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Reynard the Fox, dressed as a monk, telling the rooster, Chanticleer, that he does not eat animals anymore, right before his hunt on one of the hens.

Reynard the Fox: Tricking Chanticleer

Reynard the Fox, dressed as a monk, telling the rooster, Chanticleer, that he does not eat animals anymore,…

Reynard the Fox takes Bruin the Bear to a carpenter's house to find a tree with honey in it. Reynard bets Bruin he cannot eat a lot of honey knowing he will be caught by the carpenter.

Reynard the Fox: Bruin's Bet

Reynard the Fox takes Bruin the Bear to a carpenter's house to find a tree with honey in it. Reynard…

Reynard the Fox bets Bruin the Bear that he cannot eat a lot of honey without getting an upset stomach. He takes him to a tree outside of a carpenter's house. Bruin gets his head stuck in the tree while the village is after the bear.

Reynard the Fox: Bruin is Stuck

Reynard the Fox bets Bruin the Bear that he cannot eat a lot of honey without getting an upset stomach.…

Reynard the Fox invites Tibert the Cat to spend the night. Tibert is summoning him to court but is persuaded to stay.

Reynard the Fox: Tibert the Cat

Reynard the Fox invites Tibert the Cat to spend the night. Tibert is summoning him to court but is persuaded…

The hall stove was used to warm up the hall area of the house.

Hall Stove

The hall stove was used to warm up the hall area of the house.

This vase is designed in a Gothic style. It was made for the King of the Netherlands, William II. It has figures designed in the niches of its body of six famous princes of the house of Orange and Nassau. The lid is topped with the figure of Adolphus of Nassau, who became Emperor of Germany.

Vase

This vase is designed in a Gothic style. It was made for the King of the Netherlands, William II. It…

Color flag of Slovenia. Three equal horizontal bands of white (top), blue, and red, with the Slovenian seal (a shield with the image of Triglav, Slovenia's highest peak, in white against a blue background at the center; beneath it are two wavy blue lines depicting seas and rivers, and above it are three six-pointed stars arranged in an inverted triangle, which are taken from the coat of arms of the Counts of Celje, the great Slovene dynastic house of the late 14th and early 15th centuries); the seal is in the upper hoist side of the flag centered on the white and blue bands.

Flag of Slovenia, 2009

Color flag of Slovenia. Three equal horizontal bands of white (top), blue, and red, with the Slovenian…

Black and white outline flag of Slovenia. Three equal horizontal bands of white (top), blue, and red, with the Slovenian seal (a shield with the image of Triglav, Slovenia's highest peak, in white against a blue background at the center; beneath it are two wavy blue lines depicting seas and rivers, and above it are three six-pointed stars arranged in an inverted triangle, which are taken from the coat of arms of the Counts of Celje, the great Slovene dynastic house of the late 14th and early 15th centuries); the seal is in the upper hoist side of the flag centered on the white and blue bands

Flag of Slovenia, 2009

Black and white outline flag of Slovenia. Three equal horizontal bands of white (top), blue, and red,…

A villa in Lucerne, Switzerland in 1907.

Swiss Villa

A villa in Lucerne, Switzerland in 1907.

Thor, Loki, and two children, Thialfi and Roska travel to Giant Land where they find what they think is a house. They sleep in the largest room. When they wake up, the sun's light shows that they were sleeping in the thumb of a giant's glove.

Sleeping in the Giant's Glove

Thor, Loki, and two children, Thialfi and Roska travel to Giant Land where they find what they think…

Thor and Tyr travel to the Hymir the giant's house to get his large kettle named Mile-Deep. Hymir's wife, Hrod shows it to them.

Hrod and the Kettle Mile-Deep

Thor and Tyr travel to the Hymir the giant's house to get his large kettle named Mile-Deep. Hymir's…

Sigmund, the son of Volsung, lived in a castle with a giant oak tree growing out of it. A disguised Odin thrusts a powerful sword in the oak and says that whoever can pull it out will be able to keep the mighty sword. No grown men could pull it out, but young Sigmund pulls it out with ease.

Sigmund and the Oak Tree

Sigmund, the son of Volsung, lived in a castle with a giant oak tree growing out of it. A disguised…

Monticello was Thomas Jefferson's estate in Charlottesville, Virginia. It was built in 1809 and appeared on the nickel and the two dollar bill.

Monticello, Jefferson's Estate

Monticello was Thomas Jefferson's estate in Charlottesville, Virginia. It was built in 1809 and appeared…

Montpelier was James Madison's estate in Orange, Virginia. It was built in 1724.

Montpelier, Madison's Estate

Montpelier was James Madison's estate in Orange, Virginia. It was built in 1724.

Oak Hill Plantation was James Monroe's estate in Loudoun County, Virginia. It was built for the fifth U.S. president in 1808.

