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Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Non-Vocal Consonant positions have the voice phalanx of the thumb bent at right angles to the breath phalanx, or unaccented. Mixed-Divided Consonant positions have all of the fingers accented. Lip Consonant positions, being anterior, have the palm upright and in line with the arm.

Non-Vocal Mixed-Divided Lip Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Non-Vocal Consonant positions have the voice phalanx of the thumb bent at right angles to the breath phalanx, or unaccented. Shut Consonant positions do not have any of the fingers accented. Back Consonant positions, being posterior, have the palm held laterally at an angle to the arm.

Non-Vocal Shut Back Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Non-Vocal Consonant positions have the voice phalanx of the thumb bent at right angles to the breath phalanx, or unaccented. Shut Consonant positions do not have any of the fingers accented. Top Consonant positions have the lower phalanges of the fingers at right angles to the plane of the palm.

Non-Vocal Shut Top Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Non-Vocal Consonant positions have the voice phalanx of the thumb bent at right angles to the breath phalanx, or unaccented. Shut Consonant positions do not have any of the fingers accented. Point Consonant positions, being anterior, have the palm upright and in line with the arm.

Non-Vocal Shut Point Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Non-Vocal Consonant positions have the voice phalanx of the thumb bent at right angles to the breath phalanx, or unaccented. Shut Consonant positions do not have any of the fingers accented. Lip Consonant positions, being anterior, have the palm upright and in line with the arm.

Non-Vocal Shut Lip Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Non-Vocal Consonant positions have the voice phalanx of the thumb bent at right angles to the breath phalanx, or unaccented. Nasal Consonant positions have the breath phalanx of the thumb in the position to indicate Nasality. None of the fingers are accented. Back Consonant positions, being posterior, have the palm held laterally at an angle to the arm.

Non-Vocal Nasal Back Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Non-Vocal Consonant positions have the voice phalanx of the thumb bent at right angles to the breath phalanx, or unaccented. Nasal Consonant positions have the breath phalanx of the thumb in the position to indicate Nasality. None of the fingers are accented. Top Consonant positions have the lower phalanges of the fingers at right angles to the plane of the palm.

Non-Vocal Nasal Top Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Non-Vocal Consonant positions have the voice phalanx of the thumb bent at right angles to the breath phalanx, or unaccented. Nasal Consonant positions have the breath phalanx of the thumb in the position to indicate Nasality. None of the fingers are accented. Point Consonant positions, being anterior, have the palm upright and in line with the arm.

Non-Vocal Nasal Point Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Non-Vocal Consonant positions have the voice phalanx of the thumb bent at right angles to the breath phalanx, or unaccented. Nasal Consonant positions have the breath phalanx of the thumb in the position to indicate Nasality. None of the fingers are accented. Lip Consonant positions, being anterior, have the palm upright and in line with the arm.

Non-Vocal Nasal Lip Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Primary Consonant positions have only the first finger accented. Back Consonant positions, being posterior, have the palm held laterally at an angle to the arm.

Vocalized Primary Back Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Primary Consonant positions have only the first finger accented. Top Consonant positions have the lower phalanges of the fingers at right angles to the plane of the palm.

Vocalized Primary Top Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Primary Consonant positions have only the first finger accented. Point Consonant positions, being anterior, have the palm upright and in line with the arm.

Vocalized Primary Point Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Primary Consonant positions have only the first finger accented. Lip Consonant positions, being anterior, have the palm upright and in line with the arm.

Vocalized Primary Lip Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Mixed Consonant positions have the second, third, and fourth fingers accented. Back Consonant positions, being posterior, have the palm held laterally at an angle to the arm.

Vocalized Mixed Back Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Mixed Consonant positions have the second, third, and fourth fingers accented. Top Consonant positions have the lower phalanges of the fingers at right angles to the plane of the palm.

Vocalized Mixed Top Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Mixed Consonant positions have the second, third, and fourth fingers accented. Point Consonant positions, being anterior, have the palm upright and in line with the arm.

Vocalized Mixed Point Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Mixed Consonant positions have the second, third, and fourth fingers accented. Lip Consonant positions, being anterior, have the palm upright and in line with the arm.

Vocalized Mixed Lip Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Divided Consonant positions have the first and second fingers accented. Back Consonant positions, being posterior, have the palm held laterally at an angle to the arm.

Vocalized Divided Back Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Divided Consonant positions have the first and second fingers accented. Top Consonant positions have the lower phalanges of the fingers at right angles to the plane of the palm.

Vocalized Divided Top Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Divided Consonant positions have the first and second fingers accented. Point Consonant positions, being anterior, have the palm upright and in line with the arm.

Vocalized Divided Point Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Divided Consonant positions have the first and second fingers accented. Lip Consonant positions, being anterior, have the palm upright and in line with the arm.

