, have the palm upright and in line with the arm.

Non-Vocal Shut Lip Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Non-Vocal Consonant positions have the voice phalanx of the thumb bent at right angles to the breath phalanx, or unaccented. Nasal Consonant positions have the breath phalanx of the thumb in the position to indicate Nasality. None of the fingers are accented. Point Consonant positions, being anterior, have the palm upright and in line with the arm.

Non-Vocal Nasal Point Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Non-Vocal Consonant positions have the voice phalanx of the thumb bent at right angles to the breath phalanx, or unaccented. Nasal Consonant positions have the breath phalanx of the thumb in the position to indicate Nasality. None of the fingers are accented. Lip Consonant positions, being anterior, have the palm upright and in line with the arm.

Non-Vocal Nasal Lip Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Primary Consonant positions have only the first finger accented. Back Consonant positions, being posterior, have the palm held laterally at an angle to the arm.

Vocalized Primary Back Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Primary Consonant positions have only the first finger accented. Top Consonant positions have the lower phalanges of the fingers at right angles to the plane of the palm.

Vocalized Primary Top Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Primary Consonant positions have only the first finger accented. Point Consonant positions, being anterior, have the palm upright and in line with the arm.

Vocalized Primary Point Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Primary Consonant positions have only the first finger accented. Lip Consonant positions, being anterior, have the palm upright and in line with the arm.

Vocalized Primary Lip Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Mixed Consonant positions have the second, third, and fourth fingers accented. Back Consonant positions, being posterior, have the palm held laterally at an angle to the arm.

Vocalized Mixed Back Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Mixed Consonant positions have the second, third, and fourth fingers accented. Top Consonant positions have the lower phalanges of the fingers at right angles to the plane of the palm.

Vocalized Mixed Top Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Mixed Consonant positions have the second, third, and fourth fingers accented. Point Consonant positions, being anterior, have the palm upright and in line with the arm.

Vocalized Mixed Point Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Mixed Consonant positions have the second, third, and fourth fingers accented. Lip Consonant positions, being anterior, have the palm upright and in line with the arm.

Vocalized Mixed Lip Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…