Oak Hill Plantation, Monroe's Estate

Oak Hill Plantation was James Monroe's estate in Loudoun County, Virginia. It was built for the fifth…

Peacefield or Old House was the estate of both presidents John Adams and John Quincy Adams in Quincy, Massachusetts.

Peacefield, Adam's Estate

Peacefield or Old House was the estate of both presidents John Adams and John Quincy Adams in Quincy,…

Lindenwald was Martin Van Buren's estate in Albany, New York. It was built in 1841.

Lindenwald, Van Buren's Estate

Lindenwald was Martin Van Buren's estate in Albany, New York. It was built in 1841.

An illustration of a queen holding a rolling pin and talking to the kitchen staff.

Queen in Kitchen with Staff

An illustration of a queen holding a rolling pin and talking to the kitchen staff.

"A form of Sun-dial that is as god to-day as any dial for determining noon." -Bodmer, 1917

Modern Sundial

"A form of Sun-dial that is as god to-day as any dial for determining noon." -Bodmer, 1917

An illustration of a mouse postman delivering mail to a house in a tree.

Mouse Postman Delivering Mail to House in Tree

An illustration of a mouse postman delivering mail to a house in a tree.

A Cap of Maintenance is a ceremonial crimson velvet cap lined with ermine. It is one of the insignia of the British sovereign, and paraded directly before the monarch during the coronation procession or on such state occasions as the State Opening of Parliament. It is carried by the Leader of the House of Lords, upon a white wand.

Cap of Maintenance

A Cap of Maintenance is a ceremonial crimson velvet cap lined with ermine. It is one of the insignia…

The House Martin (Delichon urbicum), sometimes called the Northern House Martin or Common House Martin, is a migratory passerine bird of the swallow family which breeds in Europe, north Africa and temperate Asia; and winters in sub-Saharan Africa and tropical Asia. It feeds on insects which are caught in flight, and it migrates to climates where flying insects are plentiful. It has a blue head and upperparts, white rump and pure white underparts, and is found in both open country and near human habitation.

House Martin

The House Martin (Delichon urbicum), sometimes called the Northern House Martin or Common House Martin,…

"Exotic Sparrow's - lowest pair - Passer domesticus (The Sparrow. Philip Sparrow. House Sparrow.) above pair - Passer montanus (Mountain Sparrow). House Sparrow - upper parts ashy-gray; middle of back and scapulars boldly streaked with black and bay. A dark chestnut; median tipped with white, forming a conspicuous wing-bar, bordering which is a black line. Greater coverts and inner quills with central black field bordered with bay. Tail dusky-gray, unmarked. Lower parts ashy, gray or whitish; chin and throat jet black, spreading on the breast and lores, bordered on side of neck with white. Bill blue-black; feet brown. Mountain Sparrow - Somewhat like the last, but smaller and otherwise different. Crown and nape a peculiar purplish-brown. Lores, chin, and throat-patch narrow and short, not spreading on breast, contrasted with ashy-white on side of head and neck; ear-coverts blackish. Back and scapulars streaked with black and bay, the streaking reaching to the purplish nape; rump and tail plain grayish-brown. Wings marked much as in P. domesticus, with a black and white bar across tips of median coverts, but also a narrow white bar across tips of greater coverts. Primaries more varied with ochrey-brown on outer webs, forming a basal spot and other edging. Below, ashy-gray, shaded on sides, flanks, and crissum with grayish-brown. Bill blue-black; feet brown." Elliot Coues, 1884

Exotic Sparrow's

"Exotic Sparrow's - lowest pair - Passer domesticus (The Sparrow. Philip Sparrow. House Sparrow.) above…

An illustration of a large four story hotel with a park across the street.

Hotel and Park

An illustration of a large four story hotel with a park across the street.

An illustration of a man kneeling near a tree stump with a dog by his side and a house in the background.

Man Kneeling Near Tree Stump

An illustration of a man kneeling near a tree stump with a dog by his side and a house in the background.

This is the Plan of Cathedral at Aix–la–Chapelle in Aachen, Germany. It is an example of Romanesque and Gothic architecture in Germany. It was built in AD 796. The scale is in feet. "With the exception of the church built at Trèves (There) by the empress Helena, of which small portions can still be traced in the cathedral, there are no remains of earlier date than the tomb–house built by Charlemagne at Aachen (Aix–la–Chapelle), which, though much restored in the 19th century, is still in good preservation. It consists [...] of an octagonal domed hall surrounded by aisles in two [stories], both vaulted; externally the structure is a polygon of sixteen sides, about 105 ft. in diameter, and it was preceded by a porch flanked by turrets."