Vocalized Divided Lip Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Mixed-Divided Consonant positions have all of the fingers accented. Back Consonant positions, being posterior, have the palm held laterally at an angle to the arm.

Vocalized Mixed-Divided Back Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Mixed-Divided Consonant positions have all of the fingers accented. Top Consonant positions have the lower phalanges of the fingers at right angles to the plane of the palm.

Vocalized Mixed-Divided Top Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Mixed-Divided Consonant positions have all of the fingers accented. Point Consonant positions, being anterior, have the palm upright and in line with the arm.

Vocalized Mixed-Divided Point Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Mixed-Divided Consonant positions have all of the fingers accented. Lip Consonant positions, being anterior, have the palm upright and in line with the arm.

Vocalized Mixed-Divided Lip Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Shut Consonant positions do not have any of the fingers accented. Back Consonant positions, being posterior, have the palm held laterally at an angle to the arm.

Vocalized Shut Back Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Shut Consonant positions do not have any of the fingers accented. Top Consonant positions have the lower phalanges of the fingers at right angles to the plane of the palm.

Vocalized Shut Top Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Shut Consonant positions do not have any of the fingers accented. Point Consonant positions, being anterior, have the palm upright and in line with the arm.

Vocalized Shut Point Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Shut Consonant positions do not have any of the fingers accented. Lip Consonant positions, being anterior, have the palm upright and in line with the arm.

Vocalized Shut Lip Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Nasal Consonant positions have the breath phalanx of the thumb in the position to indicate Nasality. None of the fingers are accented. Back Consonant positions, being posterior, have the palm held laterally at an angle to the arm.

Vocalized Nasal Back Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Nasal Consonant positions have the breath phalanx of the thumb in the position to indicate Nasality. None of the fingers are accented. Top Consonant positions have the lower phalanges of the fingers at right angles to the plane of the palm.

Vocalized Nasal Top Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Nasal Consonant positions have the breath phalanx of the thumb in the position to indicate Nasality. None of the fingers are accented. Point Consonant positions, being anterior, have the palm upright and in line with the arm.

Vocalized Nasal Point Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Nasal Consonant positions have the breath phalanx of the thumb in the position to indicate Nasality. None of the fingers are accented. Lip Consonant positions, being anterior, have the palm upright and in line with the arm.

Vocalized Nasal Lip Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Non-Vocal Consonant positions have the voice phalanx of the thumb bent at right angles to the breath phalanx, or unaccented. Primary Consonant positions have only the first finger accented. Throat Consonant positions differ from those of the Back in having the index and center fingers separated.

Non-Vocal Primary Throat Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Non-Vocal Consonant positions have the voice phalanx of the thumb bent at right angles to the breath phalanx, or unaccented. Primary Consonant positions have only the first finger accented. Throat Consonant positions differ from those of the Back in having the index and center fingers separated.

Non-Vocal Primary Throat Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Non-Vocal Consonant positions have the voice phalanx of the thumb bent at right angles to the breath phalanx, or unaccented. Shut Consonant positions do not have any of the fingers accented. Throat Consonant positions differ from those of the Back in having the index and center fingers separated.

Non-Vocal Shut Throat Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. <p> Vocalized Consonant positions have the voice phalanx of the thumb accented; that is, brought in line with the breath phalanx; this constitutes the only difference between the Vocalized and analogous Non-Vocal Consonant positions. Primary Consonant positions have only the first finger accented. Throat Consonant positions differ from those of the Back in having the index and center fingers separated.

Vocalized Primary Throat Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production some part of the throat or mouth obstructs, squeezes, or divides the breath. &hellip;in representing consonants the hand suggests a narrow adjustment of the organs, by having the prominent or accented fingers straightened and the second phalanx of the thumb close to the plane of the palm. From the Vocalized Throat primary consonant which represents guttural contraction, we may derive a very appropriate orinasal symbol by placing the breath phalanx of the thumb in the position for nasality. This symbol acts retrospectively, so in representing an orinasal we represent the vowel in the usual way and immediately follow it with the orinasal symbol.

Orinasal Symbol Throat Consonant

Consonants have a closed or narrowly expanded adjustment of the vocal organs, so that in their production…

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics of certain central-aperture consonants with the wide or expanded quality of vowels, but differing from vowels in not having a fixed configuration. ...in representing glides the peculiarities of consonants and vowels are blended: the accented fingers, by being straightened, contribute a consonant characteristic; while the second phalanx of the thumb, by being held at an angle to the plane of the palm, imparts to the glide positions the wide, without giving them the firm, quality of vowel positions. <p> Breath-Glide - A transitional aspiration, of organic quality corresponding to that of the adjoining elements [a soft effect of the Consonants, back primary; top primary; Point primary; Lip primary; etc.]. Although this glide has no fixed abiding place, and is of a somewhat variable organic formation, in its effect it is very closely allied to the Throat consonant aspirate, and is therefore represented with a posterior position of the palm and a separation of the index and center fingers, which are characteristic features of Throat positions. This is the only Non-Vocal glide, and hence is the only one in the representation of which the voice phalanx is unaccented.

