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Jane Eyre

Chapter XXVII

by Charlotte Brontë

After falling asleep for a short while, Jane awakes to the realization that she must leave Thornfield. When she steps out of her room, she finds Rochester waiting in a chair on the threshold. To Rochester’s assurances that he never meant to wound her, and to his pleas of forgiveness, Jane is silent, although she confides to the reader that she forgave him on the spot. Jane suddenly feels faint, and Rochester carries her to the library to revive her. He then offers her a new proposal—to leave England with him for the South of France, where they will live together as husband and wife. Jane refuses, explaining that no matter how Rochester chooses to view the situation, she will never be more than a mistress to him while Bertha is alive. Rochester realizes that he must explain why he does not consider himself married, and he launches into the story of his past.

Jane Eyre

Chapter XI

by Charlotte Brontë

Jane’s driver is late picking her up from the station at Millcote. When she finally arrives at Thornfield it is nighttime. Although she cannot distinguish much of the house’s facade from among the shadows, she finds the interior “cosy and agreeable.” Mrs. Fairfax, a prim, elderly woman, is waiting for Jane. It turns out that Mrs. Fairfax is not, as Jane had assumed from their correspondence, the owner of Thornfield, but rather the housekeeper. Thornfield’s owner, Mr. Rochester, travels regularly and leaves much of the manor’s management to Mrs. Fairfax. Jane learns that she will be tutoring Adèle, an eight-year-old French girl whose mother was a singer and dancer. Mrs. Fairfax also tells Jane about Rochester, saying that he is an eccentric man whose family has a history of extreme and violent behavior. Suddenly, Jane hears a peal of strange, eerie laughter echoing through the house, and Mrs. Fairfax summons someone named Grace, whom she orders to make less noise and to “remember directions.” When Grace leaves, Mrs. Fairfax explains that she is a rather unbalanced and unpredictable seamstress who works in the house.

Jane Eyre

Chapter XXIV

by Charlotte Brontë

Preparations for Jane and Rochester’s wedding do not run smoothly. Mrs. Fairfax treats Jane coldly because she doesn’t realize that Jane was already engaged to Rochester when she allowed him to kiss her. But even after she learns the truth, Mrs. Fairfax maintains her disapproval of the marriage. Jane feels unsettled, almost fearful, when Rochester calls her by what will soon be her name, Jane Rochester. Jane explains that everything feels impossibly ideal, like a fairy-tale or a daydream. Rochester certainly tries to turn Jane into a Cinderella-like figure: he tells her he will dress her in jewels and in finery befitting her new social station, at which point Jane becomes terrified and self-protective. She has a premonitory feeling that the wedding will not happen, and she decides to write her uncle, John Eyre, who is in Madeira. Jane reasons that if John Eyre were to make her his heir, her inheritance might put her on more equal footing with Rochester, which would make her feel less uncomfortable about the marriage.

Jane Eyre

Chapter XXXVII

by Charlotte Brontë

Jane goes to Ferndean. From a distance, she sees Rochester reach a hand out of the door, testing for rain. His body looks the same, but his face is desperate and disconsolate. Rochester returns inside, and Jane approaches the house. She knocks, and Mary answers the door. Inside, Jane carries a tray to Rochester, who is unable to see her. When he realizes that Jane is in the room with him, he thinks she must be a ghost or spirit speaking to him. When he catches her hand, he takes her in his arms, and she promises never to leave him. The next morning they walk through the woods, and Jane tells Rochester about her experiences the previous year. She has to assure him that she is not in love with St. John. He asks her again to marry him, and she says yes—they are now free from the specter of Bertha Mason. Rochester tells Jane that a few nights earlier, in a moment of desperation, he called out her name and thought he heard her answer. She does not wish to upset him or excite him in his fragile condition, and so she does not tell him about hearing his voice at Moor House.

Jane Eyre

Chapter XVII

by Charlotte Brontë

Rochester has been gone for a week, and Jane is dismayed to learn that he may choose to depart for continental Europe without returning to Thornfield—according to Mrs. Fairfax, he could be gone for more than a year. A week later, however, Mrs. Fairfax receives word that Rochester will arrive in three days with a large group of guests. While she waits, Jane continues to be amazed by the apparently normal relations the strange, self-isolated Grace Poole enjoys with the rest of the staff. Jane also overhears a conversation in which a few of the servants discuss Grace’s high pay, and Jane is certain that she doesn’t know the entire truth about Grace Poole’s role at Thornfield. Rochester arrives at last, accompanied by a party of elegant and aristocratic guests. Jane is forced to join the group but spends the evening watching them from a window seat. Blanche Ingram and her mother are among the party’s members, and they treat Jane with disdain and cruelty. Jane tries to leave the party, but Rochester stops her. He grudgingly allows her to go when he sees the tears brimming in her eyes. He informs her that she must come into the drawing room every evening during his guests’ stay at Thornfield. As they part, Rochester nearly lets slip more than he intends. “Good-night, my—” he says, before biting his lip.

The Scarlet Letter

Introduction: “The Custom-House”

by Nathaniel Hawthorne

This introduction provides a frame for the main narrative of The Scarlet Letter. The nameless narrator, who shares quite a few traits with the book’s author, takes a post as the “chief executive officer,” or surveyor, of the Salem Custom House. This section introduces us to the narrator and establishes his desire to contribute to American culture.

Melmoth the Wanderer

Melmoth the Wanderer

by Charles Robert Maturin

The central character, John Melmoth, is a scholar who sells his soul to the devil in exchange for 150 extra years of life and spends that time searching for someone who will take over the pact for him; the novel actually takes place in the present, but this backstory is revealed through several nested stories-within-a-story that work backwards through time (usually through the Gothic trope of old books).