Plan of Cathedral at Aix-la-Chapelle, AD 796

This is the Plan of Cathedral at Aix–la–Chapelle in Aachen, Germany. It is an example of…

This is a plan of the Parliament House in Budapest, Hungary. It is an example of Modern Architecture. Construction lasted from 1885 to 1902. The Parliament House is located on Pest's Riverbank. The building is a symbol of Hungary's independence. "The plan [for the Houses of Parliament in Westminster, England] in itself is a stroke of genius, and had been more or less imitated in buildings for similar purposes all over the world; the most important example, the Parliament House of Budapest, being almost a literal copy". The scale is given in yards.

Plan of the Parliament House, Budapest, 1885–1902

This is a plan of the Parliament House in Budapest, Hungary. It is an example of Modern Architecture.…

This print is part of a series of woodcuts called Art in the house that was designed by English artist Robert Bateman in 1876. It seems to depict a couple strolling in a wooded area. The woodcut is created by carving a wooden block to the desired design, and then rolling ink over the carved block for printing on paper.

Art in the House

This print is part of a series of woodcuts called Art in the house that was designed by English artist…

"The most noteworthy of the successors of Palladio at Venice were Scamozzi, and Longhena, the architect of the Della Salute church. Some of the churches of this style retain the Byzantine system of the Greek cross with barrel-vaultings and a central dome resting on four pillars or piers. Others, again, have the form of the basilica but with a system of their own, which produces a beautiful effect. This system consists of smaller domes in the aisles, all resting on pierces masses of masonry with barrel-vaultings connected with them, as, for instance San Salvador." The Basilica di Santa Maria della Salute (Basilica of St Mary of Health/Salvation), commonly known simply as the Salute, is a famous church in Venice, placed scenically at a narrow finger of land which lies between the Grand Canal and the Bacino di San Marco on the lagoon, visible as one enters the Piazza San Marco from the water. While it has the status of a minor basilica, its decorative and distinctive profile and location make it among the most photographed churches in Italy.

Della Salute Church and Custom House

"The most noteworthy of the successors of Palladio at Venice were Scamozzi, and Longhena, the architect…

The royal Château de Chambord at Chambord, Loir-et-Cher, France is one of the most recognizable châteaux in the world because of its very distinct French Renaissance architecture that blends traditional French medieval forms with classical Italian structures. "The artistic influence of Italy came into operation in France sooner than in other European countries, for as early as the fifteenth century the Renaissance style was introduced there by Italian architects, as, for instance, by Fra Giocondo, who was summoned thither by Louis XII. But at the epoch the Flamboyant style was still in its vigour, and the buildings then erected could not extricate themselves from its influence. The consequence was that a blending of the two styles temporarily prevailed, as, for instance in the Château de Blois, which Louis XII. caused to be built, and which has lately been restored by Duban. It was in these country residences of the nobility, especially on the banks of the Loire, that this architectural activity was displayed during the earlier period of the Renaissance; amongst their number the Château de Chambord [shown here] is most worthy of notice. The pilasters and their mouldings of the Renaissance style were, it is true, somewhat rudely carried out, and in the earlier period were combined with certain elements of the Flamboyant style. Highly ornamental gables and dormer-windows. especially, were executed in the latter style. Buildings were contemporaneously constructed entirely in the Flamboyant style, as, for instance, the Cathedral, the Palais de Justice, and the Hâtel Bourgtheroulde, all at Rouen, and the Hâtel de Ville at Compiègne."

Château de Chambord

The royal Château de Chambord at Chambord, Loir-et-Cher, France is one of the most recognizable…

The Château de Beaumesnil was begun in 1633 by Jacques de Nonant for his wife Marie Dauvet Desmaret. Construction lasted until 1640. Today, Beaumesnil is a commune, the lowest level of administrative division in the French Republic, in the Eure department in Haute-Normandie in northern France. "Although Du Cerceau was obligated to leave France in the year 1604, the impulse which he had given in the direction of the above-mentioned manner led to its being generally adopted. The new buildings were more correct, but less picturesque than those built during the earlier period of the French Renaissance, and a certain insipidity seems to characterize the various structures erected during the reigns of Henry IV., and especially Louis XIII. As is shown [here], a combination of free-stone and brick was restored to in such a way that the former was employed for the mouldings, and for the quoins and dressings of the doors and windows, whilst brick was used for the spaces between. In the case of the windows the free-stone introduced assumed the forms of quoins. If ornamentation had been previously excessive, it now retired into the background, and was only employed in moderation; and the method of its treatment began to be distinguished from that of the former period. The forms of the details above all began to lose in purity: rustications were inappropriately introduced in the walls and columns, and the roofs were made high and steep, which gave the rest of the building a heavy and squat appearance, whilst the numerous turret-shaped chimneys, which were necessitated by these high roofs, formed a peculiar feature in the construction. The Roccoco, or Baroque Style, was beginning at the same time to exert its influence. Commencing from the second half of the seventeenth century, this new architectural deviation became prevalent in all civilized countries, owing to the splendor and influence of the French power and manners, and the influence of Italian art was consequently paralyzed. [This image] gives a characteristic example of French architecture of this period of the Later Renaissance, showing the peculiarities which have been described above."