Breath-Glide

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics…

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics of certain central-aperature consonants with the wide or expanded quality of vowels, but differing from vowels in not having a fixed configuration. ...in representing glides the peculiarities of consonants and vowels are blended: the accented fingers, by being straightened, contribute a consonant characteristic; while the second phalanx of the thumb, by being held at an angle to the plane of the palm, imparts to the glide positions the wide, without giving them the firm, quality of vowel positions. Voice-Glide &ndash; Vowel murmur [a non-syllabic effect of the mid Mixed primary round vowel]. It is a Throat formation, and is shown to be so by the position which represents it.

Voice-Glide

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics…

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics of certain central-aperature consonants with the wide or expanded quality of vowels, but differing from vowels in not having a fixed configuration. ...in representing glides the peculiarities of consonants and vowels are blended: the accented fingers, by being straightened, contribute a consonant characteristic; while the second phalanx of the thumb, by being held at an angle to the plane of the palm, imparts to the glide positions the wide, without giving them the firm, quality of vowel positions. Back-Glide &ndash; A semi-vowelized sound of the Vocalized back primary consonant.

Back-Glide

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics…

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics of certain central-aperature consonants with the wide or expanded quality of vowels, but differing from vowels in not having a fixed configuration. ...in representing glides the peculiarities of consonants and vowels are blended: the accented fingers, by being straightened, contribute a consonant characteristic; while the second phalanx of the thumb, by being held at an angle to the plane of the palm, imparts to the glide positions the wide, without giving them the firm, quality of vowel positions. Top-Glide &ndash; A semi-vowelized sound of the Vocalized top primary consonant.

Top-Glide

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics…

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics of certain central-aperature consonants with the wide or expanded quality of vowels, but differing from vowels in not having a fixed configuration. ...in representing glides the peculiarities of consonants and vowels are blended: the accented fingers, by being straightened, contribute a consonant characteristic; while the second phalanx of the thumb, by being held at an angle to the plane of the palm, imparts to the glide positions the wide, without giving them the firm, quality of vowel positions. Point-Glide &ndash; A semi-vowelized sound of the Vocalized Point primary consonant.

Point-Glide

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics…

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics of certain central-aperature consonants with the wide or expanded quality of vowels, but differing from vowels in not having a fixed configuration. Lip-Glide &ndash; A semi-vowelized sound of the Vocalized Lip primary consonant.

Lip-Glide

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics…

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics of certain central-aperature consonants with the wide or expanded quality of vowels, but differing from vowels in not having a fixed configuration. ...in representing glides the peculiarities of consonants and vowels are blended: the accented fingers, by being straightened, contribute a consonant characteristic; while the second phalanx of the thumb, by being held at an angle to the plane of the palm, imparts to the glide positions the wide, without giving them the firm, quality of vowel positions. <p> Round-Glide &ndash; Rounded murmur [a non-syllabic effect of the mid Mixed primary round vowel]. This also is a Throat formation, and is represented by a position which suggests an unrepresented Vocalized Throat Mixed consonant.

Round-Glide

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics…

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics of certain central-aperature consonants with the wide or expanded quality of vowels, but differing from vowels in not having a fixed configuration. ...in representing glides the peculiarities of consonants and vowels are blended: the accented fingers, by being straightened, contribute a consonant characteristic; while the second phalanx of the thumb, by being held at an angle to the plane of the palm, imparts to the glide positions the wide, without giving them the firm, quality of vowel positions. Throat-Glide &ndash; A semi-vowelized sound of the Vocalized Throat primary consonant.

Throat-Glide

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics…

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics of certain central-aperature consonants with the wide or expanded quality of vowels, but differing from vowels in not having a fixed configuration. ...in representing glides the peculiarities of consonants and vowels are blended: the accented fingers, by being straightened, contribute a consonant characteristic; while the second phalanx of the thumb, by being held at an angle to the plane of the palm, imparts to the glide positions the wide, without giving them the firm, quality of vowel positions. Back Mixed-Glide &ndash; A semi-vowelized sound of the Vocalized back Mixed consonant.

Back Mixed-Glide

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics…

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics of certain central-aperature consonants with the wide or expanded quality of vowels, but differing from vowels in not having a fixed configuration. ...in representing glides the peculiarities of consonants and vowels are blended: the accented fingers, by being straightened, contribute a consonant characteristic; while the second phalanx of the thumb, by being held at an angle to the plane of the palm, imparts to the glide positions the wide, without giving them the firm, quality of vowel positions.