Château de Beaumesnil

The Château de Beaumesnil was begun in 1633 by Jacques de Nonant for his wife Marie Dauvet Desmaret.…

Les Invalides in Paris, France, is a complex of buildings in the city's 7th arrondissement containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans. The buildings house the Musée de l'Armée, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d'Histoire Contemporaine, as well as the burial site for some of France's war heroes, notably Napoleon Bonaparte."The principal architectural activity of this period was displayed by Jules Hardouin Mansard, who was head architect to the king and the head of the influential school, as Lenôtre at the same time was principal horticulturist. Mansard built the palaces of Versailles (1647-1708, Marly, the Grand Trianon, as also the Invalides at Paris [shown here]."

Invalides at Paris

Les Invalides in Paris, France, is a complex of buildings in the city's 7th arrondissement containing…

The Gewandhaus, or Cloth Hall, at Old Town Market in Brunswick originally served as a warehouse for a garment cutter. This image "shows an interesting and pleasing example of the German Renaissance."

Cloth Hall at Brunswick

The Gewandhaus, or Cloth Hall, at Old Town Market in Brunswick originally served as a warehouse for…

Wollaton Hall is a country house standing on a small but prominent hill in Wollaton, Nottingham, England. Wollaton Park is the area of parkland that the stately house stands in. The house itself is a natural history museum, with other museums in the out-buildings. The surrounding land is regularly used for large scale outdoor events such as rock concerts and festivals."It is especially this vitiated taste in form and details which characterized the Elizabethan Renaissance [shown here]. The usual Roccoco Renaissance forms also occur in it, as, for instance, the quadrant-shaped gables curving alternately inwards and outwards, as also pilasters and columns intersected by quoins and bands; and various grotesque and debased forms. Enriched quoins are also freely used at angles and jambs."

Wollaton Hall

Wollaton Hall is a country house standing on a small but prominent hill in Wollaton, Nottingham, England.…

Georges d'Amboise (1460 – May 25, 1510) was a French Roman Catholic cardinal and minister of state. He belonged to the house of Amboise, a noble family possessed of considerable influence: of his nine brothers, four were bishops. His father, Pierre d'Amboise, seigneur de Chaumont, was chamberlain to Charles VII and Louis XI and ambassador at Rome. Georges' eldest brother, Charles, was governor of the île-de-France, Champagne and Burgundy, and councillor of Louis XI. This image "represents a characteristic specimen of French Renaissance decoration".

Tomb of Cardinal d'Amboise at Rouen

Georges d'Amboise (1460 – May 25, 1510) was a French Roman Catholic cardinal and minister of state.…

The Palazzo Pitti, in English sometimes called the Pitti Palace, is a vast mainly Renaissance palace in Florence, Italy. It is situated on the south side of the River Arno, a short distance from the Ponte Vecchio. The core of the present palazzo dates from 1458 and was originally the town residence of Luca Pitti, an ambitious Florentine banker. The palace was bought by the Medici family in 1549 and became the chief residence of the ruling families of the Grand Duchy of Tuscany. It grew as a great treasure house as later generations amassed paintings, plates, jewelry and luxurious possessions. In the late 18th century, the palazzo was used as a power base by Napoleon, and later served for a brief period as the principal royal palace of the newly united Italy. The palace and its contents were donated to the Italian people by King Victor Emmanuel III in 1919, and its doors were opened to the public as one of Florence's largest art galleries. Today, it houses several minor collections in addition to those of the Medici family, and is fully open to the public. "Columns, pilasters, and mouldings are intermingled and intertwined in a fantastic and meaningless manner, the cornices are often interrupted; the essentially component parts of the architecture are frequently mutilated; for instance, columns and wall-pilasters are executed in rustic work, i. e., formed of extensively projecting hewn stones, yet are furnished with a capital and base as is shown [in this image], which is an illustration taken from the Late Italian Renaissance. For the sake of peculiarity, the various component elements assumed a form diametrically opposed to their original designation; mere decorative and secondary details were raised to the rank of essentials, whilst the real principal forms sank to an entirely subordinate position."

Part of the Back of the Pitti Palace at Florence

The Palazzo Pitti, in English sometimes called the Pitti Palace, is a vast mainly Renaissance palace…

"The same licence in the treatment and application of forms is also displayed in secular buildings. The façades and their details were especially treated with the greatest freedom, and the original construction intention of the latter was no longer a matter of consideration. [This image] gives an example of the Roccoco style as applied to dwelling houses."

Façade at Paris in the style of Louis XV

"The same licence in the treatment and application of forms is also displayed in secular buildings.…

"Framed houses are especially numerous in the Harz Mountains in Germany. In the oldest specimens the ornamentation has affinity with the Gothic style, whilst the larger number show traces of the later Renaissance. The most characteristic feature of these buildings is that the storeys are not places perpendicularly one above another, but that each overhangs the one immediately beneath it [shown here]. This overhanging construction gives scope for much external enrichment, and especially for that which forms the perpendicular ornament of these buildings, namely, the carved or fluted brackets which support the walls of the story above, and the spaces between these brackets. The wall space below these is not always fluted or carved, but sometimes covered with a more or less ornamental outer coating of upright or sloping timbers."

Front of a Bay-work House at Halberstadt

"Framed houses are especially numerous in the Harz Mountains in Germany. In the oldest specimens the…

"Framed houses are especially numerous in the Harz Mountains in Germany. In the oldest specimens the ornamentation has affinity with the Gothic style, whilst the larger number show traces of the later Renaissance. The most characteristic feature of these buildings is that the storeys are not places perpendicularly one above another, but that each overhangs the one immediately beneath it. This overhanging construction gives scope for much external enrichment, and especially for that which forms the perpendicular ornament of these buildings, namely, the carved or fluted brackets which support the walls of the story above, and the spaces between these brackets [shown here]. The wall space below these is not always fluted or carved, but sometimes covered with a more or less ornamental outer coating of upright or sloping timbers."

Detail of a Bay-work House at Halberstadt

"Framed houses are especially numerous in the Harz Mountains in Germany. In the oldest specimens the…

"Framed houses are especially numerous in the Harz Mountains in Germany. In the oldest specimens the ornamentation has affinity with the Gothic style, whilst the larger number show traces of the later Renaissance. The most characteristic feature of these buildings is that the storeys are not places perpendicularly one above another, but that each overhangs the one immediately beneath it. This overhanging construction gives scope for much external enrichment, and especially for that which forms the perpendicular ornament of these buildings, namely, the carved or fluted brackets which support the walls of the story above, and the spaces between these brackets [shown here]. The wall space below these is not always fluted or carved, but sometimes covered with a more or less ornamental outer coating of upright or sloping timbers."

Detail of a Bay-work House at Halberstadt

"Framed houses are especially numerous in the Harz Mountains in Germany. In the oldest specimens the…

"Framed houses are especially numerous in the Harz Mountains in Germany. In the oldest specimens the ornamentation has affinity with the Gothic style, whilst the larger number show traces of the later Renaissance. The most characteristic feature of these buildings is that the storeys are not places perpendicularly one above another, but that each overhangs the one immediately beneath it. This overhanging construction gives scope for much external enrichment, and especially for that which forms the perpendicular ornament of these buildings, namely, the carved or fluted brackets which support the walls of the story above, and the spaces between these brackets. The wall space below these is not always fluted or carved, but sometimes covered with a more or less ornamental outer coating of upright or sloping timbers [shown here]."

Portion of a Bay-work House at Halberstadt

"Framed houses are especially numerous in the Harz Mountains in Germany. In the oldest specimens the…

"The third class of timber buildings which has to be described is the so-called Swiss-Cottage style [shown here]. This class belongs exclusively to the country in contradistinction to the town. It is only lately that its application has been extended to other purposes, as for example, (and in combination with framed half-timbered construction) to railway stations, &c."

Group of Swiss Houses

"The third class of timber buildings which has to be described is the so-called Swiss-Cottage style…

"Although the characteristics of this class of buildings are generally uniform, yet shades of difference occur here or there. These deviations are perceptible in the various countries where wooden houses are met with, and are found even in the different cantons of Switzerland. It would, however, carry us too far to enter more fully into various points of difference. [This image] exhibits a characteristic example of one of these Swiss-cottages or chalets."

Swiss House in the Canton of Berne, Iseltwald

"Although the characteristics of this class of buildings are generally uniform, yet shades of difference…

"The French town houses differ, moreover, essentially in entire design, which influences their style, from those of other countries. This remark does not apply to those houses which are calculated for one family only, nor to the palatial residences of the nobility and plutocracy, which the French call Hôtels. This difference partly consists in the universal employment of the ground-floor as shops, which are only separated from the street by an opening which is glazed over and supported by individual iron girders. The whole façade consequently appears rather to be suspended in the air than supported architecturally. Over the shop, there is almost always an entresol, that is to say, a low storey between the ground floor and the first storey. The restriction to a certain height which the façade may not exceed has a determinating influence on the form of the topmost portion of the building, inasmuch as above this height the façade is terminated by an offset which slopes backwards over the upper storey [shown here]. Projecting balconies are, moreover, usual along the whole length of the façades, making the divisions into storeys. When these balconies are not met with, the windows of each storey come down to the top of the storey below, or at any rate nearly so, and have iron balustrades in front of them; this construction is partly owing to the storeys from their great number being so low that without this remedy the windows would appear too small and badly proportioned. The lowness of the storeys necessarily exercises a prejudicial effect on the architectural beauty of the façades; so that it is difficult to impart any structural significance to the houses, which consequently only convey and sense of beauty through their details."