Top Mixed-Glide

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics…

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics of certain central-aperature consonants with the wide or expanded quality of vowels, but differing from vowels in not having a fixed configuration. ...in representing glides the peculiarities of consonants and vowels are blended: the accented fingers, by being straightened, contribute a consonant characteristic; while the second phalanx of the thumb, by being held at an angle to the plane of the palm, imparts to the glide positions the wide, without giving them the firm, quality of vowel positions.

Point Mixed-Glide

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics…

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics of certain central-aperature consonants with the wide or expanded quality of vowels, but differing from vowels in not having a fixed configuration. ...in representing glides the peculiarities of consonants and vowels are blended: the accented fingers, by being straightened, contribute a consonant characteristic; while the second phalanx of the thumb, by being held at an angle to the plane of the palm, imparts to the glide positions the wide, without giving them the firm, quality of vowel positions. Lip Mixed-Glide &ndash; A semi-vowelized sound of the Vocalized Lip Mixed consonant.

Lip Mixed-Glide

Glides are only transitional sounds. They are intermediate to Consonants and Vowels, combining the characteristics…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. &hellip; in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Back Vowels have the palm in the posterior position. In Primary Vowel positions the accented voice phalanx of the thumb and the terminal phalanx of the accented finger overlap. None of the unaccented fingers are straightened. High Vowels have the third finger accented

Normal Aperture Back Primary High Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. &hellip; in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Back Vowels have the palm in the posterior position. In Primary Vowel positions the accented voice phalanx of the thumb and the terminal phalanx of the accented finger overlap. None of the unaccented fingers are straightened. Mid Vowels have the center finger accented.

Normal Aperture Back Primary Mid Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. &hellip; in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Back Vowels have the palm in the posterior position. In Primary Vowel positions the accented voice phalanx of the thumb and the terminal phalanx of the accented finger overlap. None of the unaccented fingers are straightened. Low Vowels have the first or index finger accented.

Normal Aperture Back Primary Low Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. &hellip; in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Back Vowels have the palm in the posterior position. Wide Vowel positions differ from analogous Primary Vowel positions by having straightened unaccented fingers, to denote "Wide." High Vowels have the third finger accented

Normal Aperture Back Wide High Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. &hellip; in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Back Vowels have the palm in the posterior position. Wide Vowel positions differ from analogous Primary Vowel positions by having straightened unaccented fingers, to denote "Wide." Mid Vowels have the center finger accented.

Normal Aperture Back Wide Mid Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. &hellip; in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Back Vowels have the palm in the posterior position. Wide Vowel positions differ from analogous Primary Vowel positions by having straightened unaccented fingers, to denote "Wide." Low Vowels have the first or index finger accented.

Normal Aperture Back Wide Low Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. &hellip; in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Mixed Vowels have the palm thrown forward so as to assume a compromising position. In Primary Vowel positions the accented voice phalanx of the thumb and the terminal phalanx of the accented finger overlap. None of the unaccented fingers are straightened. High Vowels have the third finger accented

Normal Aperture Mixed Primary High Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. &hellip; in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Mixed Vowels have the palm thrown forward so as to assume a compromising position. In Primary Vowel positions the accented voice phalanx of the thumb and the terminal phalanx of the accented finger overlap. None of the unaccented fingers are straightened. Wide Vowel positions differ from analogous Primary Vowel positions by having straightened unaccented fingers, to denote "Wide." Mid Vowels have the center finger accented.

Normal Aperture Mixed Primary Mid Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. &hellip; in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Mixed Vowels have the palm thrown forward so as to assume a compromising position. Wide Vowel positions differ from analogous Primary Vowel positions by having straightened unaccented fingers, to denote "Wide." High Vowels have the third finger accented

Normal Aperture Mixed Wide High Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation. &hellip; in representing vowels the hand suggests a wide and firm channel, by having the accented finger bent and its terminal phalanx brought firmly in contact with the terminal phalanx of the thumb. <p> Vowel positions are distinguished by always having the voice phalanx of the thumb accented and in contact with the terminal phalanx of the accented finger. This kind of accent is the strongest which can be given a finger, and so always takes precedence. Two modes of accentuation may not co-exist. Mixed Vowels have the palm thrown forward so as to assume a compromising position. Wide Vowel positions differ from analogous Primary Vowel positions by having straightened unaccented fingers, to denote "Wide." Mid Vowels have the center finger accented.

Normal Aperture Mixed Wide Mid Vowel

Vowels have a wide, firm, and free channel, whereby the breath is modified without friction or sibilation.…