Façade of a House in Paris

"The French town houses differ, moreover, essentially in entire design, which influences their style,…

The Palais Garnier, also known as the Opéra de Paris or Opéra Garnier, but more commonly as the Paris Opéra, is a 2,200-seat opera house on the Place de l'Opéra in Paris, France. A grand landmark designed by Charles Garnier in the Neo-Baroque style, it is regarded as one of the architectural masterpieces of its time."The newest and most important building is the new Opera House at Paris," this image "presents an external view.The competition which was announced for the plans for this building brought out at the time the most eminent, artistic, and architectural talent of France, and aroused a very general and lively interest in the result: inasmuch as an architectural chef-d'œuvre was to be produced, such as Paris did not possess before, and one in which the architecture of the present day was to make the utmost possible effect to build a theatre, which in every respect should be worthy of the metropolis of the world, and should thanks to the almost unlimited means at disposal, be the most perfect of its kind."

View of the Opera House in Paris

The Palais Garnier, also known as the Opéra de Paris or Opéra Garnier, but more commonly as the Paris…

"In Belgium the Roman Renaissance was introduced about the same time as in France: but an unmistakable distinction is visible between the two styles. The buildings in Belgium have a certain stamp by which they essentially differ from those of France; in fact, the whole style might be designated as modern Belgian. The peculiarity of the treatment lies mainly in a predilection for that Renaissance which is called the Roccoco style in conjunction with heavy and often very [skillfully] managed; but still the details are for the most part heavier and more robust than those that belong to the best Renaissance style. [This image] shows this peculiarity, but it is somewhat less marked than in many other instances."

View of the Opera House in Paris

"In Belgium the Roman Renaissance was introduced about the same time as in France: but an unmistakable…

"The post-oral arches of the house martin, at middle of period of incubation, lateral view, X14 diameters. mk, stumpof meckelian or mandibular rod, its articular part, ar already shapen; q, quadrate bone, or suspensorium of lower jaw, with a free anterior orbital process and long posterior otic process articulating with the ear-capsule, of which teo, tympanic wing of occipital, is a part; mst, est, sst, ist, sth, parts of suspensorium of the third post-oral arch, not completed to chy; mst, medio-stapedial, tp come away from teo, bringing a piece with it, the true stapes or columella auris; the oval base of the stapes fitting into the future fenestra ovalis, or oval window looking into the cochlea; sst, supra-stapedial; est, extra-stapedial; ist, infra-stapedial, which will unite with sth, the stylo-hyal; chy and bhym cerato-hyal and basi-hyal, distal parts of the same arch; bbr, br 1, br2, basi-branchial, epi-branchial and cerato-branchial pieces of the third arch, composing the rest of the hyoid bone; tg, tongue." Elliot Coues, 1884

House Martin Skull

"The post-oral arches of the house martin, at middle of period of incubation, lateral view, X14 diameters.…

This print is part of a series of woodcuts called Art in the House by English artist Robert Bateman in 1876. It seems to depict a woman in a cape standing behind a boy that is weeping. The woodcut is created by carving a wooden block to the desired design, and then rolling ink over the carved block for printing on paper.

Art in the House

This print is part of a series of woodcuts called Art in the House by English artist Robert Bateman…

This is part of a series of woodcuts called Art in the House that was designed by English artist Robert Bateman in 1877. It seems to depict a lady standing outside a window where children are looking out of. The woodcut is created by carving a wooden block to the desired design, and then rolling ink over the carved block for printing on paper.

Art in the House

This is part of a series of woodcuts called Art in the House that was designed by English artist Robert…

This is part of a series of woodcuts called Art in the House that was designed by English artist Robert Bateman in 1876. It seems to depict man serenading a woman by under a tree. The woodcut is created by carving a wooden block to the desired design, and then rolling ink over the carved block for printing on paper.

Art in the House

This is part of a series of woodcuts called Art in the House that was designed by English artist Robert…

This is a title page to the House of Joy by English playwright, writer, and illustrator Laurence Houseman in 1895. This drawing seems to depict a winged man approaching a woman from her window. Its border is a scrolling flower design all around.

The House of Joy

This is a title page to the House of Joy by English playwright, writer, and illustrator Laurence Houseman…

The square house of Nîmes is also known as Maison Carree. It is an ancient Roman temple located in Nimes, Souther France. It was built by Roman statesman and general, Marcus Agrippa in dedication to his sons. The temple is made up of corinthian columns in the front entrance and attached columns all around the structure.

The Square House of Nîmes

The square house of Nîmes is also known as Maison Carree. It is an ancient Roman temple located in…

This is the Plan of Principal Floor of the Houses of Parliament in Westminster, England. Other wise known as Westminster Palace, It is an example of Modern English Architecture. The architect was Sir Charles Barry. Construction lasted from 1836 to 1868. The Houses of Parliament is located on the River Thames. The scale is given in feet. "Barry's great building, the Houses of Parliament, with which his name will always be more especially associated, comes accidentally, though not by natural development nor by his own choice, under the head of the Gothic revival. The style of Tudor Gothic was dictated to the competitors, apparently from a mistaken idea that the building ought to "harmonize" with the architecture of Henry VII.'s chapel adjacent to the site. Had Barry been left to himself, there is no doubt that the Houses of Parliament, with the same main characteristics of plan and grouping, would have been a classic type of detail, and would possibly have been still a finer building than it is; and since the choice of the Gothic style in this case was not a direct consequence of the Gothic revival movement, it may be considered separately from that. The architectural greatness of the building consists, in the first place, in the grand yet simple scheme of Barry's plan, with the octagon hall in the centre, as the meeting-point for the public, the two chambers to north and south, and the access to the committee-rooms and other departments subordinate to the chambers. The plan in itself is a stroke of genius, and had been more or less imitated in buildings for similar purposes all over the world; the most important example, the Parliament House of Budapest, being almost a literal copy of Barry's plan. Thus, as in all great architecture, the plan is the basis of the whole scheme, and upon it is built up a most picturesque and expressive grouping, arising directly out of the plan. The two towers are most happily contrasted as expressive of their differing purposes; the Victoria Tower is the symbol of the State entrance, a piece of architectural display solely for the sake of a grand effect; the Clock Tower is a utilitarian structure, a lofty stalk to carry a great clock high in the air; the two are differentiated accordingly, and the placing of them at opposite ends of the structure has the fortunate effect of indicating, from a distance, the extent of the plan. The graceful spire in the centre offers an effective contrast to the masses of the two towers, while forming the outward architectural expression of the octagonal hall, which is, as it were, the keystone of the plan."

Houses of Parliament, Westminster; Plan of Principal Floor

This is the Plan of Principal Floor of the Houses of Parliament in Westminster, England. Other wise…

"Cotile riparia. Bank Swallow. lustreless mouse-brown; wings and tail fuscous. Below, white, with a broad pectoral band of the color of the back. A dusky ante-orbital spot.

Martin and Swallow

"Cotile riparia. Bank Swallow. lustreless mouse-brown; wings and tail fuscous. Below, white, with a…

Solutions for silhouette outlines of buildings (house, lighthouse) made from tangram pieces. Tangrams, invented by the Chinese, are used to develop geometric thinking and spatial sense. 7 figures consisting of triangles, squares, and parallelograms are used to construct the given shapes.

Buildings Silhouette Solution Tangram Card

Solutions for silhouette outlines of buildings (house, lighthouse) made from tangram pieces. Tangrams,…

"The Berlin school, whose founder was Schinkel, the architect of the noble Berlin Theatre, and of the Museum, which is noteworthy for its magnificent façade, exhibited a decided inclination towards Grecian architecture, and strove to attain a certain purity of form, and delicacy and elegance in details, which where for the most part carried out in the Grecian style. He had to contend against a deficiency in building material. Owing to want of building-stone, the mouldings, and indeed all the architectural details, were unavoidably carried out in stucco; nor was this all, but in order to give the same durability, they were made to project as little as possible. Consequently this architectural style, with the exception of some few public buildings, seemed flat and wanting in power, especially in the case of private dwelling-houses, and frequently presented the appearance of pasteboard-work, or cabinet-work, rather than of a structural edifice. This facility also which stucco afforded for enriching the façade, caused more attention to be paid to decoration than it was entitled to, for ornament should always be kept in subservience to the main and constructive architectural forms." The Altes Museum (German for Old Museum), is one of several internationally renowned museums on Berlin's Museum Island in Berlin, Germany. Since restoration work in 1966, it houses the antique collection (Antikensammlung) of the Berlin State Museums. The museum was built between 1825 and 1828 by the architect Karl Friedrich Schinkel in the neoclassical style to house the Prussian Royal family's art collection. Until 1845, it was called the Royal Museum.

Theatre at Berlin

"The Berlin school, whose founder was Schinkel, the architect of the noble Berlin Theatre, and of the…

"In contrast to the Berlin school is that of Munich, which was founded by Gärtner. Its influence, which was supported by the renown of many edifices constructed by this architect, such as the Liberty, the University Buildings, and the Ludwigskirche, extended over many other parts of Germany. Without being in any way influenced by the works of Klenze, which are erected in the classical style, such as the Glyptothek, the Pantheon, the Valhalla, and many others, Gärtner's pupils as well as his pupil's pupils, continued in the course of Romantic treatment pointed out to them, and with few exceptions remained steadfast to the Romanesque style."The Glyptothek is a museum in Munich, Germany, which was commissioned by the Bavarian King Ludwig I to house his collection of Greek and Roman sculptures (hence Glypto-, from the Greek root glyphein, to carve). It was designed by Leo von Klenze in the Neoclassical style, and built from 1816 to 1830. Today the museum is a part of the Kunstareal.

Glyptothek at Munich

"In contrast to the Berlin school is that of Munich, which was founded by Gärtner. Its influence, which…

"In Dresden, owing to the method of instruction in the technical schools, as well as to the influence of the buildings, as, for instance, those by Zwinger, and the new theatre by Semper, the Renaissance style is the one preferred by the architects who have been there educated." The Semperoper is the opera house of the Saxon State Opera Dresden (German: Sächsische Staatsoper Dresden) and the concert hall of the Sächsische Staatskapelle Dresden in Dresden, Germany. It was first built in 1841, by architect Gottfried Semper. The building style itself is debated among many, as it has features that appear in the Early Renaissance style, Baroque and even features Corinthian style pillars typical of classical Greece (classical revival). Perhaps the most suitable label for this style would be Eclecticism; where influences from many styles are used- a practice most common during this period. It had to be rebuilt after a fire destroyed it in 1869. The citizenry demanded that Gottfried Semper do the reconstruction, even though he was in exile at the time because of his activities in the May Uprising in Dresden in 1849. So the architect had his son Manfred Semper complete the second opera house with his father's plans. This second one was constructed in Neo-Renaissance style in 1878. During construction, performances were held at the Gewerbehausall, which opened in 1870. The building is considered to be a prime example of "Dresden-Baroque" architecture. It is situated on the Theater Square in central Dresden on the bank of the Elbe River. On top of the portal there is a Panther quadriga with a statue of Dionysos. The interior was created by such famous architects of the time as Johannes Schilling. Monuments on the portal depict famous artists such as Johann Wolfgang von Goethe and Friedrich Schiller, William Shakespeare, Sophocles, Molière and Euripides. The building also features work by Ernst Rietschel and Ernst Julius Hähnel. In the pre-war years, the building premiered many of the works of Richard Strauss. During the last weeks of World War II in 1945 the building was destroyed again - this time by Allied bombing and the subsequent fire storms. Exactly 40 years later, on February 13, 1985 the opera was rebuilt almost the same as it was before the war. It reopened with the same opera that was performed last before the destruction in 1945: Weber's Der Freischütz. During the flood of the Elbe in 2002 the building suffered heavy water damage. With substantial help from around the world, it reopened in December 2002. Today, most operas are accompanied by the Sächsische Staatskapelle Dresden.

Theatre at Dresden

"In Dresden, owing to the method of instruction in the technical schools, as well as to the influence…

"In this city many individual tendencies are perceptible, but the predominant inclination is toward the Italian Renaissance . The new Opera-House, built by Van der Nüll and Siccardsburg, forms an exception to this rule, the design and forms of which were copied from the Early French Renaissance, with its narrow moulding and flat elliptical arches. On the other hand, the models of the thirteenth and fourteenth centuries are chosen for churches built in the Gothic style. In its richest phase this is seen in the memorial church, built by Ferstel; and in its poorest aspect, and divested of all the ornamental details necessary to produce a good effect, in the Lazaristen Kirche, built by Schmidt, one of the most important representatives of the Gothic style, and at the same time an advocate in word and deed for its reintroduction." The Votivkirche in Vienna, Austria, is one of the most important neo-Gothic religious architectural sites in the world.

Vienna, Memorial Church

"In this city many individual tendencies are perceptible, but the predominant inclination is toward…

"In this city many individual tendencies are perceptible, but the predominant inclination is toward the Italian Renaissance . The new Opera-House, built by Van der Nüll and Siccardsburg, forms an exception to this rule, the design and forms of which were copied from the Early French Renaissance, with its narrow moulding and flat elliptical arches. On the other hand, the models of the thirteenth and fourteenth centuries are chosen for churches built in the Gothic style. In its richest phase this is seen in the memorial church, built by Ferstel; and in its poorest aspect, and divested of all the ornamental details necessary to produce a good effect, in the Lazaristen Kirche, built by Schmidt, one of the most important representatives of the Gothic style, and at the same time an advocate in word and deed for its reintroduction."The Lazaristenkirche is a Roman Catholic church building in the 7th district of Vienna, Neubau.

Lazarist Church at Vienna

"In this city many individual tendencies are perceptible, but the predominant inclination is toward…